Her story begins where the fairy tale ends.
I suppose this movie was inspired by the well-known fairy tale “The Little Mermaid” by Christian-Andersen. Now, if you were an attentive reader, you’d noticed that this little sea-dweller was explicitly present throughout the whole story. If this film is a kind of homage to this fairytale, then it really falls short on that part. It’s more like the movie “Godzilla“. This legendary monster also appeared only a few minutes in the film. The same for the singing mermaid in “Mermaid’s song” (First titled “Charlotte’s song“). You can admire her for 5 minutes. That’s rather scanty for a film that lasts 88 minutes. But in that short period, you can see that the transformation of Charlotte (Katelyn Mager) to the dreaded mermaid is shown in a successful way.
Nope, this isn’t horror.
This film obviously isn’t a fairytale suitable for little children. However, it’s not such a frightening film as the film poster suggests. And categorizing it under the genre “horror” is also a bit exaggerated. You could call it a drama with some fantasy elements. The drama part deals with the demise of a flourishing cabaret theater somewhere in no man’s land in the United States. The deterioration of this establishment is caused by the death of Serena (Natasha Quirke, mother of Charlotte and also blessed with the mermaids gene) and the economic depression. And before he realizes it, George (Brendan Taylor), father of Charlotte and a spineless wimp, is having a financial hangover and is heading for a forced closure.
I guess men went crazy when seeing such a show.
Whether the bankruptcy of this bar is caused by the prevailing economic crisis only, I doubt anyway. The stage show isn’t exactly a crowd puller either. Maybe it was exciting enough for that period. In those days naked flesh of a female foot was enough to drive an average man crazy. I was surprised to see (during a stage performance) that the phenomenon of twerking was already invented in the 1930s. The fact that a lot of people showed up in the past, was mainly because of the enchanting singing of Serena. She was a mermaid who has exchanged her tail for a pair of slender legs and completely renounced to live on as such a sea miracle, so she can spend the rest of her life with the man who has completely and absolutely won her heart.
Business has been slow? Turn it into something erotic.
But to be honest, the whole thing about mermaids is subordinate to the rest. “Mermaid’s song” is rather a social drama about poverty and the local mafia trying to exploit misfortunes. That’s when Iwan Rheon appears on the scene. He plays Randall. A kind of Mafia type who has a lucrative proposal for George so the bar could be saved. The fact that George needs his daughters to act as ordinary prostitutes and his business is more like a brothel from then on, is the other side of the coin. And in this horrifying situation, Charlotte needs to grow up. An innocent looking girl who discovers that she has a special gift.
Pros and cons.
It’s strikingly clear that “Mermaid’s song” is a low-budget film (and the lion’s share of that budget went undoubtedly to Iwan Rheon). The sound is simply terribly bad. The balance between music, sounds, and speech was so bad that you couldn’t understand what people were saying sometimes. It was completely drowned out by the sound effects and music. Sorry to say, but that’s something typical for a low-budget film. Also, the acting wasn’t always enjoyable. It was rather clumsy and inexperienced. In retrospect, Katelyn Mager wasn’t so bad after all. But I was really pleased with the overall presentation of the film. The decor, the props, and clothing looked authentic. And the scarce moments with the mermaid showing up, weren’t so bad either.
It’s a mermaid hype.
So, all in all, it is nothing more than an average film. No, it’s not the kind of film that makes you very enthusiastic. And no, it isn’t so bad that it should be ignored at all time. If you ever come across it on one or another television channel, you should give it a chance. “Mermaid’s song” is definitely worth a look. The film itself dates from 2015, but only surfaced again last year via “Video On Demand” services. Weird. Does it seem as if they are trying to benefit from the success of “The shape of water“?
My rating 4/10
Thank You For The Support!
‘The Witcher’ Season 3 Part 1 Review: An Epic and Riveting Adventure Continues
In 2019, Netflix struck gold with the epic fantasy series ‘The Witcher’ and viewers started thinking that the streaming platform might be close to getting a show as massive as ‘Game of Thrones’. The first season turned out to be successful, but it was the second edition that made everyone realize how the live-action series had laid the perfect foundation for something special. Almost two years after getting a glimpse of what Ciri could do with her powers, ‘The Witcher’ is back with another action-packed season that will captivate viewers with its masterful storytelling, thrilling battles, and impeccable performances.
Season 3 of ‘The Witcher’ picks up where the previous season left off, with Geralt of Rivia (Henry Cavill), the enigmatic monster hunter, embarking on a new set of adventures, along with Ciri (Freya Allan) and Yennefer (Anya Chalotra). This season, Geralt finds himself caught in a web of political intrigue as he navigates the treacherous world of the Northern Kingdoms. From the royal intrigues of Nilfgaard to the exploration of the elven past, the show seamlessly weaves together multiple narratives, keeping viewers on the edge of their seats and adding layers of depth to the already intricate plot. Apart from that, Geralt and Yennefer continue to do anything and everything to keep Ciri safe from the bad people.
However, one of the standout aspects of Season 3 is its exceptional character development. The fantasy series continues to explore the complexities of its main characters, especially Geralt, Yennefer, and Ciri. All the aforementioned characters undergo significant transformation throughout the season, allowing viewers to connect with them on a deeper level. Kudos to the writing team of ‘The Witcher’ who have done an exceptional job in fleshing out the backstories of all these characters and making them feel more relatable. Themes like destiny and the consequences of one’s choices are prevalent throughout the season. Some moments will make people realize the thin line between right and wrong by looking deep into the moral ambiguity of its characters.
Once again, the show is packed with epic action sequences that will keep viewers on the edge of their seats. From extraordinary sword fights to magical showdowns, the battles are nothing short of thrilling this time around. Visually, it’s stunning, and storytelling-wise, it’s more riveting than ever.
As far as performances are concerned, Freya Allan delivers another remarkable performance as Ciri and strikes a perfect balance between vulnerability and resilience. Meanwhile, Anya Chalotra as Yennefer displays how much she has grown as an actor. Season 3 explores the emotional depths of her character most effectively and gives Chalotra the bandwidth of showing her range. However, it is Henry Cavill who takes your breath away with a scintillating performance as Geralt of Rivia. From the very first season, Cavill has successfully embodied the larger-than-life character and this time around, he just knocks it out of the park by effortlessly embodying the brooding yet compassionate nature of The Witcher.
Also, the chemistry between the three leads drives the emotional core of the show.
All in all, Part One of ‘The Witcher’ Season 3 raises the bar, and every aspect of the show has improved significantly from its predecessors. Season 3 proves to be a worthy addition to the beloved series and if you are a fan of the fantasy series, ‘The Witcher’ Season 3 is a much-watch.
Come and immerse yourself in the magical world of Geralt of Rivia.
‘Kingdom of the Planet of the Apes’ Adds Oscar-Nominee William H. Macy
The Planet of the Apes trilogy headlined by Andy Serkis from the 2010s can be argued as one of the best trilogies of all-time. The technological advances made from motion capture helped actors completely transform into the apes with their interactions with human characters making the story rawer and more emotional. Now, 20th Century Studios will jump back into the world of apes with their latest, Kingdom of the Planet of the Apes. Deadline reports that William H. Macy (Shameless, Fargo) will round out the cast for the newest chapter of the franchise.
Kingdom of the Planet of the Apes takes place many years after the conclusion of War for the Planet of the Apes being led by an entirely new cast that includes Owen Teague, Freya Allan and Peter Macon. Details are currently unknown on whether Macy will be playing a human character or an ape. The film series has grossed almost $2 billion dollars for the studio so it’s no surprise that they’re aiming to make more Apes fims.
Macy is coming off his biggest role ever in Showtime’s series, Shameless for which he played Frank Gallagher and was nominated for 6 Emmy Awards for his performance over 11 seasons. Macy is also a former Oscar-nominee for his lead role in the Coen Brothers classic, Fargo. Since then, he’s amassed tons of parts including most recently in Hulu’s The Dropout and a guest spot on the ABC sitcom, The Conners. Macy will next appear in the film, Maybe I Do with Emma Roberts, Diane Keaton, Richard Gere and Susan Sarandon.
Rawson Marshall Thurber to Headline ‘Dungeons & Dragons’ Series for Paramount+
Dungeons & Dragons seems to be the next major IP finding itself across multiple media formats. The move of bringing the iconic fantasy franchise will start in March on the big screen with the release of Dungeons & Dragons: Honor Among Thieves, however, the TV series which has been in development has found its new streaming home. According to Deadline, the Dungeons & Dragons series will head to Paramount+ with Rawson Marshall Thurber (Red Notice, Skyscraper) writing the pilot and directing the first episode of the eight-episode season order.
The fantasy role-playing game has been ripe for an adaptation for years with many celebrities and actors being fans of the property since its inception. Honor Among Thieves already boasts a starry cast led by Chris Pine, Hugh Grant, Rege-Jean Page and Michelle Rodriguez, but there are no details on whether the streaming series would feature any of their characters crossing over. Dungeons & Dragons is yet another franchise starter over at Paramount in the game of streaming supremacy which will join Halo on their streaming service having done great numbers for Paramount+.
Dungeons & Dragons features multiple creatures, elves, human warriors and other fantastical entities engaging in campaigns, wars and quests to build out their respective armies. The massive Hasbro property was acquired by eOne to develop a media universe across film and television making it a priority due to its popularity and fan base that features over 50 million players.
Rawson Marshall Thurber most recently directed the Netflix action film, Red Notice starring Dwayne Johnson, Gal Gadot and Ryan Reynolds. He previously teamed with Johnson for Skyscraper and Central Intelligence, but his career began in comedy helming popular films such as Dodgeball and We’re the Millers. Before moving into features, he also directed the very popular online short, Terry Tate, Office Linebacker. The filmmaker has also been attached to Netflix’s video game adaptation of The Division which will star Jake Gyllenhaal and Jessica Chastain.
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