We have no idea what it was that bit you.
It had fingers, Andy! Fuck!
If there’s one genre with so many releases that you get tired of it, it’s certainly the zombie genre. I’m sure this kind of movies is made on a daily basis. Movies in which infected undead stumble around, searching for victims, to have a portion of juicy brains. Most movies aren’t very innovative and all known clichés are being used. But occasionally you come across something completely different where they want to give a new direction to the zombie genre. Just like in “Maggie” it’s about a father who wants to protect his daughter. Only, little Rosie (Finlay and Nova Sjoberg) isn’t aware of any threat.
It starts off idyllic.
The story is set in the Australian bushes (the last Australian zombie flick I have seen was “Wyrmwood“. Also highly recommended). Andy (Martin “The Hobbit” Freeman), his wife Kay (Susie Porter) and their baby-daughter Rosie are quietly riding a dilapidated boat across a river. It seems idyllic and has a high “The African Queen” mood. There’s no indication of a post-apocalyptic situation with humanity again being the victim of a viral outbreak. Until they come across the wreck of a boat.
The same stupid decisions over and over again.
The only thing that bothered me in this film are the stupid, illogical decisions that were made. It’s understandable that this family can’t go on forever without providing themselves with new food and provisions. Trust me. I would also go and check if there wasn’t anything useful to find on board this boat. But knowing that every moment you can be attacked by a hungry zombie, I would certainly not do this unarmed and without informing the other person. I suppose they are of the same intellectual level because Kay makes the same primal mistake. With all the consequences.
Hit the tree instead of the zombie, please.
The next stupid fragment announces itself when the family is on the run in an abandoned off-road vehicle. In normal circumstances, you as a driver will try to avoid inattentive crossing pedestrians. You’ll probably perform some neck-breaking maneuvers that are a risk to your own life. But when knowing that the mainland is populated by soulless creatures whose only goal is to take a big bite from any uninfected after they have towed them to a local zombie barbecue, you would rather put the pedal to the metal. But no. Not Andy. He’s so good-hearted that he prefers to crash the all-terrain vehicle against an Australian boab instead of hitting such a creature. But as I said before, these are the only drawbacks in this, for the rest, fascinating and especially emotionally poignant zombie story.
Problems in Australia? Ask the Aboriginals for help.
The film itself isn’t unnervingly exciting. It shows the self-sacrificing agony Andy undergoes so he can take his daughter to a safe place. Far from the mutated fellowmen and half-wits who do totally crazy things in this chaotic world. Like putting an Aboriginal in a cage after which the target practice can start with zombies, which are lured by fresh meat. Incidentally, it’s the Aboriginals who know how to maintain themselves in this new world. With primitive-looking rituals they succeed in liquidating zombies and plant-based ointment provides protection. It’s also a young Aboriginal girl (Simone Landers) who helps Andy with his trip through the bush and who provides a safe haven.
An emotionally touching zombie-flick. Who would have thought that?
Frankly, I thought this film was original in many ways. Not only the zombie concept was elaborated in a different way. The transformation is totally different than in a typical zombie movie. Here it’s not only blood and ripped off flesh, but it’s a blubbery, slimy substance that manifests itself during the 48-hour transformation. Also, the phenomenon of zombies with their head in the ground (ostrich-like behavior) was surprising. Was it to shut themselves off from the outside world? Or is it part of the transformation process? No idea. But it was fascinating enough. And finally, the most impressive thing for me personally was the atmosphere that this film radiated. I never thought I would ever watch a zombie movie and get emotionally touched by it. You really have to be a zombie if you don’t want to be moved by this movie. And finally, praise for the admirable acting performance of Martin Freeman. A whole movie he played a leading role and not for a moment I had the feeling he was playing a hobbit. That’s what I call an achievement.
Hot off the great reviews for the upcoming Air Jordan flick, Air, it seems that Matt Damon and Ben Affleck are already set for their next project, one that will star someone near and dear to the heart of the latter. News comes in from Deadline, that Jennifer Lopez (Hustlers, Out of Sight) will star in the upcoming wrestling drama Unstoppable which comes from the new Artists Equity banner from Affleck and Damon, as well as Amazon. Additionally, in a separate report, we know that Emmy-winning actor Jharrel Jerome (When They See Us, Moonlight) will star as the lead of the film, playing the son of JLo’s character.
Unstoppable will star Jerome as three-time All-American wrestler Anthony Robles, an athlete born with one leg who persevered through his inspiring story to win a National Championship at Arizona State University. Lopez is set to play his supportive mother, Judy Robles. Robles, himself, is expected to be heavily involved in the production process of the film, which again, is set to stream on Amazon and produced by Amazon Studios. The latter news makes a lot of sense, following the early success of Air and the partnership forged between Amazon and Artists Equity on that particular project. Production on Unstoppable is expected to start sometime this Summer.
Lopez appeared on screen in two romance films last year with Amazon’s Shotgun Wedding and Marry Me which got a same day release in theaters and on Peacock. She’ll next appear in The Mother on Netflix which is directed by Mulan director Niki Caro.
Jerome is best known for his Emmy-winning role as Korey Wise in the limited Netflix series When They See Us based on the Central Park Five which was directed by Ava DuVernay. He’ll soon be seen in Steven Soderbergh’s HBO Max series Full Circle before leading Amazon’s I’m a Virgo from Sorry to Bother You filmmaker Boots Riley.
Dennis Quaid (Far from Heaven, The Day After Tomorrow) is the latest star to join the cast of Bass Reeves, a new drama series coming from Taylor Sheridan (Yellowstone, Tulsa King) and Paramount+, according to Deadline. Bass Reeves was announced as a spinoff to the Yellowstone prequel, 1883 back in May 2022 with David Oyelowo (Selma, A Wrinkle in Time) attached to star as the legendary lawman.
Bass Reeves will follow Oyelowo as someone who is known to many as “the greatest frontier hero” in American history in his own series on Paramount+. The streamer already houses so many Sheridan-fronted programs, most recently, Mayor of Kingstown starring Jeremy Renner returned for its second season while CIA drama, Lioness added to its cast with Nicole Kidman and Morgan Freeman. Some believe that Reeves served inspiration to “The Lone Ranger” having worked as a peace officer for Indian territory capturing over 3,000 criminals on that land. Quaid will play Sherrill Lynn, a Deputy U.S. Marshall within the show.
Quaid most recently voiced the character Jaeger Clade in Disney’s animated feature Strange World which is currently available to stream on Disney+. He’ll also star in Steven Soderbergh’s upcoming HBO Max series Full Circle alongside Zazie Beetz, Claire Danes and Emmy-winner Jharrel Jerome.
Let the casting of music biopics commence! As we’ve been hammered with news of superstar musician biopics each and every week, we have more news of one that is filming currently with Back to Black about the late, great Amy Winehouse. While it was reported back in January that Industry star, Marisa Abela will be leading as Winehouse, we now have details courtesy of Deadline on who will be joining the British pop star’s life story on screen.
The report indicates that Jack O’Connell (Unbroken, ’71), Lesley Manville (Phantom Thread, Another Year) and Eddie Marsan (Ray Donovan, The World’s End) will all appear alongside Abela in Back to Black. O’Connell is set to play Blake Fielder-Civil, the love of Winehouse’s life who she was married to from 2007 until 2009, just a few years prior to her death as their love was unfortunately addled by prescription drug abuse and alcohol as well as multiple stints in rehab for both of them. Marsan will play Winehouse’s father while Manville will play Winehouse’s maternal grandmother in the film.
Back to Black will follow the life of one of the greatest singer-songwriters of all-time in Amy Winehouse. Her sophomore album (which the film is named after) won her 5 Grammy Awards all at the young age of 25 just before her untimely death in 2011 at age 27. The film will focus on Amy’s creativity, genius and upbringing at Camden High School in the UK before she propelled into stardom.
The film will be written by Matt Greenhalgh and directed by Sam Taylor-Johnson reuniting the two of them after their 2009 film Nowhere Boy, which chronicled John Lennon’s formative years and adolescence. Taylor-Johnson is coming off directing episodes of Hunters and Solos for Amazon but is best known for helming Fifty Shades of Grey.
O’Connell had a big 2022 starring in Netflix’s Lady Chatterly’s Lover and MGM+’s new original series, SAS Rogue Heroes. He’ll next star as professional race car driver Peter Collins in Ferrari. Manville most recently starred as Princess Margaret in the recent season of The Crown for Netflix and in Mrs. Harris Goes to Paris for which she earned a Golden Globe nomination. Marsan is best known for playing Ray Donovan‘s brother, Terry in the hit Showtime series but will next appear in the film, Fair Play with Alden Ehrenreich and Phoebe Dynevor.