Adventure
The man who killed Hitler and then the Bigfoot (2018)
That day, I just killed a man.
What he stood for was unstoppable.
The absurd title alone should stimulate your curiosity. A film with such a whopper of a title (sounding completely absurd) can only lead to an unrivaled experience. My first reaction was: “Only Monty Python can come up with such a film title.“. I found “The man who killed Hitler and then the Bigfoot” a relief, after seeing so-called masterful films that should be breathtaking but ultimately were disappointing. More and more I come to the realization that mainstream films appeal to me less than those that can’t be seen in the commercial circuit. What stays in my mind after watching “The man who killed Hitler and then the Bigfoot“? Firstly, the makers of this wayward film created a myth on the one hand. And on the other hand, they eliminated a myth. Secondly, Sam Elliott, besides being the owner of an impressive walrus mustache, also knows how to act. Nothing new I’d say. And now he has an Oscar nomination. That has taken way too long. And finally, the question that gnaws at my soul. What was in the box? And what was in Calvin Barr’s shoe and bothered him the whole movie?
No, it’s no violent B-movie with an absurd storyline.
It’s already clear to the attentive readers. This isn’t an average film that was created for the general public. And even though the two main subjects are earth-shattering (if they would be true) and absurd at the same time, there are also secondary subjects beneath the surface that are just as important. Subjects that deal with regret and musing about a life course and whether or not it could have been different. And also about handling traumas and neglected family relationships. And finally losing an old love. It’s all included in a subtle way. Even though the film title seems to indicate that you are going to see some obscure, modernist film experiment with cheap violence and an absurd storyline (it also reminded me of Craig Moss and his absurd movie titles), it all looks very different. And surprising.
Perform one bold task, and surely they’ll ask you again.
It’s all about Calvin Barr (Sam Elliott). A veteran who has done something specific in WWII that would normally have to be very far-reaching and had to change world history. Only his assignment, well prepared and successfully executed, didn’t appear to have the alleged effect. Apparently, it seems to have something to do with covering it up and secrecy. His reputation, however, ensures that he’s once again being asked by the secret service to carry out another ultra-secret mission nobody will probably know anything about afterward. Such an assignment that undoubtedly will grow into a myth. And in the end, people will start guessing whether or not it actually happened.
Eliminate someone you hate versus losing someone you love.
Maybe this is what’s weighing on Calvin. The lack of any appreciation for his actions and an official tribute for what he had done for mankind. Either the realization that his actions ultimately didn’t make any difference. That’s why he’s not interested in the question asked and he gives an explanation about how crooked thoughts and ideas continue to exist. Even after eliminating the person who spread the ideas. And probably the thing that bothers him the most, is the fact that the mission to eliminate the person, who’s a threat to world peace, has ensured that the person he loved the most, slipped through his fingers.
Sam Elliott is an icon.
Undeniably, the interpretation by Sam Elliott is simply sublime. His appearance and facial expressions definitely are the cause of this. Something Krzykowski took advantage of extensively. So you can expect a lot of close-ups where you get to see his steely eyes glancing over his glasses. A rough appearance with bushy eyebrows and a gigantic gray walrus mustache. He’s such a man who has had a richly filled life that he thinks about and reconsiders. But he’s also a man of age who has to take his pills every single day, who falls asleep in front of his antique-looking television and who asks his old dog how they’ll get through the day. A character face with a unique, deep voice. Wonderful acting by an icon in filmland.
The younger Calvin.
But also the acting of Aidan Turner as the younger version of Calvin is pretty decent. The frequent flashbacks that occur in the film show Calvin’s comings and goings. Flashbacks that suddenly pop up when the mind of the older Calvin wanders. We see the somewhat timid seller of hats who falls for Maxime (Caitlin FitzGerald). A rather clumsy person who doesn’t succeed in popping the question. Bringing a marriage proposal to a successful conclusion seems to be extremely difficult for him. In fact, the parts where Aidan Tuner appears in, are the funniest parts. The awkward and embarrassing dinner. And the scene when he arrives at the headquarters of the Nazis is utterly hilarious.
A must see? Once again.
No, “The man who killed Hitler and then the Bigfoot” isn’t only a movie about a hero and his heroic deeds. And even though the title is literally what’s going on in this film, it does not cover the subject completely. The title would be more complete with “… and gained nothing with it.” because on both missions, Calvin actually lost something. But then the title would probably no longer fit on the poster. I just thought it was a fascinating film. A film about absurd facts of mythical proportions. Or maybe not? Sadam Hussein also had a bunch of doppelgangers. And no one could ever prove the Sasquatch does NOT exist. That’s why those are a myth. I was left with only one burning question. What the hell was in that wooden box and Calvin’s shoe? Some good advice. Go watch this movie. And when you’ve done that, could you please answer my question?
My rating 8/10
Links: IMDB
There are great movies, there are unforgettable movies, and then there are films that redefine what blockbuster filmmaking can be. Christopher Nolan’s The Odyssey firmly belongs in the latter category. With breathtaking visuals, career-defining performances, and an emotional core that never loses sight of Homer’s timeless story, The Odyssey isn’t simply one of the year’s best films. It stands among the finest achievements of Nolan’s extraordinary career.
Rather than treating Homer’s epic as nothing more than an excuse for massive action sequences and mythical creatures, Nolan crafts a deeply human story about perseverance, family, identity, and the emotional cost of war. Every impossible obstacle Odysseus faces feels meaningful because the journey has always been about one thing: finding his way home.
The Odyssey [credit: Universal Pictures]
Matt Damon delivers one of the most restrained performances of his career. His Odysseus isn’t portrayed as an invincible action hero, but as a weathered man carrying years of physical and emotional scars. The performance perfectly complements Nolan’s vision, showing a legendary warrior whose greatest battle is simply surviving long enough to return to the people he loves.
Anne Hathaway shines as Penelope, bringing remarkable strength and quiet resilience to every scene. Tom Holland delivers one of his strongest dramatic performances as Telemachus, whose own journey becomes just as compelling as his father’s. Robert Pattinson nearly steals every scene he’s in with an unforgettable performance that provides just enough unpredictability to keep audiences on edge.
Visually, The Odyssey is simply astonishing.
Shot entirely for IMAX, Nolan and cinematographer Hoyte van Hoytema create images that demand to be experienced on the biggest screen possible. From towering cliffs and endless oceans to mythical encounters that feel both terrifying and beautiful, every frame reminds viewers why practical filmmaking still matters. There is a tangible scale and realism here that computer-generated spectacle rarely achieves.
Ludwig Göransson’s score deserves equal praise. The music elevates every triumph, every loss, and every quiet moment of reflection, becoming the emotional heartbeat of the entire film.
Perhaps Nolan’s greatest accomplishment is balancing spectacle with intimacy. While audiences will undoubtedly remember the Cyclops, the Sirens, and the film’s massive action sequences, it’s the quieter moments between family members that leave the deepest impression. The relationship between Odysseus, Penelope, and Telemachus gives the film genuine emotional weight that continues long after the credits roll.
The Odyssey [credit: Universal Pictures]
The film’s nearly three-hour runtime never feels excessive. Every chapter serves a purpose, allowing the audience to fully experience the trials that shaped one of literature’s greatest heroes. Nolan’s signature nonlinear storytelling is present but never distracting, adding depth without sacrificing clarity.
If there’s any criticism to be made, it’s only that some supporting characters deserved more time to breathe. With a cast this talented, a few memorable performances inevitably disappear sooner than audiences might hope. Yet even this feels less like a flaw and more like the unavoidable reality of adapting one of history’s greatest epics into a single film.
Critics have been nearly unanimous in their praise. The New York Times named it a Critic’s Pick, calling it “a classic in every sense” and “a transporting affirmation of the art and a work of pure cinema.” The Associated Press similarly praised the film’s emotional depth and breathtaking spectacle, while early reactions have hailed it as one of Nolan’s most ambitious accomplishments.
Christopher Nolan has spent decades pushing the boundaries of blockbuster filmmaking with films like Memento, The Dark Knight, Inception, Interstellar, Dunkirk, and Oppenheimer. Somehow, The Odyssey feels like the culmination of everything he has learned along the way. It is visually magnificent, emotionally resonant, intellectually engaging, and endlessly cinematic.
This is exactly why people go to the movies.
Final Verdict
The Odyssey is an extraordinary achievement that honors one of history’s greatest stories while firmly establishing itself as one of the defining films of modern cinema. It is epic in scale, intimate in emotion, and unforgettable from beginning to end. Christopher Nolan has once again reminded audiences why he remains one of the greatest filmmakers of his generation.
Action
Millie Bobby Brown Reveals Secret Pact With the Duffer Brothers Over Eleven’s Fate in Stranger Things
Even months after Stranger Things concluded its five-season run, fans continue to debate one lingering mystery: What really happened to Eleven?
According to Millie Bobby Brown, she actually knows the answer but she isn’t allowed to tell anyone.
Brown Swore to Keep the Secret
While appearing on the Happy Sad Confused podcast, Millie Bobby Brown revealed that Matt and Ross Duffer made her swear to secrecy about Eleven’s true fate.
“They were like, ‘Do not tell anyone. Because we made it a secret kind of pledge,'” Brown said. “No one else knows. It’s just us three. And what we do with that information, it’ll be up to them.”
Brown explained that the Duffer Brothers entrusted her with the truth behind Eleven’s ending, making her the only cast member who knows exactly what happened to the beloved character after the series finale.
Stranger Things Season 5 [credit: Netflix]
The Ending Was Meant to Stay Open to Interpretation
The ambiguous finale has sparked countless fan theories since Stranger Things wrapped up, with viewers questioning whether Eleven survived, sacrificed herself, or if the truth lies somewhere in between.
The Duffer Brothers have intentionally left the ending open to interpretation, allowing fans to decide for themselves what Eleven’s future ultimately looks like. Brown’s comments suggest that while the creators have a definitive answer, they have no plans to reveal it publicly.
That means fans hoping Brown might accidentally spill the secret during an interview probably shouldn’t hold their breath.
A Mystery That Will Continue
For many viewers, the uncertainty surrounding Eleven’s fate has become one of the defining talking points of the series finale. While some fans would prefer a concrete answer, others appreciate the mystery and the freedom to interpret the ending for themselves.
For now, Brown appears committed to honoring the promise she made to the Duffer Brothers, ensuring that one of Stranger Things’ biggest mysteries remains exactly that—a mystery.
As the franchise moves forward with new projects, including the upcoming animated series Stranger Things: Tales From ’85’, it appears the secret of Eleven’s ultimate fate will remain safely locked away between Millie Bobby Brown and the Duffer Brothers.
Action
Shang-Chi 2 Gets Promising Update as Director Destin Daniel Cretton Confirms Sequel Is Still Moving Forward
Marvel fans have been waiting nearly five years for news on Shang-Chi 2, and now director Destin Daniel Cretton has finally provided a promising update on the long-awaited sequel.
Despite taking on the massive responsibility of directing Spider-Man: Brand New Day, Cretton confirmed that Shang-Chi 2 remains very much alive at Marvel Studios. During a recent interview, the filmmaker assured fans that development is ongoing and that the creative team is taking its time to make sure the sequel lives up to the expectations set by the original film.
“We’re working on it,” Cretton said. “The first film’s reception was incredible, and we want to honor that. It’s evolving in a way we’re excited about.”
The update comes as welcome news for Marvel fans who have questioned the future of the franchise after years of limited information. The original Shang-Chi and the Legend of the Ten Rings debuted in 2021 to strong reviews and impressive box office results, grossing more than $432 million worldwide while introducing audiences to one of the MCU’s most beloved new heroes.
Shang-Chi [credit: Marvel Studios]
Much of the uncertainty surrounding the sequel stemmed from Cretton’s increasingly busy Marvel schedule. After stepping away from what eventually became Avengers: Doomsday, the director shifted his focus to projects including Wonder Man, Spider-Man: Brand New Day, and the Shang-Chi sequel itself.
While Marvel has yet to announce an official release date, the latest comments suggest the studio is prioritizing quality over speed. Cretton remained tight-lipped about plot details, but he did tease that the emotional core of the original film remains an important part of the sequel’s development.
“I can’t say specifics, but the emotional core is very important to us,” he explained.
Star Simu Liu has also repeatedly stated that he expects to return as Shang-Chi, and earlier this year reaffirmed that the project is still in active development.
For now, Marvel fans may have to wait a little longer before Shang-Chi finally returns to the big screen. But after years of uncertainty, one thing is now clear: the Master of the Ten Rings hasn’t thrown his final punch just yet.
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