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Sci-fi

2047 : Virtual Revolution (2016)

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Paris 2047. 2047: Virtual RevolutionMost of the population spend all their time online, connected into virtual worlds, and don’t care anymore about reality. A shadow agent, Nash, working for one of the multinational companies behind these virtual worlds, is tracking down terrorists who threaten the system…

Genre : SF
Country : USA/France

Cast :
Mike Dopud : Nash
Maximilien Poullein : Morel
Kaya Blocksage : Camylle

Director :
Guy-Roger Duvert

My opinion on “2047 : Virtual Revolution”

“The year is 2047.
A century of technological revolution.
The revolution did happen, just not really the way people thought it would.”

Apparently there’s one thing that’ll never change, according to the movie “Virtual Revolution” which takes place in the near future.. And that’s the attitude of the political establishment towards the citizens. I concluded that after Dina said the following: “If the politicians want to keep things the way they are, it’s because they benefit from it“. That’s also the most wise thing Dina (Jane Badler) had to tell, because the rest was just irrelevant drivel. But that’s the only thing that annoyed me in this rather ambitious science fiction.

2047: Virtual Revolution

The same look-and-feel of “Blade Runner”.

The makers have gathered a lot of impressions from other famous SF films. It’s obvious they’ve re-watched “Blade Runner” several times to create a similar atmosphere. Paris from 2047 looks dark and deserted. An utopian city with lots of neon lighting. A big city with sky high futuristic buildings with small spaceships navigating in between them. Believe me, this film has the same appearance as “Blade Runner“.

Only Paris seems to be sparsely populated. And this is because the majority of the population stay at home as they are continuously connected to virtual worlds called “verses”. Nash (Mike Dopud) is a private detective employed by a multinational who developed and own these virtual worlds. The moment users are being murdered in these virtual worlds, he’s sent out to investigate who’s behind it. Turns out there’s an underground movement of a group of hackers with one main goal : give the connected back their freedom.

2047: Virtual Revolution

I want such a virtual world !

Virtual Revolution” alternately shows images from the real world and the virtual worlds. Honestly, I have to admit that the idea of walking around in such a virtual world sounds incredibly fascinating. Fragging in a Quake-like world or being a firmly muscled adventurer and defeating dragons in a world that resembles Skyrim. I’m sure you’ll find me in such a comfy dentist’s chair with headphones after a while. And trust me, I will have a swelling around my belly button as well. It all looks interesting. Certainly when you realize, just like Nash discovered to his surprise in a mirror, that you can transform into any desired individual of any gender you want.

2047: Virtual Revolution

Low-budget SF but high-recommendation.

Although this is a low-budget SciFi funded by crowdfunding and also the debut of Guy-Roger Duvert as a director, this movie looks impressive and slick. Maybe the story itself isn’t groundbreaking and the introduction of a half-dressed virtual heroine waking up in the middle of a lesbian scene, feels like a rather cheap trick. For the rest it’s admirable what they’ve put together. There were certain moments you could compare it with similar Hollywood films with a budget ten times bigger.

But what surprised me the most is the denouement. No predictable end like most blockbusters. It even contains an important message. A message about human liberties and choices that one can make as an individual. Oh well, no big prizes will be won with this movie. But if you come across it somewhere on your VOD service, I would give it a chance. I recommend it and you won’t regret it.

My rating 6.5/10
Links : IMDB

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Action

Infinite | A Michael Bay Imitation Film

Infinite Desperately Wants to Impress With its Style, But Has No Substance.

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Paramount wanted to get ahead in the streaming game with Paramount+ but made the novice mistake of selling most of their titles, due to the COVID-19 pandemic, to other streaming services such as Amazon Prime Video and Netflix instead of…I don’t know…growing their own. With barely any content left and keeping their big tentpole releases such as A Quiet Place: Part II and Top Gun: Maverick in cinemas, Paramount is finally saying “Ahhhhhh! I get it!” after every other major streaming service, especially Disney+ and HBO Max, used the pandemic as a pretext to grow their subscriber base. However, having sold most of its upcoming films to other streaming services, the studio only seems to have duds in the hopes of growing its subscriber base. Enter Antoine Fuqua’s latest film, Infinite, which strangely never feels like something the director of such visceral action pictures like Training Day, Bait, Tears of the Sun, Shooter, Brooklyn’s Finest, and The Equalizer, but Fuqua desperately wanting to emulate Michael Bay’s signature style.

There’s only one problem, however: even if you want to do Bayhem, and you intend to replicate it as accurately as you can, there’s a sole filmmaker that can do it right—and that’s Bay himself. But it doesn’t matter for Fuqua; he starts his overtly aestheticized action amazingly quickly, with an upbeat car chase staged to the rhythms of Campfire’s Legends Never Die, with Heinrich Treadway (Dylan O’Brien) being pursued by Bathurst (Rupert Friend), who looks for a thingamajig aptly named “The Egg” (because it’s shaped like an egg, of course!), which has the power of destroying…the entire world (how original!). Treadway dies without giving away The Egg’s location. Suddenly, a man named Evan McCauley (Mark Wahlberg) wakes up from his Treadway nightmare. We progressively learn that McCauley has schizophrenia who constantly remembers things from past lives he seemed to have never experienced before. He is what the “Believers” call “Infinites,” whose souls constantly get reincarnated inside a different body. He is quickly apprehended by Bathurst (now played by Chiwetel Ejiofor) after using a hand-crafted sword in a drug deal gone bad. His “life” changes drastically once Evan learns that he possesses Treadway’s soul and must reawaken his memory to quickly find The Egg before Bathurst does and destroys the entire world.

Infinite,' starring Mark Wahlberg & Chiwetel Ejiofor, debuts on Paramount+

Let’s be honest: movies that center on thingamajigs (or MacGuffins as academics would call them) are amazingly tiresome and can only go so far before it veers off in predictable territory. Thankfully, Fuqua’s emulation of Bayhem makes many of its central action setpieces move at a somewhat entertaining pace. The car chase at the beginning involving Dylan O’Brien’s Treadway is filled with Bay’s rapid editing and an over-reliance on a moving camera that always, and I mean, always acts like a paintbrush to produce a copious, almost gratuitous amount of flashy style. And by flashy style, I mean excessive use of slow-motion, flares, and explosions or low-angles during 1-on-1 fight sequences. The explosions in this film are particularly reminiscent of Bay’s pictures, though not as big in scale, but produce the same cathartic effect. One scene in which Evan and Nora (Sophie Cookson) try to run away from Bathurst’s robotic henchmen inside a buggy has a precise explosion that, in its staging of using slow-motion at a pinpoint moment, feels as if it’s been directed by Bay. I mean, heck, if the end credits said “Directed by Michael Bay” instead of Antoine Fuqua, I’d believe it.

INFINITE (2021) Movie Trailer: Mark Wahlberg's Past Lives are Unlocked by a  Secret Society in Antoine Fuqua's Scifi Film | FilmBook

By doing this, Fuqua prevents the film from being a total dud than it is, since the script is filled with so many ineptitudes on:

  1. The world of the Infinites. The difference between the “believers” and “nihilists” is barely explained in two throwaway lines that almost feel unimportant. I can only explain the nihilists, who want all life to cease existing so they can stop reincarnating themselves, which adds a weird ineptitude on:
  2. Bathurst’s motivations. He wants to stop reincarnating himself and has developed a bullet that prevents believers from doing so. Ok, so if you’ve developed a bullet that grants your sole motivation…why not shoot yourself with it instead of bringing the entire world down with you? I’m sorry, but we never know the why behind Bathurst’s plan to destroy the world, aside from the overly used “humans are stupid, so I guess I need to bring them down with me” line, after torturing Toby Jones’ character by shoving…*checks notes*…honey down his mouth…interesting.

These two main problems falter its extremely stylized action for a sci-fi picture that’s as smart as Mark Wahlberg’s previous tenure in that genre…with Michael Bay in Transformers: Age of Extinction and The Last Knight. Hell, here’s another thing: if you would’ve told me that this is set in the world of Transformers that Wahlberg reprised his role as Cade Yeager through a new alter-ego, who now has the memories of somebody else (through unbeknownst reasons), then guess what? I would’ve believed it too. Wahlberg’s performance is no different than his exploration of the Transformers universe: half-charm, half-cluelessness, which equates to accepting every preposterous explanation on “Infinites” as “fact” and tagging along with people he’s never seen before and pretend everything’ll be fine, even if he is now tasked to save the entire world, in the same sense he had to do it (twice!) with the Autobots.

Infinite review: Mark Wahlberg relives past action movies in this soulless  flick - CNET

His character progression starts by being the only character that asks questions to the Infinites, who will then explain the film’s facile and underdeveloped plot in hackneyed detail, until he becomes the hero we deserve, but didn’t know we needed, as he uses a sword à la Morpheus from The Matrix Reloaded to bring down an entire plane and fight with Bathurst in the air, without any parachute, in the craziest, most bewildering action scene I’ve seen that defies all sense of logic and paints their characters as God-like mythic figures since The Fast and the Furious franchise said “no more logic” when Dom Toretto destroyed a parking lot with his feet.

Speaking of Bathurst, Chiwetel Ejiofor, a usual powerhouse, is completely miscast here and delivers his worst performance to date with an indescribable accent that makes everything about his antagonistic presence feel terribly cartoonish and over-the-top. He’ll refine his antagonist chops, most likely in Doctor Strange in the Multiverse of Madness. I truly hope he’ll return to a more natural state of acting as he did as Mordo in Scott Derrickson’s 2016 film (or even when he compellingly portrayed Scar in the 2019 remake of The Lion King), instead of doing whatever the hell he’s doing here. I can barely explain, or comprehend, if you will, what Ejiofor even attempted to do in Infinite to render his antagonist menacing…but it clearly didn’t work and made every scene he’s in feel unintentionally hilarious. Look at the scene in which he tortures Toby Jones with honey and how he tries to make his awfully written lines serious and menacing and yet does the exact opposite. It’s quite a feat to see, but it needs to be forgotten sooner rather than later.

Infinite (2021) - IMDb

This is probably why Paramount dropped Infinite on a streaming service no one is subscribed to, so it can be easily forgotten and buried inside an ever-growing algorithm that “curates” films on content rather than quality. While Infinite contains a hefty number of fun action sequences that imitate Michael Bay’s unmatched style, it, unfortunately, does not overshadow its terribly facile and underdeveloped plot and caricatural lead performances from Mark Wahlberg and Chiwetel Ejiofor. If you’re a fan of Antoine Fuqua, you won’t watch this and go through his previous films instead, which would be for the better. Let’s hope his remake of The Guilty, set to release later this year on Netflix, will be better than Infinite (spoiler: it likely will).

Infinite is now available to stream on Paramount+.

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Romance

Reminiscence | Official Trailer

A scientist discovers a way to relive your past and uses the technology to search for his long lost love. Whilst a private investigator uncovers a conspiracy while helping his clients recover lost memories.

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Genre:

Sci-fi, Thriller, Romance

Release Date:

August 20, 2021

Director:

Lisa Joy

Cast:

Hugh Jackman, Rebecca Ferguson, Thandiwe Newton, Natalie Martinez, Cliff Curtis, Brett Cullen, Thomas Francis Murphy

Plot Summary:

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Sci-fi

Infinite | Official Trailer

For Evan McCauley (Mark Wahlberg), skills he has never learned and memories of places he has never visited haunt his daily life. Self-medicated and on the brink of a mental breakdown, Evan is sought by a secret group that call themselves “Infinites,” revealing to him that his memories may be real—but they are from multiple past lives.

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Genre:

Sci-fi, Thriller

Release Date:

2021

Director:

Antoine Fuqua

Cast:

Mark Wahlberg, Chiwetel Ejiofor, Sophie Cookson, Dylan O’Brien, Jason Mantzoukas, Rupert Friend, Wallis Day

Plot Summary:

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