Sci-Fi/Fantasy
Cold Skin (2017)
In 1914, just after of Franz Ferdinand’s assassination that eventually caused World War I, a steamship approaches a desolate island on the edge of the Antarctic Circle, where a young nameless man is poised to take the post of weather observer, to live in solitude at the ends of the earth for an entire year until the arrival of his replacement. For the next twelve months, his entire world will consist of a deserted cabin, the surrounding sea, and dangerous strange beings that he discovers are sharing the island.
Genre : SF
Country : Spain/France
Cast :
David Oakes : Friend
Ray Stevenson : Gruner
Aura Garrido : Aneris
Director :
Xavier Gens
My opinion on “Cold Skin”
“We are never very far from those we hate.
For this very reason, we shall never be truly close to those we love.”
This film is as vague as the reason why the nameless young man (David Oakes) seeks refuge on a rocky island in the Antarctic Ocean. Initially, he has to relieve another meteorologist. But the question of the captain what he’s running from, remains unanswered. Did he do anything wrong during WWI? Or is an unrequited love driving him to this isolated island? No idea. And in the end, this isn’t important anyway. The problem is that the man he needs to replace, is nowhere to be seen. The only living soul still present on the island is the primitive looking loner Gruner (Ray Stevenson) who’s hiding in a lighthouse.
It’s rather unclear why those fishpeople attack at night.
Gruner isn’t very talkative. But soon the young man realizes that his safety isn’t guaranteed at night when water creatures start crawling out of the ocean. When the meteorologist sees his accommodation go up in flames after the first evening, he’s forced to stay with Gruner in the lighthouse. There he discovers that Gruner keeps such a female amphibious creation (Aura Garrido) as a kind of pet. She serves as a maid and as a sex object who’s being abused by Gruner. The reason why the creatures attack the lighthouse at night is rather unclear. Are these attacks a need of conquest? Or are these rescue missions?
For me this wasn’t horror.
I wouldn’t call it a horror. Or should the used symbolism frighten the viewer? A symbolisme that shows how man behaves towards strangers and even towards those it knows. Is it a reflection of the brutality we know in our society? The suppression of other individuals and the abuse that comes with it. Eventually you are wondering who the monster is here. The ones who abuse a helpless being from the sea? Or the creatures who storm the lighthouse every night? Some admiration for the acting of Stevenson. He succeeds in showing that cruelty and madness in an excellent way.
First “The shape of water” and now this. Something fishy going on?
I wasn’t really impressed by this film. The story isn’t really overwhelming and tends to be repetitive after a while. Despite the action-packed attacks and a few jump scares, this is ultimately just an average film. And the comparison with “The shape of water” is quite striking. The eradication of a fish-like being for self-profit and sexual interaction between this being and someone of the human race can be found in both films. The only difference is that in “Cold Skin” it’s a whole bunch of those ocean dwellers.
My rating 4/10
Links : IMDB
Entertainment
Disclosure Day Divides Critics Despite Strong 80% Rotten Tomatoes Score
Steven Spielberg’s latest science-fiction epic, Disclosure Day, is proving that a Fresh Rotten Tomatoes score doesn’t always mean unanimous praise. While the film currently holds a strong 80% critics score and a respectable 74% audience score, reactions to Spielberg’s newest blockbuster have been notably mixed, creating one of the year’s most interesting critical debates.
Starring Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, Disclosure Day follows a world-changing extraterrestrial mystery that forces humanity to confront its place in the universe. As Spielberg’s latest original sci-fi project, comparisons to classics such as E.T. the Extra-Terrestrial, Close Encounters of the Third Kind, and Minority Report were inevitable.
For many critics, the legendary filmmaker has delivered another thrilling reminder of why he remains one of Hollywood’s most celebrated directors.
One of the film’s strongest reviews came from Matt Maytum of Total Film, who praised Spielberg’s return to blockbuster science fiction, writing:
“Spielberg’s best blockbuster since Minority Report.”
The review reflects a common sentiment among supporters of the film, who have praised its ambitious scope, emotional storytelling, impressive visual effects, and Spielberg’s signature sense of wonder. Many positive reviews have also highlighted the performances of the ensemble cast, particularly Emily Blunt, while applauding the latest collaboration between Spielberg and legendary composer John Williams.
However, not every critic was won over by the filmmaker’s latest adventure.
Offering a much harsher perspective, Nicholas Barber of the BBC wrote:
“A flimsy, outdated car-chase thriller with no ideas about aliens that we haven’t heard before.”
The review stands in sharp contrast to many of the film’s positive notices and highlights one of the primary criticisms surrounding Disclosure Day. While even some detractors praised Spielberg’s craftsmanship and technical execution, several critics felt the film’s central mystery and conspiracy-driven narrative lacked the originality and emotional impact found in the director’s most beloved works.

Emily Blunt, Josh O’Connor, and Colman Domingo in ‘Disclosure Day’. {credit: Universal Pictures and Amblin Entertainment]
That divide among critics helps explain why Disclosure Day has become such a heavily discussed release. An 80% score is typically considered a strong result on Rotten Tomatoes, but the gap between the film’s most enthusiastic supporters and harshest detractors reveals a movie that is generating genuine debate rather than universal acclaim.
Audience reactions have mirrored that split, though generally leaning positive. The film’s 74% audience score suggests most moviegoers are enjoying the experience, particularly its spectacle, suspense, and large-scale storytelling. Others, however, have criticized the pacing and felt the film’s ambitious ideas don’t always receive the payoff they deserve.
Despite the mixed reactions, Disclosure Day remains one of the year’s most successful original science-fiction releases from a critical standpoint. The film’s Fresh rating demonstrates that the majority of reviewers enjoyed Spielberg’s latest effort, even if opinions vary significantly on where it ranks among his legendary filmography.
Whether audiences see it as a modern sci-fi classic or a flawed but fascinating blockbuster, Disclosure Day has achieved something few films manage to accomplish: it has people talking. And nearly five decades after changing cinema with films like Jaws and Close Encounters of the Third Kind, Steven Spielberg continues to prove that his work can still spark passionate discussion among critics and moviegoers alike.
Entertainment
Alien: Earth Season 2 Filming Date Confirmed As FX Series Moves Forward
Fans eager for more Xenomorph action won’t have to wait much longer for production to begin on the next chapter of Alien: Earth.
According to series creator Noah Hawley, filming on Alien: Earth Season 2 is set to begin this summer in London. The update comes after FX officially renewed the hit sci-fi horror series following its successful first season.
Speaking about the progress of the new season, Hawley revealed:
“We start shooting this summer.”
The showrunner also noted that the creative team is currently in the final stages of preparation before cameras begin rolling.
The first season of Alien: Earth expanded the iconic franchise by bringing the horror closer to home than ever before. Set two years before Ridley Scott’s 1979 classic Alien, the series follows a group of soldiers and survivors who encounter terrifying extraterrestrial threats after a mysterious spacecraft crashes on Earth.
While plot details for Season 2 remain under wraps, the new season is expected to continue the fallout from the explosive Season 1 finale. Recent reports have also revealed that Emmy winner Peter Dinklage has joined the cast as a series regular.
With production beginning this summer and filming taking place in London, fans can likely expect Alien: Earth Season 2 to arrive sometime in 2027.
Disney
The Mandalorian and Grogu | Official Trailer
Once a lone bounty hunter, Mandalorian Din Djarin and his apprentice Grogu embark on an exciting new Star Wars adventure.
Genre:
Action, Sci-fi, Space Sci-fi, Action Epic, Adventure, Epic Adventure
Release Date:
May 22, 2026
Director:
Jon Favreau
Cast:
Pedro Pascal, Jeremy Allen White, Sigourney Weaver
Plot Summary:
Once a lone bounty hunter, Mandalorian Din Djarin and his apprentice Grogu embark on an exciting new Star Wars adventure.



