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Drama

Three Billboards Outside Ebbing, Missouri (2017)

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SummaryThree Billboards Outside Ebbing, Missouri

A mother personally challenges the local authorities to solve her daughter’s murder when they fail to catch the culprit.

Genre : Crime/Drama
Country : UK/USA

Cast :
Frances McDormand : Mildred
Sam Rockwell : Dixon
Woody Harrelson: Chief Willoughby

Director :
Martin McDonagh

My opinion on “Three Billboards Outside Ebbing, Missouri”

“Raped while Dying.
Still no arrests.
How come, chief Willoughby?”

Those who read my writing attempts occasionally, know that I thoroughly hate everything that has the appearance of a serial or when prequels and sequels are being produced just to exploit the story even further. So, don’t panic while reading the following statement. I hope they’ll come up with a sequel to “Three Billboards outside Ebbing, Missouri“. A continuation of this brilliant story where we’ll learn how Mildred (Frances McDormand) and Dixon (Sam Rockwell) handle the case.

I am sure that this film will be difficult to surpass in its genre. And not because of some amazing special effects or action-packed film sequences. But because of the ingenious story and the unparalleled acting. And even though the story is filled with ultra-serious issues such as discrimination, domestic violence, cancer, sexual abuse and murder, there’s also a subtle comic layer that is saturated with blackened humor and finished with cynical and ironic elements. This is so up my alley.

Three Billboards Outside Ebbing, Missouri

Anger versus compassion.

Three Billboards outside Ebbing, Missouri” is about anger, rage and helplessness. The anger about an unsolved case with Angela, the daughter of Mildred, being raped and burned alive by one or more unknowns. And after several months Mildred has come up with the bright idea to denounce the failure of the judicial investigation. And this by unabashedly spreading the message about it, on three billboards with Chief Willoughby (Woody Harrelson) as main target, solely because of his leading position as Chief.

But it’s not only anger and revenge you’ll be witnessing in this magnificent film. Forgiveness is also included. Like the moment during a police interrogation in which Mildred feels genuinely concerned about Willoughby’s health. I was also surprised when Red Welby (Caleb Landry Jones), the owner of the advertising billboards, offers Dixon a glass of orange juice. Two moments in which blind anger made room for compassion.

Three Billboards Outside Ebbing, Missouri

Sublime acting from Frances McDormand.

Even though Woody’s name is written on the billboard in huge letters, his contribution isn’t really decisive. To my surprise, he also gets out of the picture halfway through the film. In the first place it’s Frances McDormand who demands the most attention. And she does that in a stunning way. A bitter woman who’s tired of waiting for an arrest. Mildred is under the assumption that no effort is made by the corps to follow any clue or performs real police work. In her eyes, the police officers are a group of racist dipshits who spend their days harassing Afro-American fellow citizens.

She’s a tough lady who firmly tackles those who get in her way, both verbally and physically. And she spares nobody. Whether it’s a priest or a dentist. She isn’t even afraid to kick some young students in their crotch. And even though she appears to be an unpleasant person with a sharp tongue, she manages to arouse your sympathy. The sometimes dry, humorous remarks take care of that. Frances McDormand may rightfully become the owner of the coveted statue during the Academy Awards in a few months’ time.

Three Billboards Outside Ebbing, Missouri

Rockwell plays the best role of his life.

And such a golden statue can also be reserved for Sam Rockwell. His acting is simply magisterial. Dixon is an aggressive hillybilly who likes to beat up  minorities and appears to be drunk constantly while doing his job as a policeman, knowing it’s tolerated by his superior. A not so quite intellectual overweight man. And Dixon’s stupidity sometimes creates comical situations.

And finally there’s Woody Harrelson. An actor after my own heart (whom had stolen it already because of his participation in the sitcom “Cheers“) who always plays his roles with so much flexibility and professionalism. In contrast to the confused and sometimes cruel character from “The Glass Castle“, Chief Willoughby is an honest person who’s sincerely worried about the case of Mildred’s daughter. All in all, these are three parts that are played in an excellent and marvelous way by these actors. This film is already commendable because of that.

Three Billboards Outside Ebbing, Missouri

A brilliant movie. Go see it !!!!

But it is also the intelligently written script that makes this film worthwhile. It’s indeed a film full of heavy themes. The injustice in this world and how people deal with it. The processing of an immense grief. There are also uncomfortable moments full of aggression and threats. And yet there is always a laconic undertone that is peppered with thoughtful, ambiguous humor. And these different moods alternate at breakneck speed. Some scenes change from aggressive and threatening, into humorous and emotional. “Three Billboards outside Ebbing, Missouri” is a gem of a film I’ve enjoyed tremendously. And believe me, I’m looking forward to seeing it once more.

My rating 9/10
Links : IMDB

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Drama

The Fabelmans | Official Trailer | Steven Spielberg

Growing up in post-World War II era Arizona, a young man named Sammy Fabelman discovers a shattering family secret and explores how the power of films can help him see the truth.

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Genre:

Drama

Release Date:

November 23, 2022

Director:

Steven Spielberg

Cast:

Michelle Williams, Paul Dano, Seth Rogen

Plot Summary:

Growing up in post-World War II era Arizona, a young man named Sammy Fabelman discovers a shattering family secret and explores how the power of films can help him see the truth.

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Comedy

Heartstopper Review | An Irresistible Gay Teen Drama

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Heartstopper

Based on Alice Oseman’s beloved graphic novels, Netflix’s bite-sized adaptation of Heartstopper continues to kick the door wide open for queer stories on the small screen. In the same vain as Young Royals and Dear Victor, Heartstopper’s exploration of queer teen romance is just as endearing, if not made more real and lovable by some incredible performances by Joe Locke and Kit Connor who play the show’s main high-school sweethearts.

Heartstopper owes its incredible binge-factor to its main focus on the story of two British teens at Truham Boys School, Charlie (Locke) and Nick (Connor) and how their entanglement perfectly represents the highs and lows of young romance. Manoeuvring alongside our main characters’ connection are some other, deeply adorable queer-centric stories – from a pair of secret lesbians at the nearby all-girls grammar school, to the perspective of a trans girl navigating life outside Truham; all of which tangle throughout the show’s eight chapters, giving a genuine take on teen love and friendship during the digital age.

Photo: Netflix

While Euphoria is a ridiculously over-the-top representation of high school life with actors well-in their twenties playing teens, Heartstopper instead follows leads and supporting characters that feel like real teenagers, which doesn’t help the waterworks when it comes to some incredibly emotional moments in the show.

What the show decides not to focus on is sex and swearing, which is usual when it comes to these kinds of stories. Instead, Heartstopper goes down a more wholesome route, diluting some of the web comic’s more serious topics in favour of a more family-friendly teen drama. That’s more than acceptable, but it may leave the show not exactly suitable for everyone for how young it is leaning, despite how charming it is. It’ll be interesting to see how the web comic’s strong fanbase take to these changes, but it feels like a good move for the most part.

That being said, Heartstopper brilliantly doesn’t leave out realistic aspects that come to growing up queer in Britain; our main characters are never far from bullies or trolls. With how young the show’s audience is targeting towards, this feels like a great move on showing how to approach these pressures that make-up everyday life for teenagers.

Overall, Heartstopper is easily destined to prove a success for Netflix; from the authentic feel of all the friendships and relationships depicted to the enjoyable ride that comes with all eight chapters, this show is a welcome addition to the increasingly queer canon that is flying into the mainstream.

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Drama

Belfast review | A Magical Adaptation On The Town I Know and Love

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Belfast is directed by Kenneth Branagh and stars Jude Hill (Buddy), Lewis McAskie (Will), Caitriona Balfe (Ma), Jamie Dornan (Pa), Judi Dench (Granny) and Ciarán Hinds (Pop). A very big Irish cast that makes the film ever so better with everyone doing exceptional jobs but we’ll get to that later.

Branagh retells his story of childhood in a city of magic called Belfast. With this he details what it was like to be a Protestant during The Troubles a historical event that people from Belfast like me will always be reminded of and the horror that went down during it. I’m happy people can learn more about it through this adaption of the town because I remembered my Granny and Grandad’s stories while watching this, it helped me to immerse myself into the film and be brought back to the days of when my family was getting to know each other. It was nice to hear these stories of how accurate Branagh took The Troubles and put it on screen well.

The family aspect in this film was top notch, it showed the stress a protestant family would go through, especially this family. The pressure of paying bills and keeping the house and even being pressured to move across the water (something a lot of family’s had to for their kid’s sake) and I applaud Branagh for that because I know this film will hit audiences in Ireland and they’ll be happy with the adaptation. I was told people have been applauding the end, something that never happens in Ireland from my experiences but on to the performances.

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The entire cast do a phenomenal job with the script, they all looked to have fun during filming and in interviews. It’s great to see Irish representation in a film like this. Branagh was definitely the man for the job and the cast were the people for it. What makes me happy with these performances is how they work with the time period with the generic accent the actors have and it’s beautiful to see and hear and with the audio, they decided to use was immaculate and the aspect ratio they went with was great to see the on the big screen with the cinematography being a highlight.

Jude Hill was a standout in this film, he gives a brilliant performance as Buddy. He’s genuinely really funny in this and his emotional acting is top-notch and for a first-timer. He’s going to have a bright future ahead of him and I can’t wait to see him in more because he deserves it. Jamie Dornan also standouts out aswell with him taking loads of awards home which he deserves and it’s great to see him back in his home town for this because you can tell he’s trying hard in the role and in interviews he says he hopes people from the town like the film because he put his heart and soul into the performance and that’s always great to see.

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SPOILERS FROM NOW ONWARD

The beauty of Branagahs Belfast is so many things that happened during this film, happened to my family. I find that beautiful because I’ve never seen anything like it. One scene in particular, the grandad’s death that hit me like a bus because that exact situation has happened to me but with my granny and that exact singing scene was something we use to do to honour them. The number of tears I had during that scene was mad.

Now I’m going to discuss heavier themes of the film, the religion side of it. I want to give more info on that, so let’s get the thing you all probably know already. There are two sides in Ireland Catholic and Protestant and while Branagh was on the Protestant side it’s interesting to see that story of someone going through that because I can’t name a film that does it better. The story of The Troubles is something in the history books and I recommend you do more research on the topic because it is intriguing and the events that happen are shocking.

Now I’m gonna talk about the final scene, the singing scene again because of how great it is. It only reminds me of another fantastic film with heavy messages and near the same ending and that’s ‘Another Round’ but just how the cinematographer captures the two and then the others in the crowd is beautiful and I know I’m going on and on but I love this movie and I’ve talked about everything in it.

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AWARD CHANCES

Before I wrap this review up let’s talk about Belfast and if it has a chance at the big boy Oscars and I believe so it should win Best Picture and when it does I’m gonna be here screaming my head off and applauding the entire cast and Branagh because it’s a masterpiece and deserves everything it gets and in terms of acting I don’t think it’ll win much they’re some powerhouses competing this year, and that’s a shame.

For The One’s That Stayed, The One’s We Lost, And The One’s We Left Behind

KenNeth Branagh

Belfast is a magical film that captures Belfast in such an impressive way the film is instantly gonna become a classic and I cant wait to see it again and check this one out to learn about the beautiful city I know and I love thank you to the entire cast and crew you have made something that has hit me emotionally and made me want more from the story that is already over.

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