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Drama

Bad Times at the El Royale (2018)

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The El Royale is a bi-state establishment.
You have the option to stay in either the great state of California…
or the great state of Nevada.
Warmth and sunshine to the west…
or hope and opportunity to the east.
Which would you prefer?

Let me get straight to the point. Yes, this film by Drew Goddard refers to several masterpieces from the past. And yes, it has the atmosphere, story structure and the look of a Quentin Tarantino film. You will probably read this on every movie site. Is this necessarily a bad thing? Does this mean Goddard doesn’t have his own style? Is it necessary to compare a brilliant film such as “Bad times at the El Royale” with Quentin Tarantino’s oeuvre? Personally, I don’t think so. When I get sucked into the story while watching this film, just like “The Hateful Eight” did with me, then this is a merit of Goddard himself. If a movie succeeds in keeping my eye fixed on the screen for more than 2 hours, then it’s worth a compliment. And when one compares it with another grandmaster, I guess it’s a compliment for both of them. I’m sure Tarantino will like this film as well.

 

 

For starters, the location itself is pretty original.

In any case, the location where the story takes place is in itself already original. A captivating motel/hotel built on the border between Nevada and California. You cross the border, as it were when you walk from the reception to the jukebox. And different laws are applied in every part of this unique hotel. But since a while, it’s abandoned. Far away from other metropolises so consequently it’s also cheaper. In earlier times though, the “El Royale” was a secret location where public figures stayed over for a night and where they could engage in rather appalling practices, far from civic life. This is where the entire story takes place. A story with different storylines with each time a character in a leading role who happens to looks quite ordinary at first acquaintance. As the film progresses, it turns out they all have their own hidden agenda. And all these storylines are entwined with each other until it finally ends in a rousing apotheosis.

 

 

Characters with dark secrets.

So, it’s not a secluded cabin which is unreachable thanks to excessive snowfall (I know. I’m comparing again). And the pawns that are set out at the beginning (like in a game of Cluedo) are a priest (Jeff Bridges), a soul singer (Cynthia Erivo), a vacuum cleaner salesman (Jon Hamm), a rebellious young lady (Dakota Johnson), and a shy young receptionist (Lewis Pullman). A grab-bag of people who apparently happen to spend the same night in El Royale. After the introduction of the characters, the film is divided into episodes and a fragmentary web of storylines arises in which the dark secret of each character comes up. And before you know it, the vacuum cleaner dealer is someone who resembles a secret agent, the priest is looking for something more valuable than God’s message, the rebellious lady is on the run from someone devilish and the receptionist has a past full of victims. Only the soul singer seems authentic and has a damn good voice.

 

 

The less you know, the better.

Maybe it sounds a bit vague. But believe me: the less you know, the better. I was surprised again and again by the various twists. And those twists sometimes come from an unexpected angle. It wasn’t only the way of filming that pleased me, but also the subtlety with which it was all interwoven. Some story elements were shown from three viewpoints. Time and time again in a new storyline. Normally this could lead to confusion. But here it fits perfectly. And this all in a typical 60s setting with accompanying props, appropriate clothing and a Wurlitzer that produced that distinctive Motown sound. Take “Pulp Fiction“, “Twin Peaks” and “The Hateful Eight” and you get a movie like “Bad times at the El Royale” after a good shake-up. Simply wonderful.

 

 

How about acting?

Let’s talk about renditions. Actually, there is no character that disappointed. Each has his/her reasons for being there and has his/her own personality traits. It was clear from the beginning they were all enjoying themselves while playing their part. Once more the acting of Jeff Bridges as a priest was a joy to watch. Even though he talks as if he’s nibbling on chewing tobacco or a hot potato as in “R.I.P.D” and “Seventh Son“, I simply thought he was sublime as the priest with Alzheimer’s. And certainly, the interactions between him and Cynthia Erivo are simply great. She also has a beautiful voice that came in handy in a specific splendid scene.

 

 

Chris Hemsworth. Give that man a cigar.

Personally, I thought Lewis Pullman was the most imaginative character as the labile receptionist. And Dakota Johnson not only had the most titillating body contours, but she also took on the most insane part. And finally an honorable mention for the admirable performance by Chris Hemsworth (he’s forgiven for his role as Kevin in “Ghostbusters“). He’s a cult leader who shows up as a dead calm Jim Morrison-like creep (Watch him dance). The beginning of an out of control denouement.

 

 

A must see? Yeah sure!

“Bad times at the El Royale” is definitely recommended and is not boring for a second. I thought it was an original tinkered story that ends in a shrewd way. Add to that a top cast and an atmospheric décor that is put in the picture with the help of masterful footage, and you can be sure that you’ll enjoy the full two and a half hours. And claiming that the film is right up Tarantino’s alley, certainly is true. But to assert that it’s a shameless imitation, I find a little bit exaggerated and a typical sour note from a sourpuss.

My rating 8/10
Links: IMDB

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The Batman | Official Trailer 2 – DC Fandome

The Batman is an upcoming American superhero film based on the DC Comics character of the same name. The film is being produced by DC Films and distributed by Warner Bros. Pictures, and is a reboot of the Batman film franchise. The film is directed by Matt Reeves, who wrote the screenplay with Mattson Tomlin.



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Genre:

Action, Crime, Drama

Release Date:

March 4, 2022

Director:

Matt Reeves

Cast:

Robert Pattinson, Zoë Kravitz, Colin Farrell, Paul Dano, Andy Serkis, Peter Sarsgaard, John Turturro, Jeffrey Wright

Plot Summary:

The Batman is an upcoming American superhero film based on the DC Comics character of the same name. The film is being produced by DC Films and distributed by Warner Bros. Pictures, and is a reboot of the Batman film franchise. The film is directed by Matt Reeves, who wrote the screenplay with Mattson Tomlin.

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Drama

Mothers of the Revolution – They’ve Challenged World Leaders, Altered The Course Of History And Truly Inspired Millions

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Mothers of the Revolution tells the story of one of the longest protests in history. Between 1981 and 2000, thousands of women from around the world came together at Greenham Common to take a rightful stand against nuclear proliferation. This remarkable group of fearless women were shunned by the press and the media. Director Briar March reveals the women as the cold war heroes they truly were, she tells the story of these women through their eyes and though reenactments as they persisted arrests, condemnation and scorn. 



In the early 1980s, a young mother in Wales was alarmed like many about the UK government’s Campaign called “Protect And Survive”, which advised people to use the four minutes between the warning and a nuclear strike to stack suitcases full of objects like books to absorb the radiation. The Pressure and rising threat to their own families’ safety called for action and thus the Women for Life on Earth group was born.

From the conversation around the kitchen table in Wales, Karmen Thomas took action. She was instrumental in organising the initial protest which on the 5th of September 1981 these women marched from Wales too Berkshire to protest over the nuclear weapons being kept at RAF Greenham Common. Over 120 miles they become a living protest against the British Governments decision. The protest surly gathered momentum as when the reached Greenham Common permanent camps were set up. 

Many women joined the camp such as Chris Drake, a single mother and millworker who truly felt like she belonged and felt like she was born again. Young mothers were not a group who traditionally had their voices heard at the time and the press moved on to other issues they deemed more important, So the women organised Embrace The Base. A day in which the camp and women across the country who travelled up joined hands to form a human chain around the entire military base. 

This documentary is a celebration of Greenham such as its spirit and the effects, which were all worth celebrating. However the film also shows the difficult aspects such as the brutal evictions and assaults by the police force and soldiers. It truly was a Cold War drama/thriller with the tension of a soviet spy novel. It’s also the story of love especially for family and children , and of the commitment these women made to a higher cause. 



They’ve challenged world leaders, altered the course of history and truly inspired millions, it’s an emotional and empowering documentary. 

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Drama

Brother’s Keeper – A Strong Film About Incompetent Adults Failing These Vulnerable Kids

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Yusuf (Samet Yıldız) and his best friend Memo (Nurullah Alaca) are pupils at a boarding school for Kurdish boys, secluded in the mountains of Eastern Anatolia. Both live in the same dorm as it’s a strict and a very repetitive environment, however when Memo falls mysteriously ill, Yusuf is forced to struggle through the bureaucratic obstacles put up by the school’s repressive authorities to try to help his friend. But by the time the adults in charge finally listen and understand the seriousness of Memo’s condition and desperately try to get him to a hospital, the school has been buried under a sudden heavy snowfall. despite the cold and with no way out, they’re desperate tp reach for help. Teachers and pupils engage in a blame game, where grudges, feelings of guilt and hidden secrets emerge. 



Brother’s keeper is truly a study about the power of social realism which is used as a persuasive tool but it’s also about the teacher’s incompetence, responsibility and guilt. It’s a character driven story that has investigative elements to it. 

The Pupils are reminded on how lucky they are to be there, yet it feels more like a relentless institution that’s run like a juvenile detention centre rather then a proper educational school. 

The film remains on the smaller scale and made to feel intimate. The sense of isolation creates this frosty atmosphere where the cold reflects the Icy tension between staff and pupils, the Institute is rather dull and callous but the film does have one running gag where staff members repeatedly slip on the icy floor as each teacher and headmaster enter the sickroom. 

Overall this is a really strong film about incompetent adults failing these vulnerable kids, which made the situation truly bleak. It has some great performances and foreshadows the ending which was so deep that it’ll linger.

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