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The Old Man & the Gun (2018)

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Well, what do you do then?
Well, that’s a secret.

With “The Old Man & the Gun“, we probably say goodbye to a real film legend. According to some sources, Robert Redford wants to draw a line under his rich film career in a stylish way. In my opinion, he couldn’t have made a better choice because in “The Old Man & the Gun” he can demonstrate his charming side one last time. This 83-year-old actor conquered all the women’s hearts effortlessly when he was younger. And to be honest, he’s still got it. So don’t expect a gangster story full of violent bank robberies and wild chases. It’s reasonably friendly and cozy. You won’t see Forrest Tucker in the Top 10 of most notorious bank robbers of all time. It was probably not all that spectacular enough for that. So, no “Butch Cassidy and the Sundance Kid” or “Bonnie and Clyde” situations. But, you could call him the Houdini of detainees. According to Tucker himself, he broke out of prison 30 times. 18 Of them were successful. And the most notorious was the one from San Quentin State Prison in a self-built kayak.

 

 

He was just enormously friendly.

Apparently, from when he was young, Tucker had the irresistible urge to raid local banks. Probably that’s also the reason why his marriage didn’t last long and he disappeared into the night back then. Not to get a packet of cigarettes quickly but to satisfy that urge. Tucker always uses the same routine when robbing a bank. First, he asks for information real friendly. Or he tells the clerk he wants to carry out a bank transaction. And then asks the manager or counter clerk to empty the contents of the safe or cash registers and fill up his brown, worn, leather briefcase with it. He got away with it because they thought he was such a civilized, friendly and polite elderly man who always smiles. He’ll probably win the prize of “most charming bank robber”.

 

 

No nerve-wracking action.

Now you probably ask yourself: a crime movie about bank robbers without action-rich pursuits, psychopathic hostage situations, fierce gunfights and a number of victims. That doesn’t sound appealing or exciting. And yet it’s a pleasure to watch this film. And that because of the three interesting storylines where the emphasis mainly is on the relationship between the characters.

 

 

A club of retired men.

First, you have an old men’s club with Robert Redford, Danny Glover, and Tom Waits. A kind of tea party for old fellas who, instead of playing boule somewhere in a park during their retirement, prefer to roam the country and raid banks at random places. A friendly and easy-going little club that also prefers to reminisce over their lives at a bar somewhere. I particularly liked Tom Waits. A humorous contribution that shows that he’s not only a talented pianist. Danny Glover, I found again below par. Apparently, he’s the only one of the three where dementia had made its appearance.

 

 

The older Sissy Spacek gets, the cuter she looks.

Next, there’s the spontaneously growing relationship between Forrest and Jewel (SissyCarrieSpacek), a widow who struggles to get by, loves her horses and spends her days at a ranch (even though her children think she should sell it). From the first moment that both meet, you just feel a certain tension. There’s that flirtatious behavior by Forrest and a shy smile from Jewel. Every time Forrest is in the presence of Jewel, you see that boyish behavior emerging for a while. And don’t you think that Sissy Spacek looks as cute as in “Carrie”. It seems to me that her nose is pointing up even more perky

 

 

The robber and the detective

And finally, there’s the confrontation with John Hunt (Casey Affleck). A police detective who coincidentally is present in a bank where Forrest, in an inconspicuous manner, commits a robbery. And then he really sinks his teeth into this case and is determined to catch this serial-robber and his companions. But the more he works on this case, the more his sympathy grows for this overfriendly criminal at retirement age.

 

 

Robert Redford resembles Forrest.

The old man & the gun” isn’t an action-packed film. It’s rather a slow feel-good film, calmly telling the story of this unique bank robber. It doesn’t just feel like a film of a time long past. You can also see it. Maybe it comes across as old-fashioned. But it’s nicely old-fashioned. An atmosphere that fits Robert Redford perfectly. And in essence, Redford and Forrest are equal in some areas. In their whole life, they both never gave up on something they liked the most. And what they always liked to do, was done with the same dose of charm. I’ll certainly miss Redford’s charisma on the white screen.

My rating 7/10
Links: IMDB

 

 

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‘Jane Austen’s Period Drama’ Review (TRIBECA) | A Brilliant Fusion of Comedy and Social Commentary

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Julia Aks
Julia Aks in a still from 'Jane Austen's Period Drama' (Photo Credit: Mickwick Productions)

We are in 2024 and sadly, the subject of periods or menstruation is still considered to be taboo in several cultures and societies. In cinema, we have seen a lot of titles talking about the issue with great sensitivity. However, none has been so effective and powerful as Julia Aks and Steve Pinder’s Jane Austen’s Period Drama. The short film, which is set against the backdrop of Georgian England, starts with a joyous moment of Miss Estrogenia receiving her much-awaited marriage proposal. However, things go upside down when she realizes that her period has arrived and her dress is drenched with blood. Upon seeing the blood, Mr Dickley takes Estrogenia to her home and calls for a doctor. Although Estrogenia has decided to tell Dickley about menstruation, her mother stops her from doing that because she feels that Mr. Dickley would drop the idea of marrying her daughter.

The movie’s narrative is clever, and witty, and intertwines traditional themes of love, social status, and marriage with contemporary issues of feminity and bodily autonomy. The unique mixture of both these elements creates a distinctive storyline that feels timeless and relevant at the same time. In this narrative, the unexpected period serves as a metaphor for the often unspoken aspects of womanhood that clash with societal expectations of decorum and propriety. This bold narrative allows viewers to be a part of Estrogenia’s life and how she navigates the balance between honesty and societal pressures.

Jane Austen Period Drama

A still from ‘Jane Austen’s Period Drama’ (Photo Credit: Mickwick Productions)

The writing is quirky, yet thought-provoking and explores the subject with sensitivity. The direction by Steve Pinder and Julia Aks is skillful, balancing the film’s comedic elements with its more serious undertones. Another aspect that makes the film such a brilliant watch is its cinematography. The cinematography captures the elegance of the 18th-century setting and opulent interiors that take viewers to a time when things were pretty different. The costumes and period-accurate set designs enhance the movie’s authenticity. Acting-wise. Julia Aks steals the show with a mesmerizing performance. Her performance enhances the viewing experience, giving viewers a glimpse of her impeccable talent. Meanwhile, the supporting cast delivers strong performances, adding richness and complexity to the story. The dynamics between characters are well-developed, with each interaction contributing to the overall narrative.

Overall, Jane Austen’s Period Drama is a brilliant and charming take on the genre of period drama. The film masterfully combines humor, thought-provoking storylines, and heart most extraordinarily. Additionally, the film does occasionally lean into modern sensibilities but never forgets its true destination. Solid performances, engaging script, and beautiful cinematography make this film a must-watch for everyone who loves literature and contemporary comedy.

Jane Austen’s Period Drama had its premiere at the 2024 Tribeca Festival.

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HORROR

Longlegs: An Atmospherically Distressing Exploration of Evil

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Longlegs [credit: neon]

Longlegs has been the talk of the town with early screening reactions terming it as “the scariest movie of the decade”, which not only raises eyebrows but also significantly raises expectations. Neon is backing it with a strong marketing campaign that has got many horror fans extremely excited about it. Oz Perkins’ latest horror feature stars Maika Monroe, Nicolas Cage, Blair Underwood and Alicia Witt.

 

The official synopsis says “In pursuit of a serial killer, an FBI agent uncovers a series of occult clues that she must solve to end his terrifying killing spree.” Maika Monroe plays Lee Harker, the FBI agent on the hunt for Longlegs, described as highly intuitive and sensitive, while Nic Cage who also produces the movie, plays the horrifying serial killer. Perkins sets the standard right off the bat with the very first scene of the movie, which proves to be just an appetizer for what’s to come.

 

Longlegs [credit: neon]

The movie is divided into 3 parts that act as the standard three acts in a feature. The first two acts are heavily focused on Lee as we get to know her and follow the FBI’s pursuit of a serial killer on a spree. Lee is a single child, lives alone in a cabin in the woods, and is highly intuitive, maybe even psychic. She is able to decode the clues left behind by Longlegs at the locations of the murders. Her performance is restrained yet penetrative and often symbolizes how the viewer feels while watching Longlegs.

 

Nicolas Cage is horrifyingly creepy as our serial killer. He is the best horror villain since Bill Skarsgaard’s Pennywise in my opinion. His screen time is limited but, highly impactful. The makeup and costume design deserves a lot of credit for his extremely gross appearance and at times you won’t be able to recognize that it’s Cage under that wig. He has a certain mannerism that is extremely distressing and just his words are enough to scare the hell out of you. Perkins manages to get the best out of both his leads, while the supporting cast is decent as well.

 

When it comes to the visuals, this is a very aesthetically strong film. Perkins manages to create atmospheric tension and fear with constantly changing aspect ratios and his color grading choices which are supported by a crisp sound design. Where he falls short is the writing. The movie is too slow at times which causes it to lose its intensity. Some of the dialogues also feel very generic or amateur, with jokes that feel abrupt and unnecessary.

Longlegs [credit: neon]

The movie also slips into multiple genres, most of which are intentional but do not necessarily work. It is a horror movie at the outset but also a serial killer crime drama, an investigative thriller with shades of noir and supernatural. The writing really falls off a cliff in the third act, with a twist that makes sense, but massively underwhelmes. That said, the way it explores evil is intriguing and offers a lot of food for thought. I would suggest going into this movie without any knowledge, the lesser you know the better.

 

Longlegs may not be the scariest movie of the decade but has more than enough to crawl under your skin and deliver pulsating chills. It has strong lead performances, effective jumpscares, and a beautifully unnerving aesthetic and works best when it explores evil and focuses on its characters. Horror fans should definitely experience this suffocating and haunting ride. Perkins’ latest feature is his best so far, but that said, it gets buried under its immense expectations.

Longlegs will be released in cinemas on July 12.

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(TRIBECA) ‘I NEED YOUR LOVE’: Camille Trust Offers a Heartfelt Look at Music Industry Sacrifices and Triumphs

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I Need Your Love
Camille Trust in a still from 'I Need Your Love' (Photo Credit: Via Vespucci Productions)

Making a career in the music industry is never easy. Yes, musicians do have platforms such as YouTube, and Spotify to showcase their talent, but that doesn’t mean every aspiring musician will turn out to be the next Justin Bieber or Taylor Swift. Several aspiring musicians face immense challenges to achieve success in the music industry, yet their struggles often remain from public view. Mostly, we hear from artists who have made it big in the world of music, leaving the sacrifices of countless artists unrecognized. One such artist carving out her path is Camille Trust. Despite reaching a notable level of success, Trust never lost her way and continues to strive for greater heights. Her music has been praised by several big outlets. However, Trust stays grounded, fully aware of the sacrifices she made to reach where she is today. To shed light on her journey and countless aspiring musicians, Trust, in collaboration with director Walker Kalan, launched an indie series I Need Your Love.

The series, which had its premiere at this year’s TRIBECA FESTIVAL, follows the journey of Camille Trust and provides an authentic look at the challenges faced by the musicians trying hard to make it big in the industry. Although the narrative does sound a bit serious, Trust and Kalan blend the serious storyline with a brilliant mix of quirkiness and hilarious situations. From the very first scene, I Need Your Love serves as a bittersweet comedy that plunges viewers into the gritty reality of the music industry through the eyes of pop singer Camille Trust. It is a heartfelt and humorous depiction of the relentless pursuit of musical stardom in the middle of New York’s cutthroat scene. The series opens with an unflinching look at how aspiring musicians have to perform in settings that might not be ideal for any kind of performance. This particular scene sets the tone for the series that is brutally honest, yet darkly comedic.

Photo Credit: Via Vespucci Productions

One of the standout aspects of I Need Your Love is its ability to tackle serious issues with a satirical edge. The episode focusing on toxic fandoms, for instance, provides a scathing yet humorous critique of obsessive fan behavior. Trust’s firsthand experiences with aggressive fans add a layer of authenticity to the narrative, highlighting the often-overlooked dark side of fame. This episode strikes a delicate balance between satire and sincere commentary. Walker Kalan’s direction brings a nuanced balance to the series, seamlessly blending humor with the emotional weight of Trust’s journey. The writing is sharp, capturing the absurdity and frustration of the music industry while never losing sight of the human element.

Acting-wise, Camille Trust is mesmerizing. She never lets her guard down and doesn’t shy away from letting people know about her struggles. Trust’s portrayal is raw and authentic, making her the beating heart of the show. Her journey is very relatable not just with the people in the music industry but with people across all professions. Meanwhile, the supporting cast – Inès Nassara, Athan Chekas, Willy Rincón, and Ben Becher – comprised largely of Trust and Kalan’s friends, brings a level of authenticity to the series. The chemistry between the actors is natural and enhances the viewing experience.

All in all, I Need Your Love balances humor and moments of desperation in the most authentic way possible. Camille Trust is a treat to watch and should be applauded for making herself vulnerable to show the reality of her life as a musician. Most importantly, the series makes her struggles deeply relatable and her triumphs all the more rewarding.

(‘I NEED YOUR LOVE’ debuted two episodes at this year’s TRIBECA FESTIVAL)

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