Connect with us

HORROR

Incident in a Ghostland (2018)

Published

on

Jesus Christ.
It’s Rob Zombie’s house.

They came up with the following slogans for “Hereditary“: “The scariest film ever” and “A highlight in horror in the last 50 years“. Well, I wonder what they would say about “Incident in a Ghostland“? I won’t say this is the most masterful horror of all time. And no, it’s not as frightening as “The Exorcist“. That one scared me to death in those days. “Incident in a Ghostland” uses the same concept as in “The seasoning house” and “I spit on your grave“. The sexual abuse of innocent girls and the psychological damage these desperate victims suffer from. It’s not trembling and shaking all the time, but the whole movie you’ll have that uncomfortable feeling.

 

 

An eye for an eye.

Now, the concept of such movies is actually quite simple. In the first instance, they try to shock you with confrontational images so you’ll feel sick with disgust and anger. In such a way that the second part feels like a relief. Just like Jean-Claude Van Damme in his old movies where he fights back and wins, after being beaten up real bad. Or when an almost defeated underdog in a football match can turn the tide. That’s how the second part feels. You are a member of a fan club for the victims who fight back and avenge the injustice done to them. As in “I spit on your grave” where I couldn’t suppress a heartfelt, loud “Yes” with every execution of one of the perpetrators. And the way the victims take revenge should be ruthless and merciless. The more pain, the better. In short, a film that contrasts two opposing feelings frontally. The feeling of destruction, despair and physical pain, versus relief, liberation and a victory.

 

 

The twist was a surprise.

In a way, “Incident in a Ghostland” tries to break this pattern. Yes, there’s that moment of extreme violence and that moment the situation looks desperate. And just when you think it’s going smooth, the film takes a completely new path and the struggle for survival begins again. Further revealing only leads to spoiling the fun for those who haven’t seen the film yet. But the twist in the story also surprised me. To be honest, it’s not often that a film does this to me. Usually, I see it coming a mile away. But not now.

 

 

Is it something like “Martyrs”?

The film was directed by Pascal Laugier who’s best known for his controversial film “Martyrs“. A film that was proclaimed as the mother of all “torture-porn” and apparently rolls over you like a steamroller. An extremely brutal film many found disgusting. I never watched it myself. Deep inside I would like to see this movie but something tells me that the extreme violence will hit me too deeply. That’s why I avoid it. Had I known that Laugier directed this movie as well, I might have ignored it too. And now I’m on the horns of a dilemma. Is this a film where Laugier went soft? Or should I try to watch “Martyrs” anyway?

 

 

Thumbs-up for the make-up department.

Is it worth to watch this movie? Actually yes. And that because it’s beyond simply a brutal “home-invasion movie” with the torture, abuse, and humiliation of young girls. Here Laugier also brings the psychological impact of such a traumatic experience in the picture. He shows how the human psyche works from an individual who experiences something such as this barbaric invasion by two murderous maniacs. It’s not a film for sensitive souls even though the violence isn’t explicitly shown. However, the consequences of these brutal assaults are clearly visible. That’s why I give a thumbs-up for the make-up department.

 

 

Dark and oppressive.

The set-up as a whole is very successful. The house where Pauline (Mylène Farmer) and her two daughters Beth (Emilia Jones Crystal Reed) and Vera (Taylor Hickson Anastasia Phillips) move in, is a real junk house full of rarities and old dolls. Not that it plays a prominent role in the film, but it contributes to the entire oppressive and dark atmosphere. The acting of the two girls is mainly limited to screaming and anxiously waiting for the two halfwits to show up again. Except for Beth who became a successful writer of horror stories. Until she returns to the hell-house and is being confronted with the suffering. Mother Pauline behaves as a soothing and encouraging character. And then finally you have the two assailants. One crazier than the other, in terms of appearance. One is a goth-like person who you’ll only get to see briefly most of the time. The second a colossal, moronic monster who’s inhumanly strong. A drooling and groaning primate who prefers to play with dolls. And he likes it even better when those dolls are alive.

 

 

More frightening because of the realism.

All in all, “Incident in a Ghostland” is fascinating in a way. Even though the level of sadism is quite high and you can’t shake off the feeling of fear and panic during the whole movie. The entire film is an avalanche of hysteria with that constant sense of helplessness. It’s not a horror movie about possessed houses or paranormal phenomena with the familiar jump scares and creepy moments. This is a frightening film about something that can happen in reality and that we see on the news on a regular basis. The story itself seems rather simple, but Beth’s condition creates an extra dimension. In any case, it’s a lot more frightening than “Hereditary“, THE horror from 2018 (sarcastic tone).

 

My rating 7/10
Links: IMDB

Thank You For The Support!

 

 

FILM RATING
$
Personal Info

Donation Total: $1.00

FILM RATING
Continue Reading
Advertisement
Click to comment
Subscribe
Notify of
guest
0 Comments
Inline Feedbacks
View all comments

HORROR

Halloween Kills | A Fun Popcorn Flick With The Right Amount Of Slasher, Horror And Humour

Published

on

Michael Myers terrifies the townsfolk of Haddenfield once again. halloween Kills uses elements from the 1978 original and fuses them with tense, gruesome and gore, it’s BLOODY BRUTAL!!!

In 2018 David Gordon Green’s Halloween, starring icon Jamie Lee Curtis, killed at the box office, earning more than $250 million worldwide, becoming the highest grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. 

However that Halloween night when Michael Myers returns isn’t over yet as the movie picks up right where we left off from the last one. Laurie Strode (Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (And Matichak)  have left the masked monster caged and burning in Laurie’s basement, Laurie however is rushed to hospital with life-threatening injuries and believes that she’s finally killed her lifelong tormentor. 

Photo: Blumhouse/Universal

But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddenfield to rise up against their unstoppable monster. 

The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.

Evil Dies Tonight. 

And speaking of evil, everything about this depiction of Michael is phenomenal. From his onscreen chilling presence, to his mask and the way he commits these brutal murders. Michael’s rampage through Haddenfield is pure carnage, he absolutely demolishes everyone and everything is his path. He’s let loose and becomes an even bigger dangerous threat, which is to be expected from masked killers. 

His kills are inventive and vicious and he’s gone one step ahead with the performance of killing someone as I felt that Michael has some theatricality aspects and truly admires his work by the way he displays their bodies. However I felt that some kills were forgettable due to the fact that we don’t get to care for some characters as by the time they’re in Michael’s line of sight, you know they’re a gonna. 

Photo: Blumhouse/Universal

For fans of horror and violence in movies, there are many spine-chilling moments such as Skull crushing, eye-gouging, gunshots and plenty of bodily horror. 

And if you’re a fan of the original 1978 Halloween film, you’ll be pleased to see many of the actors who were once children, teenagers in the original reprise the same roles in Halloween Kills as adults. It feels so believable and genuine to see the likes of Kyle Richards (Lindsey Wallace ), Nancy Stephens (Marion Chambers) and Charles Cyphers (Sheriff Leigh Brackett) . The film truly pays homage to the original that started it all. many other characters return from the 2018 film and another classic character returning is Tommy Doyle, though recast and now played by Anthony Michael Hall. 

Photo: Blumhouse/Universal

With all these characters the film switches the narrative by focusing in on how the town itself responds and reacts to Michael as the Haddonfield townspeople are fed up and exhausted after 40 years of trauma which was brought on by Michael Myers. We follow groups of unlikely heroes throughout the town armed and ready to take out an unstoppable force of nature by any means necessary. Tommy rallies the whole community to band together. They don’t listen to the Police so this film shows what happens when a town is dissatisfied with a failed system and a useless authority. All hell breaks loose and a mob is formed, this becomes a story that isn’t about Laurie vs Michael, instead about Michael vs Haddonfield itself. 

Photo: Blumhouse/Universal

The movie’s central location takes place within a hospital, we see bodies being swarmed in as a result of Michael. Fear starts growing within the town which unfortunately morphs into panic and eventually utter complete chaos when misinformation and rumours star to spread. I felt that the residents of Haddenfield’s true enemy was their own idiotic decisions, society and rage has made them the monsters. 

Cinematography is certainly elevated this time with unique camera angels showcasing the murders. John Carpenter’s score is beautiful and certainly adds suspense to certain scenes. I also love the film’s nods and nostalgia throughout flashbacks to 1978. 

Overall Halloween Kills is a solid setup and middle chapter of this trilogy. It’s a fun popcorn flick with the right amount of slasher, horror and humour. It also sets into motion what will eventually become Halloween Ends. 

Photo: Blumhouse/Universal

FILM RATING
Continue Reading

Action

Resident Evil: Welcome to Raccoon City – Official Trailer

Survivors try to uncover the truth behind the evil Umbrella Corp. while battling bloodthirsty zombies in the wastelands of Raccoon City.



Published

on

Genre:

Action, Horror, Mystery

Release Date:

November 24, 2021

Director:

Johannes Roberts

Cast:

Kaya Scodelario, Robbie Amell, Hannah John-Kamen

Plot Summary:

Survivors try to uncover the truth behind the evil Umbrella Corp. while battling bloodthirsty zombies in the wastelands of Raccoon City.

FILM RATING
Continue Reading

HORROR

Scream | Official Trailer

A new installment of the ‘Scream’ horror franchise will follow a woman returning to her home town to try to find out who has been committing a series of vicious crimes.



Published

on

Genre:

Horror, Mystery, Thriller

Release Date:

January 14, 2022

Director:

Matt Bettinelli-Olpin, Tyler Gillett

Cast:

Neve Campbell, Courteney Cox, David Arquette

Plot Summary:

A new installment of the ‘Scream’ horror franchise will follow a woman returning to her home town to try to find out who has been committing a series of vicious crimes.

FILM RATING
Continue Reading

Popular Now

Top Box-Office

Trending

0
Would love your thoughts, please comment.x
()
x