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Drama

Euthanizer (2018)

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Everyone has to pay for the pain that they’ve caused.
Pain needs to be balanced.

Armomurhaaja (original title)

Every detail was just perfect in this Finnish low-budget indie. From the first second this film intrigued me and managed to hold my full attention. Not only the magnificent acting of Matti Onnismaa and Hannamaija Nikander, as the bitter and sinister person Veijo and the strange figure Lotta whose sexual preference is also rather lugubrious, caused that. The narrative and the message that simmered under the surface also fascinated me. Yet it’s not an easy, everyday film. On the one hand, there’s the language. Finnish isn’t something I’m confronted with on a daily base (well, for everything there’s a first time), so I understood absolutely nothing. On the other hand, the story itself is rather unorthodox with the euthanizing of pets as a central topic. Not exactly cheerful material, even though it sometimes felt comical.

After ten minutes I knew this was an extraordinary movie.

Veijo is the local freelancer who offers his services to help pets out of their misery in an inexpensive way. He’s, therefore, a not so well-liked competitor of the local veterinarian. To be honest, nobody likes him. Veijo thus creates its own Pet Sematary. Dogs are simply shot in an adjacent forest, after which their necklace is dangling from a branch as the only remembrance. Cats and other minuscule creatures from the animal kingdom are gassed in a pimped station wagon. A cat carrier graveyard next to his meager shed is the final result. The first ten minutes alone made it clear an extraordinary film was presented to me.

Pain needs to be balanced.

Euthanizer” is a film about pain and suffering. And according to Veijo, pain needs to be balanced. And that’s something this pipe-smoking anti-social person applies in his life. Also on himself. The owners who bring their sick, disobedient or simply annoying pets can expect a psychological analysis first. Veijo apparently has the gift of being a dog whisperer. And some of those owners get a similar treatment as their pet. In the same way, he approaches his dying and suffering father. An alcoholic who apparently treated Veijo very badly and brutal during his childhood.

Not just an odd couple. It’s a bizarre couple

The moment Lotta enters Veijo’s life, a life in which human contact is quite an obstacle for Veijo, I can vividly imagine his confusion about his feelings towards her and at the same time about her reasonably perverted fantasy. The reason why she feels attracted to Veijo was unclear to me. Was his aloofness or morbid profession something she related to? Or did she have suicidal thoughts for herself? Is she fascinated by death in a macabre way? It was a mystery to me. But they certainly go down in history as the most bizarre couple.

Let the singing begin …

The weakest element in the whole film was for me the would-be Finnish neo-Nazi club “Soldiers of Finland”. Notwithstanding that Petri (Jari Virman), who is only too keen to be part of this gang of jackasses, has an important part in the denouement, I thought it was a laughable fact. Apart from stealing some car tires and some provocative behavior, they seem far from being dangerous. And when they are singing as four choir boys for a karaoke machine, the image of these pseudo machos changes into purebred sissies. There’s even one of them who can’t control his emotions during that musical moment.

It’s cruel. It’s rough. It’s non-mainstream.

“Euthanizer” is a cruel and filthy film. Filthy in multiple ways. A film that shows how cruel people can be. A film with contradictions as well. Gasifying animals with the exhaust fumes of an old station wagon is, in my opinion, not a peaceful and pleasant way. And yet Veijo is an animal lover who wants to put these poor creatures out of their misery. “Euthanizer” is breathtaking. A gem. Fans of small-budget non-mainstream films will enjoy this. I did for sure.

Thanks to Uncork’d Entertainment for sending a Movie Screener link.
Euthanizer will play in L.A theaters (other cities to be announced) from July 20, with a VOD release set for August 7.

My rating 7/10
Links: IMDB
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Comedy

Netflix’s Crashing Eid Review: Love, Culture, and Differences

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Crashing Eid

If you are curious about other cultures, or maybe want to see how your culture is represented in mainstream media, then you should binge-watch Netflix’s Arabic Comedy series Crashing Eid this weekend. It’s a 4-episode long series with each episode of roughly 47 minutes. The series revolves around culture, love, differences, family, and drama.

The story focuses on Razan (Summer Shesha) as she finds love for the second time in her life but struggles to convince her family for marriage. Razan is shown to be living in the UK with her daughter Lamar (Bateel Qamlo) and finds her British-Pakastani boyfriend Sameer (Hamza Haq) as a suitable match for herself. She proposes to him for marriage before traveling to Saudi Arabia, her home, to celebrate Eid. Her family is convinced that she is back in Saudi for good but Razan has other plans. She tries to tell them about Sameer but constantly fails due to fear and lack of ‘perfect’ timing. She tells Sameer that her parents have agreed to their marriage as she panics to tell him the truth.

Summer Shesha and Bateel Qamlo in Crashing Eid

Summer Shesha as Razan, Bateel Qamlo as Lamar in Crashing Eid

Here comes the twist – Sameer reaches Saudi to surprise Razan and to meet her parents! She tries her best to handle the situation and hide their relationship with the help of her daughter Lamar. At the end of the episode, the truth uncovers itself and everyone is left disappointed. The story follows Razan’s family drama, bitter relations with her mother, previous abusive marriage, her brother Hasan’s (Yasir Alsaggaf) struggle to connect with his son after losing custody, etc. Her previous marriage with her cousin affected her relationship with her own mother as she blames Razan for the failed marriage.

Summer Shesha’s portrayal of a strong woman struggling with every close person in her life but still managing to face everything with bravery is appreciable. Khalid Alharbi deserves applause for his sweet, loving, and understanding role as Razan’s father.

Yasir Alsaggaf, Summer Shesha and Amani Idrees in Crashing Eid

Yasir Alsaggaf, Summer Shesha, and Amani Idrees in Crashing Eid

Despite a fun twist challenge, representation, and Khalid Alharbi’s brilliant performance, a few parts lack perspective. The story doesn’t completely revolve around Razan yet it fails to involve Lamar’s (Bateel Qamlo) emotions in the family drama. She is seen upset at times but it’s never completely addressed. She plays the role of a typical elder daughter helping out her mother in everything and neglecting herself at times. The ending felt rushed as it doesn’t properly elaborate on how Razan’s mother (Amani Idrees) suddenly changed her mind about her daughter. Emotions take time and that’s what felt rushed.

Summer Shesha, Hamza Haq and Khalid Alharbi in Crashing Eid

Summer Shesha, Hamza Haq, and Khalid Alharbi in Crashing Eid

Crashing Eid  offers strong cultural representation, women empowerment, and how love can help you deal with almost everything. It focuses strongly on social taboos surrounding women and Muslim culture.

Crashing Eid is now available to stream on Netflix.

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Drama

Elizabeth Debicki’s Diana Stars Despite Major Fumbles In ‘The Crown’

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WARNING: SPOILERS AHEAD

On November 16, 2023, the first instalment of Netflix’s final season of “The Crown” premiered, leaving me feeling disappointed. Despite my eagerness to watch, life’s commitments often took precedence, making it challenging to indulge in any content. However, after finally catching up, I found myself wishing I hadn’t bothered.

With an ensemble of Imelda Staunton as Queen Elizabeth II; Dominic West as Prince Charles, Elizabeth Debicki as Princess Diana, Jonathan Pryce as Prince Philip, Lesley Manville as Princess Margaret, Salim Daw as Mohamed Al-Fayed, Khalid Abdalla as Dodi Fayed, and Olivia Williams as Camilla Parker Bowles, the first instalment of four episodes is set a year after Charles and Diana’s divorce and traces the events to the late princess and her alleged romantic partner Dodi. 

I get the fact that Diana’s death was a significant event in modern British history, but the show did not feel like I was watching ‘The Crown’, I felt as if I were watching some Diana propaganda movie for the first half. Even with a legendary cast like the above-mentioned, there’s no escaping terrible writing, unfortunately. The script was demanding way too much from the cast and some scenes had me pulling my hair out. 

But the worst was yet to come, after Diana’s death, there comes Ghost Diana, who has conversations with the Queen and the Prince of Wales and at this point, my eyes were staring at the ceiling rather than the screen as I heard the ghost Diana interactions with the queen and Charles, Another point of annoyance was the petulance of Charles and this public perception war with Diana which made me ask the question: Why? To the point that he hires a royal photographer to show his fatherly side. 

The portrayal of Diana’s relationship with Dodi was cringeworthy, to say the least. The fact that Mohd. Fayed was pulling the strings to get Diana and Dodi together was drama that I was not looking for: and for what? Validation from the royal family? To be considered British? The fact that he bribed journalists to stalk Dodi and Diana was going way beyond the line of fictional liberties. These liberties were taken by Peter Morgan throughout the first half of the final season making it pretty unwatchable. I somehow got through it all. I am really on the fence with creative liberties but this season, in particular, was shallow and completely unnecessary. 

But there are some moments worth praise, even though they are very few and very far in between. The scene where Charles tells William and Harry that their mother has passed away in a car accident or the scene where Harry is writing the card with the envelope titled ‘Mummy’ which is placed at the top of her coffin were moments that stood out for me personally more than Ghost Diana and the whole series at large.

Moreover, Debecki essayed Diana’s role in season five and this season, particularly Diana’s last eight weeks of her life were simply outstanding especially considering how bad the script was. The very moving scene for me was when Diana rejects Dodi’s proposal and Dodi finally manning up to his father; then the two talk about following their passions. This scene showed more maturity than perhaps the entire season before her death. 

Perhaps The Crown is plagued by the extraordinary brilliance of the first four seasons that the fifth season and the sixth season tend to fall flat, as noted by The Guardian. And more outlets across the world have dismissed it as clumsy and predictable. I know it was history and creative liberties were taken–but the show just dragged along and it was simply one-dimensional throughout. 

At this point, my expectations for the second half of the final season are way down after watching this show. The season is supposed to end with Charles marrying Camilla and William and Kate meeting at the University of St. Andrews. 

The second instalment will hit Netflix on December 14. 

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Crime

Netflix’s Bodies Review: Stephen Graham’s Mind-Twisting Series Related To Dark?

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Netflix's Bodies

If you are a fan of time travel, crime, and mind-bending suspense then Netflix’s Bodies is perfect to binge-watch this weekend. Directed by Haolu Wang and Marco Kreuzpaintner, Bodies is based on DC’s graphic novel by Si Spencer – who has been tributed in the first episode. The story follows four detectives in four different timelines and they discover a naked man’s body with one eye gouged out, surprisingly it’s the body of the same person in different timelines!

Shira Haas and Stephen Graham

Shira Haas and Stephen Graham in Netflix’s ‘Bodies’

The 8-episode series parallelly shows four detectives – DS Hasan (Amaka Okafor) in 2023, DS Whiteman (Jacob Fortune-Lloyd) in 1941, DI Hillinghead (Kyle Soller) in 1890, and DC Maplewood (Shira Haas) in 2053 twisted in the same case discovering facts that are beyond their understanding. DS Hasan from the year 2023 discovers that the case she has been working on has happened before, not once but twice decades ago. Much to her suspicion, the evidence aligns with her own case which leads her confused more than ever.

Stephen Graham is not limited to one timeline, his intense performance deepens the storyline, leaving viewers jumpy. Amaka Okafor, Shira Haas, Kyle Soller, and Jacob Fortune-Lloyd’s distinctive acting and effective dialogue delivery are appreciated but Fortune-Lloyd deserves a standing ovation for his shining performance. Graham and Soller’s costumes and makeup are on point in the show.

Jacob Fortune-Lloyd

Jacob Fortune-Lloyd as DS Whiteman in Bodies

With each episode comes mind-blowing twists that keep you on edge all the time. Each detective’s personal story and connection to people close to them adds more depth to their character and the choices they make. Even till the end of the last episode, the series holds your attention profoundly. Different timelines connected to one another may cause confusion at first but it only adds more fun to the story that leaves us in shock.

Now, if it reminds you of Netflix’s other popular German series Dark, directed by Baran bo Odar, then we can’t blame you. Bodies and Dark are not related to each other but they draw strong parallels to one another and it’s mainly due to different timelines, time travel, and hard-to-understand relations between the two characters. Although characters in Bodies are not connected to each other deep and twisted like in Dark but you need to keep a close eye to understand their connection. Dark, starring German actors Louis Hofmann and Lisa Vicari, is Netflix’s one of the most popular supernatural twists series and it is safe to assume that Bodies is no less than the 3-season German series.

Time portal in 'Dark' vs 'Bodies'

Time Portal in ‘Dark’ vs ‘Bodies’

Stephen Graham’s Bodies is a mind-bending, thriller series full of brilliant performances. Its captivating narrative and depth keep the viewers engaged and entertained.

Bodies is available to stream on Netflix.

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