With instructions from her genius son’s carefully crafted notebook, a single mother sets out to rescue a young girl from the hands of her abusive stepfather.
Genre : Drama/Thriller
Country : USA
Jaeden Lieberher: Henry
Naomi Watts : Susan
Jacob Tremblay : Peter
My opinion on “The book of Henry”
“Violence isn’t the worst thing in the world.
What is then?
I’m sure that some movie critics of reputable newspapers (“The Guardian” and the like) and magazines are awful, out-of-touch guys, who pine away on a dusty attic avoiding any contact with other human individuals. Pessimists who cringe at the sign of a bit of emotions and sugar-sweet feelgood moods and hide like a slug that encounters a grain of salt on her path. The result is an allergic reaction of disgust and aversion, after which they begin to spit their guts and criticize the targeted object. Is “The Book of Henry” really overly-sentimental? Is it so sugary that your blood glucose levels suddenly go berserk? Is it so un-freakin-believable that a Jerry Springer show looks like a realistic show? And does the second part of the movie about revenging a child molester feel extremely exagerated? Maybe yes. However, calling this film the biggest crap of the year, demonstrates short-sightedness and empathy similar to that of a mummified Egyptian pharaoh.
Amiable and entertaining.
Whatever they claim, “The Book of Henry” is an amiable and entertaining evening filler. Something I’m yearning for after an endless series of nerve-racking or extremely serious movies where you need to stay focused, so you won’t lose the thread after another plot twist. I admit I watched the first chapter with more pleasure than the second chapter. Not because of the acting. But contentwise it was sometimes a bit too much and after a while it lost a bit of its credibility. For instance. I doubt you can buy a high-tech sniper rifle in the U.S. just by saying some obscure name and waving with a bundle of dollar bills. Let’s skip the formalities! And someone calling the authorities after seeing an emotional performance of a ballet dancer, was quite bizarre. Especially when bruises and the timid behavior of the girl herself (plus Henry’s testimonies) didn’t ring any bells before.
You can say the film is kind of bizarre. Not only because of the family situation in which the Carpenter family finds itself. That’s already extremely strange. Also the sudden twist in the middle of the story is bit of uncommon. Not often a main character leaves the story so early. Even though he isn’t completely out of the picture. And that’s why I’m talking about two chapters. The “pre” and “post” Henry period. Perhaps the mix of genres is a cause for criticism. At first, it looks like an innocent youth movie. Then it goes from a melodrama to a thriller with a revenge motive. Granted, that might be too much as well.
First class acting.
I enjoyed the acting the most. Jaeden Lieberher as bright Henry. A young boy looking at the world with very different eyes due to his unimaginable intelligence and at the same time he’s still like an average, everyday boy. The way in which he confronts his classmates with the real facts is both sobering as extremely funny. Lieberher plays this with seemingly little effort. A brilliant mind but played in such a way that he remains human. Only I thought that his cartoonish machine he designed, using wires, hammers and wooden mechanisms, was quite contradictory to his high intellectual abilities. Naomi Watts (gorgeous role in “Demolition” by the way) is a known quantity, although she’s acted of the screen a bit by her dominant son and all she seems to be doing is hitting the buttons on her PS4 controller. Even in the second chapter, Henry is holding her hand and is in charge of everything. But especially Jacob Tremblay, as the younger brother Peter, really surprised me. Not because of his impact on the story. But the professionalism he displays in shaping his personality. A likable and highly amusing character. Maddie Ziegler knew how to play the emotionally broken neighbor girl in a sublime way. A rendition in which the repressed emotions impressed more than Henry’s occasional hyperkinetic behavior.
A dumb thing to do?
Perhaps it’s my age that makes me more melancholic and I’m touched much faster. However, I think most viewers approach this movie in a wrong way. I read somewhere that Henry’s preconceived plan (which he has worked out in detail in his red booklet) is the opposite of his intellectual ability. A burst in his wisdom because it’s revenge he’s after. However, perhaps this was the only solution he could come up with after deductive and analytical reasoning. How does anyone react when witnessing that a criminal offense goes unpunished? And legal measures don’t have the desired effect? Perhaps it takes more time for average intelligent people to come to the same conclusion.
I’m a fan of the underdogs.
I’m afraid I’m the only one with a positive opinion about this movie. Apparently, I like to root for the underdogs among movies. I’m sure that critics and opponents of “The book of Henry” will say that Trevorrow, after this cinematic adventure, delivered better work in the more realistic blockbuster “Episode IX“. Even if he would add a scene with Chewbacca, Han Solo and Luke Skywalker dancing the can-can, these experts of stories on celluloid will probably approve it and claim that the man has added a willful interpretation to the Star Wars story. But he mustn’t give in to willfulness when it comes to other movies (grinding teeth intonation). I am pleased that rebellious movies like “The Book of Henry” are made in Hollywood and not only the sometimes saltless crap that’s being released. Because those are the movies where I say “Well, this was a great movie” when it’s finished.
It’s not my policy to draw attention to someone else’s opinion, but I couldn’t resist now. Although I don’t fully agree with it, I surely could appreciate the cynical tone of this review. Read it here
My rating 7/10
Links : IMDB
Tribeca Film Festival | ‘7 Days’ – A Sweet Rom-com To Keep You Going
We’ve reached the point now where the COVID-19 pandemic and the lockdowns we’ve faced over the past year are starting to become backdrops for films, and perhaps it’s not something we want to re-live and it’s not something we’re desperate to revisit, but 7 Days has a really touching and moving story at its centre and when you look past the coronavirus, it’s a really compelling story and makes for a good film.
At the start of the film, we meet Ravi (played by Karan Soni, best known for playing Dopinder in Deadpool) and Rita (Geraldine Viswanathan- Blockers, The Broken Hearts Gallery). The two have been set up by their old-fashioned Indian parents and are on a pre-arranged date. The two of them have absolutely nothing in common and the whole afternoon is very awkward for them both. But then the COVID outbreak gets worse and Ravi must spend the next few days at Rita’s place as he can’t get a car or a hotel. We soon witness the unlikely bond that forms as the two spend their days together despite being very different people.
7 Days marks Roshan Sethi’s directorial debut and he does a great job here. Not only does he capture so well what it’s like to live, and to love, in the time of COVID but the film, which was also co-written by Sethi, is really funny and leaves you feeling good which is exactly what you want after having lived through the last year.
The film’s quite short as it is with a runtime of just 86 minutes but even so, it does feel very long. Whether that’s because there’s only really two characters that we’re seeing for almost an hour and a half, or if it’s because it takes place almost entirely in one location, it does drag a bit. The two characters seem like polar opposites as we discover Rita drinking beer and eating leftover chicken for breakfast despite claiming to be a vegetarian and not drinking and at times the film feels like it’s almost running out of things to do with these characters that at first seem so far away from each other and the film does feel quite long despite its rather short runtime.
But on the whole, 7 Days manages to get the tone between comedy and drama just right with lots of funny lines but also just the right amount of heartfelt and poignant moments. The film is bookended by short video clips of real-life Indian couples talking about their marriages and how they met, and the two main characters discuss these two viewpoints of a more orthodox arranged marriage versus love marriages and the film does a really good job of presenting them both to us equally.
7 Days works well and manages to avoid being a depressing film about the pandemic, in part due to the really good performances from Soni and Viswanathan and the wonderful chemistry the two have, but also due to the really good script by Sethi and Soni. And whilst we will doubtlessly see more movies set during this time, 7 Days is a sweet rom-com to keep you going.
7 Days premiered at the 2021 Tribeca Film Festival.
Supernova | A Powerful And Touching Film Worth Seeing
Get the tissues ready because Supernova is a real tear-jerker. It’s one of those films that right from the very first moment you know it’s going to hit you right in the feels. And Supernova expertly gets that blend right between sadness and hope to the point that the film is an excellent well-rounded film that has real emotion and isn’t just a complete sucker punch to the gut.
Sam (played by Colin Firth) and Tusker (Stanley Tucci) are partners of 20 years and are travelling around the Lake District in their old RV. The thing is that two years ago, Tusker was diagnosed with early-onset dementia. Over the course of their journey, they encounter friends and family and their ideas for the future clash as secrets are revealed, really testing their love for each other in a way that they’ve never experienced before. It’s a really devastating film about love and about loss too but it’s incredibly powerful.
For the first half of the film, there’s quite little actually about Tusker’s dementia and instead, writer/director Harry Macqueen decides to show us just how strong the love between the two is and we see that they’ve both put their careers on hold at this difficult point in their lives. Sam was a musician and Tusker a writer but they’ve both been unable to continue with these with everything they’re going through. But we see the incredible love that these two people have for each other.
This is, in part, down to the phenomenal performances from both Colin Firth and Stanley Tucci. And that’s what really takes this film up a notch to be an excellent film. Firth and Tucci are both outstanding and give some of their best performances of their careers. The film is entirely driven by their remarkable performances and everything else helps to compliment that to create a really moving film. The cinematography is really beautiful- as you’d expect- with the gorgeous Lake District as the backdrop for film and there are some really lovely wide shots of the incredible scenery in Supernova.
For the majority of the film, the writing is really good too, however, there are a few instances where it doesn’t quite feel like what a real person would say in that situation in the moment. Instead, it sounds like the sort of thing a writer would have written- which of course it is, but because of how touching and powerful it is, and because of how well Stanley Tucci and Colin Firth are delivering these lines it doesn’t stand out too much.
Supernova is a very emotional film, particularly when you consider the meaning behind the title. Director Harry Macqueen says that “a supernova is the massive explosion event at the end of the evolution of a star”. “For me this has always been representative of Tusker himself- a man who shines bright in all he does, brings light and laughter to almost every situation and is, of course, dying. It’s quite literal in that regard, really; he knows his final chapter is just around the corner.”
Supernova is a film that’s worth seeing, even if that’s just to see Colin Firth and Stanley Tucci giving career-best performances but there’s so much more to the film as it explores the sophisticated, mature themes of love and loss. Just make sure to take some tissues, or maybe even a bucket, to collect your tears.
Supernova is released in UK cinemas on June 25th.
Marvel Studios’ Eternals | Official Teaser
The Eternals, a race of immortal beings with superhuman powers who have secretly lived on Earth for thousands of years, reunite to battle the evil Deviants.
Action, adventure, drama
November 5, 2021
Angelina Jolie, Salma Hayek, Gemma Chan, Richard Madden, Kit Harington, Kumail Nanjiani, Brian Tyree Henry
Wagman Studios | 2021 Summer Movies Mashup
Summer blockbusters are back! Take a look at this short mashup containing over 20 of the summer's hottest movies
Netflix | Stranger Things: Season 4 – Teases Eleven’s Back Story
The upcoming fourth season of the American science fiction horror television series Stranger Things, titled Stranger Things 4, was announced...
2021 OSCARS- What They Got Right, And What They Got Wrong
Chloé Zhao and Nomadland make history and win top prizes at the Oscars. Last night was the long-awaited 93rd Academy Awards,...
2021 Oscar Snubs:
This years Oscars threw a few surprise nominations at us. In this piece, I will be looking through some of...
HBO Max | First Seven Minutes of Mortal Kombat Arrive Online
Mortal Kombat 2021 arrives in theaters and streaming this Friday, April 23. Ahead of its release, Warner Bros. Has released...
Loki | Fun And Entertaining As It Feels Wholly Original
This will be an entirely spoiler-free review of episodes 1 and 2 of Loki. The last time we saw the...
Marvel Studios’ Eternals | Official Teaser
The Eternals, a race of immortal beings with superhuman powers who have secretly lived on Earth for thousands of years,...
Netflix | Sweet Tooth – Official Trailer
On a perilous adventure in a post-apocalyptic world, a boy who's half-human and half deer searches for a new beginning...