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Incident in a Ghostland (2018)



Jesus Christ.
It’s Rob Zombie’s house.

They came up with the following slogans for “Hereditary“: “The scariest film ever” and “A highlight in horror in the last 50 years“. Well, I wonder what they would say about “Incident in a Ghostland“? I won’t say this is the most masterful horror of all time. And no, it’s not as frightening as “The Exorcist“. That one scared me to death in those days. “Incident in a Ghostland” uses the same concept as in “The seasoning house” and “I spit on your grave“. The sexual abuse of innocent girls and the psychological damage these desperate victims suffer from. It’s not trembling and shaking all the time, but the whole movie you’ll have that uncomfortable feeling.



An eye for an eye.

Now, the concept of such movies is actually quite simple. In the first instance, they try to shock you with confrontational images so you’ll feel sick with disgust and anger. In such a way that the second part feels like a relief. Just like Jean-Claude Van Damme in his old movies where he fights back and wins, after being beaten up real bad. Or when an almost defeated underdog in a football match can turn the tide. That’s how the second part feels. You are a member of a fan club for the victims who fight back and avenge the injustice done to them. As in “I spit on your grave” where I couldn’t suppress a heartfelt, loud “Yes” with every execution of one of the perpetrators. And the way the victims take revenge should be ruthless and merciless. The more pain, the better. In short, a film that contrasts two opposing feelings frontally. The feeling of destruction, despair and physical pain, versus relief, liberation and a victory.



The twist was a surprise.

In a way, “Incident in a Ghostland” tries to break this pattern. Yes, there’s that moment of extreme violence and that moment the situation looks desperate. And just when you think it’s going smooth, the film takes a completely new path and the struggle for survival begins again. Further revealing only leads to spoiling the fun for those who haven’t seen the film yet. But the twist in the story also surprised me. To be honest, it’s not often that a film does this to me. Usually, I see it coming a mile away. But not now.



Is it something like “Martyrs”?

The film was directed by Pascal Laugier who’s best known for his controversial film “Martyrs“. A film that was proclaimed as the mother of all “torture-porn” and apparently rolls over you like a steamroller. An extremely brutal film many found disgusting. I never watched it myself. Deep inside I would like to see this movie but something tells me that the extreme violence will hit me too deeply. That’s why I avoid it. Had I known that Laugier directed this movie as well, I might have ignored it too. And now I’m on the horns of a dilemma. Is this a film where Laugier went soft? Or should I try to watch “Martyrs” anyway?



Thumbs-up for the make-up department.

Is it worth to watch this movie? Actually yes. And that because it’s beyond simply a brutal “home-invasion movie” with the torture, abuse, and humiliation of young girls. Here Laugier also brings the psychological impact of such a traumatic experience in the picture. He shows how the human psyche works from an individual who experiences something such as this barbaric invasion by two murderous maniacs. It’s not a film for sensitive souls even though the violence isn’t explicitly shown. However, the consequences of these brutal assaults are clearly visible. That’s why I give a thumbs-up for the make-up department.



Dark and oppressive.

The set-up as a whole is very successful. The house where Pauline (Mylène Farmer) and her two daughters Beth (Emilia Jones Crystal Reed) and Vera (Taylor Hickson Anastasia Phillips) move in, is a real junk house full of rarities and old dolls. Not that it plays a prominent role in the film, but it contributes to the entire oppressive and dark atmosphere. The acting of the two girls is mainly limited to screaming and anxiously waiting for the two halfwits to show up again. Except for Beth who became a successful writer of horror stories. Until she returns to the hell-house and is being confronted with the suffering. Mother Pauline behaves as a soothing and encouraging character. And then finally you have the two assailants. One crazier than the other, in terms of appearance. One is a goth-like person who you’ll only get to see briefly most of the time. The second a colossal, moronic monster who’s inhumanly strong. A drooling and groaning primate who prefers to play with dolls. And he likes it even better when those dolls are alive.



More frightening because of the realism.

All in all, “Incident in a Ghostland” is fascinating in a way. Even though the level of sadism is quite high and you can’t shake off the feeling of fear and panic during the whole movie. The entire film is an avalanche of hysteria with that constant sense of helplessness. It’s not a horror movie about possessed houses or paranormal phenomena with the familiar jump scares and creepy moments. This is a frightening film about something that can happen in reality and that we see on the news on a regular basis. The story itself seems rather simple, but Beth’s condition creates an extra dimension. In any case, it’s a lot more frightening than “Hereditary“, THE horror from 2018 (sarcastic tone).


My rating 7/10
Links: IMDB

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Prey | 20th Century Studios | Hulu

The origin story of the Predator in the world of the Comanche Nation 300 years ago. Naru, a skilled female warrior, fights to protect her tribe against one of the first highly-evolved Predators to land on Earth.





Action, Drama, Horror

Release Date:

20222 (Hulu)


Dan Trachtenberg


Amber Midthunder, Dane DiLiegro, Stefany Mathias

Plot Summary:

The origin story of the Predator in the world of the Comanche Nation 300 years ago. Naru, a skilled female warrior, fights to protect her tribe against one of the first highly-evolved Predators to land on Earth.

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Choose or Die – A Miss For Netflix



Netflix’s home page suggestions can always be hit or miss, and unfortunately its latest release ‘Choose or Die’ falls into the category of the latter. Captivated by Asa Butterfield on the poster, I was curious to see what this film had to offer and begrudgingly it didn’t have a lot.

We follow Kayla, a broke student who has a lot to deal with in terms of her family situation and being the sole provider for herself and her mum. She then stumbles upon a retro video game from the 80s which forces her to choose and ultimately leads to various chain reactions of horrific events involving people close to her.

Lola Evans as Kayla and Asa Butterfield as Isaac

The premise of the film sounds interesting, however, I think it swings and misses quite early into the film’s first act. Eddie Marsan sets the tone and trail of interest for Choose or Die as we are introduced to this sadistic game and the chain of events it will inevitably pursue. 

Choose or Die doesn’t make it easy to empathise with its characters, finding any connection to Kayla or Isaac was difficult. This ‘are they aren’t they’ subplot lingers throughout the film’s narrative but adds nothing to the overarching story. The supporting characters, such as Thea and Laura, are much more interesting and genuinely have you intrigued as to what decisions they will make.

What stood out to me was the violent and gore-like scenes of 80s horrors, with some pretty good stomach churning special effects make-up. Those intense scenes, one involving a rat, had me genuinely glued to the screen, anticipating what may happen next. Choose or Die’s strongest component are the early moral decisions Kayla has to make and ultimately demonstrate Meakin’s passion for the horror genre.

Ioanna Kimbook as Grace in Choose or Die, seen here in the diner in one of the more grotesque decisive moments for Kayla

The way in which this film is shot, felt very “student-esque” with its lackluster camera movements and setting. The set design lacked little depth, except for Isaac’s room which is full of detail, therefore making the world feel small and less three dimensional. An element which pulled me out of this cinematic experience, was the fact that this was evidently filmed in the United Kingdom, and the cast contained predominantly a lot of British actors doing an American accent so I wasn’t fully immersed into this world. 

Meakins clearly uses his passion for the horror genre to influence this film’s dark tone, from it’s leading characters’ moral compass as well as the gorey visuals that inevitably come with those decisions. The whole world feels cold and derelict, be it the place in which Kayla cleans or the housing estate of which she lives in, this is an unwelcoming world that no-one wants to comfort you in. 

Choose or Die isn’t a film that will stick out as one that defined 2022, however I’m sure someone will take something away from this film, be it’s reference to 80s gaming or the violent and graphic elements that the director is clearly passionate about. 

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Off Season – To Premiere Exclusively on Shudder



Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, announced that OFFSEASON will be available exclusively to stream on the platform starting on Friday, June 10, 2022. As a Shudder exclusive, the platform will be the only subscription service that will carry the film in the U.S., Canada, the United Kingdom, Ireland, Australia and New Zealand.

Upon receiving a mysterious letter that her mother’s gravesite has been vandalized, in OFFSEASON, Marie (Donahue) quickly returns to the isolated offshore island where her late mother is buried. When she arrives, she discovers that the island is closing for the offseason with the bridges raised until Spring, leaving her stranded. One strange interaction with the local townspeople after another, Marie soon realizes that something is not quite right in this small town. She must unveil the mystery behind her mother’s troubled past in order to make it out alive.

Check out the film’s trailer below and read our review HERE as it debuted during SXSW 2021

Written and directed by Mickey Keating (Psychopaths), OFFSEASON stars Jocelin Donahue (Doctor Sleep), Joe Swanberg (The Rental, “Easy”), Richard Brake (3 From HellMandy), Melora Walters (The Pale Door, “Pen15”) and Jeremy Gardner (After MidnightThe Mind’s Eye).

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