That day, I just killed a man.
What he stood for was unstoppable.
The absurd title alone should stimulate your curiosity. A film with such a whopper of a title (sounding completely absurd) can only lead to an unrivaled experience. My first reaction was: “Only Monty Python can come up with such a film title.“. I found “The man who killed Hitler and then the Bigfoot” a relief, after seeing so-called masterful films that should be breathtaking but ultimately were disappointing. More and more I come to the realization that mainstream films appeal to me less than those that can’t be seen in the commercial circuit. What stays in my mind after watching “The man who killed Hitler and then the Bigfoot“? Firstly, the makers of this wayward film created a myth on the one hand. And on the other hand, they eliminated a myth. Secondly, Sam Elliott, besides being the owner of an impressive walrus mustache, also knows how to act. Nothing new I’d say. And now he has an Oscar nomination. That has taken way too long. And finally, the question that gnaws at my soul. What was in the box? And what was in Calvin Barr’s shoe and bothered him the whole movie?
No, it’s no violent B-movie with an absurd storyline.
It’s already clear to the attentive readers. This isn’t an average film that was created for the general public. And even though the two main subjects are earth-shattering (if they would be true) and absurd at the same time, there are also secondary subjects beneath the surface that are just as important. Subjects that deal with regret and musing about a life course and whether or not it could have been different. And also about handling traumas and neglected family relationships. And finally losing an old love. It’s all included in a subtle way. Even though the film title seems to indicate that you are going to see some obscure, modernist film experiment with cheap violence and an absurd storyline (it also reminded me of Craig Moss and his absurd movie titles), it all looks very different. And surprising.
Perform one bold task, and surely they’ll ask you again.
It’s all about Calvin Barr (Sam Elliott). A veteran who has done something specific in WWII that would normally have to be very far-reaching and had to change world history. Only his assignment, well prepared and successfully executed, didn’t appear to have the alleged effect. Apparently, it seems to have something to do with covering it up and secrecy. His reputation, however, ensures that he’s once again being asked by the secret service to carry out another ultra-secret mission nobody will probably know anything about afterward. Such an assignment that undoubtedly will grow into a myth. And in the end, people will start guessing whether or not it actually happened.
Eliminate someone you hate versus losing someone you love.
Maybe this is what’s weighing on Calvin. The lack of any appreciation for his actions and an official tribute for what he had done for mankind. Either the realization that his actions ultimately didn’t make any difference. That’s why he’s not interested in the question asked and he gives an explanation about how crooked thoughts and ideas continue to exist. Even after eliminating the person who spread the ideas. And probably the thing that bothers him the most, is the fact that the mission to eliminate the person, who’s a threat to world peace, has ensured that the person he loved the most, slipped through his fingers.
Sam Elliott is an icon.
Undeniably, the interpretation by Sam Elliott is simply sublime. His appearance and facial expressions definitely are the cause of this. Something Krzykowski took advantage of extensively. So you can expect a lot of close-ups where you get to see his steely eyes glancing over his glasses. A rough appearance with bushy eyebrows and a gigantic gray walrus mustache. He’s such a man who has had a richly filled life that he thinks about and reconsiders. But he’s also a man of age who has to take his pills every single day, who falls asleep in front of his antique-looking television and who asks his old dog how they’ll get through the day. A character face with a unique, deep voice. Wonderful acting by an icon in filmland.
The younger Calvin.
But also the acting of Aidan Turner as the younger version of Calvin is pretty decent. The frequent flashbacks that occur in the film show Calvin’s comings and goings. Flashbacks that suddenly pop up when the mind of the older Calvin wanders. We see the somewhat timid seller of hats who falls for Maxime (Caitlin FitzGerald). A rather clumsy person who doesn’t succeed in popping the question. Bringing a marriage proposal to a successful conclusion seems to be extremely difficult for him. In fact, the parts where Aidan Tuner appears in, are the funniest parts. The awkward and embarrassing dinner. And the scene when he arrives at the headquarters of the Nazis is utterly hilarious.
A must see? Once again.
No, “The man who killed Hitler and then the Bigfoot” isn’t only a movie about a hero and his heroic deeds. And even though the title is literally what’s going on in this film, it does not cover the subject completely. The title would be more complete with “… and gained nothing with it.” because on both missions, Calvin actually lost something. But then the title would probably no longer fit on the poster. I just thought it was a fascinating film. A film about absurd facts of mythical proportions. Or maybe not? Sadam Hussein also had a bunch of doppelgangers. And no one could ever prove the Sasquatch does NOT exist. That’s why those are a myth. I was left with only one burning question. What the hell was in that wooden box and Calvin’s shoe? Some good advice. Go watch this movie. And when you’ve done that, could you please answer my question?
My rating 8/10
Thank You For The Support!
Fantastic Beasts: The Secrets of Dumbledore – New Teaser Trailer
You are invited back into the Magic! as Fantastic Beasts: The Secrets of Dumbledore, audiences will be taken back into the familiar and immersive world of magic, fun and excitement, featuring even more compelling and unique magical beasts in an all-new story that truly expands the iconic Wizarding World in surprising and unexpected ways.
Professor Albus Dumbledore (Jude Law) knows the powerful Dark wizard Gellert Grindelwald (Mads Mikkelsen) is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander (Eddie Redmayne) to lead an intrepid team of wizards, witches and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?
Dive into the complex, high-stakes relationship between Grindelwald and Dumbledore and unlock the story of these two legendary wizards.And for the first time, audiences will get an inside look at the complicated and enigmatic Dumbledore.
The film is also the ultimate wizard heist as what follows in The Secrets of Dumbledore is an action-packed cat-and-mouse game of secretive plans, mysteries and fun twists and turns. Our unlikely heroes – Newt, Jacob, Kama, Lally, Bunty and Theseus are brought together by Dumbledore in an attempt to defeat Grindelwald.
From the teaser trailer it looks like this film will be magical on the big screen as it’s a richly realised expansion of the story fans have been craving, a transportive cinematic experience for all ages that features familiar connections to Harry Potter, whilst also keeping the classic Magical elements like the whimsy humour as well as the heartwarming moments and heart-stopping action.
The film features an ensemble cast led by Oscar winner Eddie Redmayne (“The Theory of Everything”), two-time Oscar nominee Jude Law (“Cold Mountain,” “The Talented Mr. Ripley”), Ezra Miller, Dan Fogler, Alison Sudol, Callum Turner, Jessica Williams, Katherine Waterston, and Mads Mikkelsen.
Fantastic Beasts: The Secrets of Dumbledore” was directed by David Yates, from a screenplay by J.K. Rowling & Steve Kloves, based upon a screenplay by J.K. Rowling. The film was produced by David Heyman, J.K. Rowling, Steve Kloves, Lionel Wigram and Tim Lewis. Neil Blair, Danny Cohen, Josh Berger, Courtenay Valenti and Michael Sharp served as executive producers.
Warner Bros. Pictures’ “Fantastic Beasts: The Secrets of Dumbledore” is the newest adventure in the Wizarding World™ created by J.K. Rowling.
Fantastic Beasts: The Secrets of Dumbledore will be released in cinemas across the UK & Ireland on 8 April 2022 by Warner Bros. Pictures.
Ghostbusters: Afterlife | Jason Reitman Has Truly Outdone Himself
After more than a year of scheduling delays due to the pandemic, Ghostbusters: Afterlife has finally made it into some theatres across the world. The newest film in this iconic franchise is a direct sequel to the original 1984 Ghostbusters and 1989s Ghostbusters II, which was released more than thirty years ago. Director and co-writer Jason Reitman, is the son of Ivan Reitman, who directed both Ghostbuster films and his legacy to his Father’s Ghostbusting franchise was a nostalgic joyride that features the same heart and soul as the originals and truly took me back to when I first experienced the spiritualistic, scientific wonder.
Ghostbusters: Afterlife follows Callie (Carrie Coon) and her children Trevor (Finn Wolfhard), and Phoebe (McKenna Grace), who after becoming broke and indebted are evicted from their home and are forced to move to a decayed farmhouse in Summerville, Oklahoma, left to them by the children’s late grandfather. A series of unexplained earthquakes are occurring despite not being situated on any fault lines or tetctonic plates. In addition Phoebe discovers strange and ominous ruins in an old mine that is rumoured to have once belonged to the alleged occultist Ivo Shandor.
The children also discover the history of their grandfather with the original Ghostbusters, who have since been largely forgotten by the world beyond their fan base. But when a supernatural phenomena relating to New York City’s Manhattan Crossrip of 1984 occur and threaten the world, the kids along with their family and friends, must solve the decades-old mystery of the relocation of their grandfather and use the equipment of the Ghostbusters and become their successors to save it.
At the heart of the story is the youngest child of the family. Mckenna Grace who is perfect in the role as Phoebe and her character is certainly relatable, she’s a young person trying to find a way in a world where her mum sadly doesn’t encourage her scientific cleverness and she has few but very little friends. Bespectacled and introverted with a dry wit, Afterlife is her journey of discovering the importance of her heritage and embracing her true gifts and talents.
Mckenna Grace personifies the person in this story with the intelligence to see through the paranormal of everything that’s happening, Much like Egon did and certainly would have, had he been part of this spectacle of a movie. she also gives subtle homages to Ramis’s comedic approach.
Afterlife felt like it was built around paying homage to his absence, but he and Egon loom largely over the whole film especially with a touching dedication “For Harold” which truly had me tearing up and speechless, the tribute is just loving. Not only is the movie an energetic ghost-blasting joyride, its filled with beautiful emotion, which I wasn’t emotionally prepared for.
Among the supporting cast Carrie Coon portrays Callie as she comes to grips with the loss of a father she never really knew. She’s a dedicated, yet struggling single mother and doing her best whilst childhood wounds heal. She is also not quite understanding of phoebe’s hobbies. Both her and Mr Grooberson played by Ant-Man and current People Magazine’s Sexiest Man Alive aka Paul Rudd have great chemistry and comedic moments together.
Stranger things star Finn Wolfhard also seems to be in familiar territory with all the supernatural things going on. His character trevor seems to have a crush on Lucky, a classmate at High School and a forth-generation resident of Summerville. As for Logan Kim, he truly steals every scene he’s in as Podcast. He’s an intrepid kid obsessed with mystery and the supernatural, this mixes well with Phoebe’s science. The 10 year old podcaster also has some great sequences with all the iconic gadgets.
The cast is just so good in this movie, they’re simply terrific and all serve the purpose of this story. The script and dialogue also are so cleaver and truly honours and acknowledges the nostalgia that longtime Ghostheads like myself feel for the original story. moments of fan service occur with iconic imagery scattered throughout the film as the camera pans and lingers on iconic props like the P.K.E. Meter, Twinkie, etc.
The dirt farm is also a fantastic location that also serves as a character. It’s decaying state shows neglect but also that something isn’t quite right. Egon has suddenly left hundreds of tools and paraphernalia for the family to uncover. Reitman creates a film that truly honours the legacy of Ghostbuters, but he also creates a phenomenal new film to introduce to new generations. It’s an expansion of the universe in which these kids are finding where they fit into the world whilst it passes the torch onto the next generation of Ghostbusting heroes.
If you’ve watched the trailers then you’ll be aware of Muncher, Mini-Pufts and the return of the terror dogs, every Ghostbusters fan will have a favourite. The Mini-Puts were absolutely hilarious and mischievous, they’re small humanoid marshmallow men that are somewhat the same shape as the mascot on the Stay Put Marshmallows packaging. And though they may look cute at first sight, they are quite a destructive bunch and tend to not think before acting, and don’t care about their or others of their kind’s well-being.
Muncher surprisingly voiced by Josh Gad loves to chew down on anything metal it can get its hands on. He’s somewhat smart, but more of a pest than an actual threat.
The action sequences are done brilliantly especially with ghosts flying about everywhere. And seeing the Ecto-1 drifting through a wheat field and then driving through Smallville chasing after Muncher with all the proton blasting was thrilling and energetic.
The music and score by Rob Simonsen is phenomenal and truly nostalgic as he uses many of the late Elmer Bernstein’s iconic themes from the original film which truly gave me goosebumps.
Ghostbusters: Afterlife truly left me wanting more, especially with the new mythology and characters. It’s perfectly a story about a father’s forgiveness and a young girl on a journey to discover herself and her grandfather’s legacy. That relationship really resonated with me as my own grandfather introduced me to this franchise growing up on VHS, so I really wished he’d have been here to watch this, even though I felt his presence whilst watching the film. And whilst the film still honours the original in an emotionally incredible satisfying way, writer-director Jason Reitman and co-writer Gil Kenan have truly crafted a phenomenal, engaging and an emotional story about lineage. Jason Reitman has truly outdone himself and pays tribute to his father’s greatest work.
So Who you gonna call?
The Book of Boba Fett | Disney + | Star Wars – Official Trailer
On the sands of Tatoonie, bounty hunter Boba Fett and mercenary Fennec Shand navigate the Galaxy’s underworld and fight for Jabba the Hutt’s old territory.
Action, Adventure, Sci-fi
December 29, 2021
Jon Favreau; Dave Filoni; Robert Rodriguez; Kathleen Kennedy
Tamuera Morrison, Ming-Na Wen
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