The book of Henry (2017)
With instructions from her genius son’s carefully crafted notebook, a single mother sets out to rescue a young girl from the hands of her abusive stepfather.
Genre : Drama/Thriller
Country : USA
Jaeden Lieberher: Henry
Naomi Watts : Susan
Jacob Tremblay : Peter
My opinion on “The book of Henry”
“Violence isn’t the worst thing in the world.
What is then?
I’m sure that some movie critics of reputable newspapers (“The Guardian” and the like) and magazines are awful, out-of-touch guys, who pine away on a dusty attic avoiding any contact with other human individuals. Pessimists who cringe at the sign of a bit of emotions and sugar-sweet feelgood moods and hide like a slug that encounters a grain of salt on her path. The result is an allergic reaction of disgust and aversion, after which they begin to spit their guts and criticize the targeted object. Is “The Book of Henry” really overly-sentimental? Is it so sugary that your blood glucose levels suddenly go berserk? Is it so un-freakin-believable that a Jerry Springer show looks like a realistic show? And does the second part of the movie about revenging a child molester feel extremely exagerated? Maybe yes. However, calling this film the biggest crap of the year, demonstrates short-sightedness and empathy similar to that of a mummified Egyptian pharaoh.
Amiable and entertaining.
Whatever they claim, “The Book of Henry” is an amiable and entertaining evening filler. Something I’m yearning for after an endless series of nerve-racking or extremely serious movies where you need to stay focused, so you won’t lose the thread after another plot twist. I admit I watched the first chapter with more pleasure than the second chapter. Not because of the acting. But contentwise it was sometimes a bit too much and after a while it lost a bit of its credibility. For instance. I doubt you can buy a high-tech sniper rifle in the U.S. just by saying some obscure name and waving with a bundle of dollar bills. Let’s skip the formalities! And someone calling the authorities after seeing an emotional performance of a ballet dancer, was quite bizarre. Especially when bruises and the timid behavior of the girl herself (plus Henry’s testimonies) didn’t ring any bells before.
Teenage fun, drama or thriller. What’s it gonna be?
You can say the film is kind of bizarre. Not only because of the family situation in which the Carpenter family finds itself. That’s already extremely strange. Also the sudden twist in the middle of the story is bit of uncommon. Not often a main character leaves the story so early. Even though he isn’t completely out of the picture. And that’s why I’m talking about two chapters. The “pre” and “post” Henry period. Perhaps the mix of genres is a cause for criticism. At first, it looks like an innocent youth movie. Then it goes from a melodrama to a thriller with a revenge motive. Granted, that might be too much as well.
First class acting.
I enjoyed the acting the most. Jaeden Lieberher as bright Henry. A young boy looking at the world with very different eyes due to his unimaginable intelligence and at the same time he’s still like an average, everyday boy. The way in which he confronts his classmates with the real facts is both sobering as extremely funny. Lieberher plays this with seemingly little effort. A brilliant mind but played in such a way that he remains human. Only I thought that his cartoonish machine he designed, using wires, hammers and wooden mechanisms, was quite contradictory to his high intellectual abilities. Naomi Watts (gorgeous role in “Demolition” by the way) is a known quantity, although she’s acted of the screen a bit by her dominant son and all she seems to be doing is hitting the buttons on her PS4 controller. Even in the second chapter, Henry is holding her hand and is in charge of everything. But especially Jacob Tremblay, as the younger brother Peter, really surprised me. Not because of his impact on the story. But the professionalism he displays in shaping his personality. A likable and highly amusing character. Maddie Ziegler knew how to play the emotionally broken neighbor girl in a sublime way. A rendition in which the repressed emotions impressed more than Henry’s occasional hyperkinetic behavior.
A dumb thing to do?
Perhaps it’s my age that makes me more melancholic and I’m touched much faster. However, I think most viewers approach this movie in a wrong way. I read somewhere that Henry’s preconceived plan (which he has worked out in detail in his red booklet) is the opposite of his intellectual ability. A burst in his wisdom because it’s revenge he’s after. However, perhaps this was the only solution he could come up with after deductive and analytical reasoning. How does anyone react when witnessing that a criminal offense goes unpunished? And legal measures don’t have the desired effect? Perhaps it takes more time for average intelligent people to come to the same conclusion.
I’m a fan of the underdogs.
I’m afraid I’m the only one with a positive opinion about this movie. Apparently, I like to root for the underdogs among movies. I’m sure that critics and opponents of “The book of Henry” will say that Trevorrow, after this cinematic adventure, delivered better work in the more realistic blockbuster “Episode IX“. Even if he would add a scene with Chewbacca, Han Solo and Luke Skywalker dancing the can-can, these experts of stories on celluloid will probably approve it and claim that the man has added a willful interpretation to the Star Wars story. But he mustn’t give in to willfulness when it comes to other movies (grinding teeth intonation). I am pleased that rebellious movies like “The Book of Henry” are made in Hollywood and not only the sometimes saltless crap that’s being released. Because those are the movies where I say “Well, this was a great movie” when it’s finished.
It’s not my policy to draw attention to someone else’s opinion, but I couldn’t resist now. Although I don’t fully agree with it, I surely could appreciate the cynical tone of this review. Read it here
My rating 7/10
Links : IMDB
Jharrel Jerome and Jennifer Lopez to Headline ‘Unstoppable’ for Ben Affleck & Matt Damon’s Production Company
Hot off the great reviews for the upcoming Air Jordan flick, Air, it seems that Matt Damon and Ben Affleck are already set for their next project, one that will star someone near and dear to the heart of the latter. News comes in from Deadline, that Jennifer Lopez (Hustlers, Out of Sight) will star in the upcoming wrestling drama Unstoppable which comes from the new Artists Equity banner from Affleck and Damon, as well as Amazon. Additionally, in a separate report, we know that Emmy-winning actor Jharrel Jerome (When They See Us, Moonlight) will star as the lead of the film, playing the son of JLo’s character.
Unstoppable will star Jerome as three-time All-American wrestler Anthony Robles, an athlete born with one leg who persevered through his inspiring story to win a National Championship at Arizona State University. Lopez is set to play his supportive mother, Judy Robles. Robles, himself, is expected to be heavily involved in the production process of the film, which again, is set to stream on Amazon and produced by Amazon Studios. The latter news makes a lot of sense, following the early success of Air and the partnership forged between Amazon and Artists Equity on that particular project. Production on Unstoppable is expected to start sometime this Summer.
Lopez appeared on screen in two romance films last year with Amazon’s Shotgun Wedding and Marry Me which got a same day release in theaters and on Peacock. She’ll next appear in The Mother on Netflix which is directed by Mulan director Niki Caro.
Jerome is best known for his Emmy-winning role as Korey Wise in the limited Netflix series When They See Us based on the Central Park Five which was directed by Ava DuVernay. He’ll soon be seen in Steven Soderbergh’s HBO Max series Full Circle before leading Amazon’s I’m a Virgo from Sorry to Bother You filmmaker Boots Riley.
‘1883’ Spinoff Series ‘Bass Reeves’ Adds Dennis Quaid to Cast
Dennis Quaid (Far from Heaven, The Day After Tomorrow) is the latest star to join the cast of Bass Reeves, a new drama series coming from Taylor Sheridan (Yellowstone, Tulsa King) and Paramount+, according to Deadline. Bass Reeves was announced as a spinoff to the Yellowstone prequel, 1883 back in May 2022 with David Oyelowo (Selma, A Wrinkle in Time) attached to star as the legendary lawman.
Bass Reeves will follow Oyelowo as someone who is known to many as “the greatest frontier hero” in American history in his own series on Paramount+. The streamer already houses so many Sheridan-fronted programs, most recently, Mayor of Kingstown starring Jeremy Renner returned for its second season while CIA drama, Lioness added to its cast with Nicole Kidman and Morgan Freeman. Some believe that Reeves served inspiration to “The Lone Ranger” having worked as a peace officer for Indian territory capturing over 3,000 criminals on that land. Quaid will play Sherrill Lynn, a Deputy U.S. Marshall within the show.
Quaid most recently voiced the character Jaeger Clade in Disney’s animated feature Strange World which is currently available to stream on Disney+. He’ll also star in Steven Soderbergh’s upcoming HBO Max series Full Circle alongside Zazie Beetz, Claire Danes and Emmy-winner Jharrel Jerome.
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Let the casting of music biopics commence! As we’ve been hammered with news of superstar musician biopics each and every week, we have more news of one that is filming currently with Back to Black about the late, great Amy Winehouse. While it was reported back in January that Industry star, Marisa Abela will be leading as Winehouse, we now have details courtesy of Deadline on who will be joining the British pop star’s life story on screen.
The report indicates that Jack O’Connell (Unbroken, ’71), Lesley Manville (Phantom Thread, Another Year) and Eddie Marsan (Ray Donovan, The World’s End) will all appear alongside Abela in Back to Black. O’Connell is set to play Blake Fielder-Civil, the love of Winehouse’s life who she was married to from 2007 until 2009, just a few years prior to her death as their love was unfortunately addled by prescription drug abuse and alcohol as well as multiple stints in rehab for both of them. Marsan will play Winehouse’s father while Manville will play Winehouse’s maternal grandmother in the film.
Back to Black will follow the life of one of the greatest singer-songwriters of all-time in Amy Winehouse. Her sophomore album (which the film is named after) won her 5 Grammy Awards all at the young age of 25 just before her untimely death in 2011 at age 27. The film will focus on Amy’s creativity, genius and upbringing at Camden High School in the UK before she propelled into stardom.
The film will be written by Matt Greenhalgh and directed by Sam Taylor-Johnson reuniting the two of them after their 2009 film Nowhere Boy, which chronicled John Lennon’s formative years and adolescence. Taylor-Johnson is coming off directing episodes of Hunters and Solos for Amazon but is best known for helming Fifty Shades of Grey.
O’Connell had a big 2022 starring in Netflix’s Lady Chatterly’s Lover and MGM+’s new original series, SAS Rogue Heroes. He’ll next star as professional race car driver Peter Collins in Ferrari. Manville most recently starred as Princess Margaret in the recent season of The Crown for Netflix and in Mrs. Harris Goes to Paris for which she earned a Golden Globe nomination. Marsan is best known for playing Ray Donovan‘s brother, Terry in the hit Showtime series but will next appear in the film, Fair Play with Alden Ehrenreich and Phoebe Dynevor.
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