Reviews

Alien : Covenant (2017)

Published

6 years ago

September 15, 2017

Summary

The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.

Genre : SF
Country : USA/UK/New Zealand/Canada

Cast :
Michael Fassbender : David / Walter
Katherine Waterston : Daniels
Billy Crudup : Oram

Director :
Ridley Scott

My opinion on “Alien : Covenant”

“They disobeyed a direct order.
She buried her husband.
No, Karine, it’s not that.
They don’t trust me.
And they don’t trust me for the same reason the company didn’t trust me … to lead this mission.”

I never thought I would ever ask the following question: “Mr. Scott, could you draw a line under the whole Alien franchise and concentrate on other projects? Please?“. As an “Alien” fan of the first hour, I was deeply disappointed about this film. In hindsight I thought “Exodus : Gods and Kings” was even better. It’s best they forget about “Alien : Covenant Sequel” which is scheduled to appear in 2019.

Recycling isn’t everything?

I was actually more excited about “Prometheus” than about this creation. I ignored the whole fuss about the religious and existential aspects in “Prometheus“. In my opinion “Prometheus” was a relief after the disastrous parts III and IV of the “Alien” saga. Admittedly, the xenomorphs weren’t omnipresent in “Prometheus“. But the graphics were unprecedented and made my SF heart race again. Scott brought a breath of fresh wind in this SF horror. In “Alien: Covenant” it’s more like a used wind. On the one hand, the functional goal of this film is the cause of this. After all, it’s just a bridge between the “Prometheus” project and the older “Alien” work. But on the other hand, it’s the ease with which this movie is made that lies at the base. Because ultimately it’s nothing but a recycling of old material.

Take me home, country roads!

In “Prometheus” a spacecraft was launched into space to search for the so-called creators (“Engineers”) of humanity. In the end, they discover that these creators want to wipe their creations of the table. The end of the film shows a glimpse of creatures that cause death and destruction in the “Alien” saga afterwards.

Now we see the spacecraft “Covenant”, loaded with colonists and embryos, which (as in “Passengers“) is heading for a planet in another solar system to set up a new colony. Until the ship is hit by a “neutrino burst” and the crew is shaken roughly out of their artificial sleep. When one of the crew members receives a signal from John Denver’s “Take me home” during a repair, they set course to the origin of the signal without hesitation. And thus they end up on a planet with similar living conditions as on Earth. Moreover, they find traces of a previous landing.

Never thought they could get out that way.

Despite the fact that “Alien: Covenant” is no more than a link between the “Prometheus” narrative and the original first episode, this movie started promising. In retrospect, however, it’s nothing more than a rehashing of previously used ideas. Even the numerous Aliens didn’t impress me. The aggressive and intimidating look of the space monster in the first films ensured some terrifying movie moments. In this film, they weren’t exactly very intelligent and far from slimy. The only original twist in this film was the side those creatures chose to burst out of a human body this time.

Grand applause for Michael Fassbender.

As a die-hard fan of the Alien saga, I was waiting impatiently (even though I’m not in favor of prequels and sequels) for this new episode and I was also expecting big things. Therefor it’s a great disappointment when I saw how such an original and infamous epic story was reduced to the level of a meaningless, brain-dead soap purely based on commercial considerations.

Even though the visual aspect was of an unprecedented level (after all Ridley Scott was holding the reins) and the first half hour (despite the cliché content) was promising, I came to the conclusion that the obtained result was shamefully bad. The Aliens weren’t terrifying and at one point they looked like the Velociraptors from “Jurassic Park”. Some scenes were basically moronic. And be honest, Katherine Waterston will never be able to match Ripley’s masterly played character. The only plus and admirable part was the double role of Michael Fassbender.

Shame on you Mr. Scott.

When are they going to realize in Hollywood when a sequel of a successful film has nothing significantly to contribute to the story and just simply repeats parts of the original (repackaged), one can better refrain from this release. But I get it. The movie has gained a loyal crowd of fans who look forward to any new episode. It doesn’t matter how bad it is, there’ll always be a huge audience to check it out. In most cases this enthusiasm is being followed by disillusion. There are countless other examples. From “Die Hard” to “Terminator”. Or take a look at “Beverly Hills cop”, “Nightmare on Elm street” and “Home alone”.

The pilot film is sensational and unique. In some cases, the sequel offers added value and is highly entertaining. But from then on, it usually goes downhill. There’s nothing great about these sequels. The only reason for their excistence is pure commercial. Shame on you Mr. Scott. To be honest, I never expected you to fall for that.

My rating 3/10
Links : IMDB

FILM RATING

Reviews

Sung Kang’s ‘Shaky Shivers’ is a Campy Horror-Comedy With Superb Performances

Published

16 hours ago

September 21, 2023

Aayush Sharma

Brooke Markham and VyVy Nguyen in 'Shaky Shivers' (Cineverse)

If you thought that Sung Kang can only thrill you with amazing car stunts, then you are wrong. The acclaimed star is set to take you on an entertaining ride with his directorial debut titled ‘Shaky Shivers’.

The latest horror-comedy film marks the feature directorial debut of Sung Kang, renowned for his roles in the ‘Fast & Furious’ franchise and several other big projects. The movie stars Brooke Markham and VyVy Nguyen, with an ensemble cast including Jimmy Bellinger, Erin Daniels, and Herschel Sparber.

A still from ‘Shaky Shivers’ (Cineverse)

From the very beginning, ‘Shaky Shivers’ grabs hold of your attention with the comedic chemistry between lead actresses Brooke Markham (Lucy) and VyVy Nguyen (Karen). Their hilarious banter and dynamic friendship draw you into their world of magic, mayhem, and monstrous encounters. While a few other characters make appearances, the heart of the film rests on the shoulders of Karen and Lucy, whose relatable and believable friendship makes the story even more bewitching.

One of the best aspects of the film is how Sung Kang skillfully directs the title despite limited cast and limited settings. It still manages to keep audiences engaged and entertained. Kang also pays homage to classic horror films like ‘American Werewolf in London’ and injects fresh energy into the scenes while showcasing his comedic flair.

A still from ‘Shaky Shivers’ (Cineverse)

If you are one of those who enjoy unapologetically goofy and fun movies, ‘Shaky Shivers’ is undoubtedly a fun watch. Embracing its campiness, the film doesn’t try to be anything other than an enjoyable ride filled with supernatural elements. The characters have a helpful book of spells that they use to solve problems, which adds a clever and funny element to the story that will make you laugh..

While categorized as a horror-comedy, ‘Shaky Shivers’ leans more towards comedy than horror. However, don’t worry, as the supernatural beings like werewolves, zombies, and witches make their presence known throughout. The practical effects and impressive monster makeup, reminiscent of old-school horror flicks from the 70s and 80s, immerse you in a world of creatures and enchantment.

A still from ‘Shaky Shivers’ (Cineverse)

The plot of ‘Shaky Shivers’ escalates in an exciting and compelling manner, filled with unpredictable twists and goofy surprises. While it may not leave you terrified, the perfect blend of supernatural ambiance and comedic moments guarantees plenty of laughter and enjoyment.

In conclusion, ‘Shaky Shivers’ is a must-watch horror-comedy that delivers on laughs, friendship, and supernatural encounters. With its engaging storyline, talented cast, and Sung Kang’s impressive directorial debut, the film is a delightful addition to the genre. So grab a large tub of popcorn and take your family for this fun-filled ride.

FILM RATING

Reviews

Sex Education Season 4 is a Spectacular (and Overstuffed) Conclusion to One of Netflix’s Extraordinary Series

Published

23 hours ago

September 21, 2023

Aayush Sharma

Official posted of 'Sex Education' Season 4 (Netflix)

When the first season of Sex Education came out on Netflix in 2019, it felt pretty daring and exciting for everyone. While there were many shows about teenagers and sex, ‘Sex Education’ stood out because it talked about these topics openly and covered them in a pretty detailed manner. Without any guesses, the show became really popular and is now considered a classic on Netflix. For 3 long seasons, viewers have seen students of Moordale, and everyone around them, dealing with a lot of complications, but now, it’s time to say goodbye to some of our character as the Netflix series has returned for its fourth and final edition.

At the end of Season 3, Moordale Secondary School closed down. This means that Otis, Eric, Aimee, Jackson, Vivienne, Cal, and Ruby have to go to a new school, Cavendish Sixth Form College. Some of them fit in well, while others struggle. And while Otis tries to focus on his therapy work, he finds out that there are other young people who are experts on relationships and sex in town.

Gillian Anderson as Jean Milburn in ‘Sex Education’ Season 4 (Netflix)

One of the strengths of Sex Education is its diverse and inclusive representation. The show shines a light on various sexual orientations, gender identities, and cultural backgrounds, providing a platform for underrepresented voices. Season 4 continues to explore these themes, introducing new characters who add depth and complexity to the narrative. On ghe other hand, the only problem with Season 4 is that there are too many things going on at once. There are so many sub-plots that might distract you at times and make you feel that this story might have looked good if there was another season in pipeline.

Even then, the writing remains sharp and witty, creating relatable and genuine teenage characters who grapple with their own insecurities and desires.

Ncuti Gatwa as Eric Effiong in Sex Education Season 4 (Netflix)

The performances in ‘Sex Education’ Season 4 are consistently strong. Asa Butterfield brings vulnerability and charm to his role as Otis, portraying the character’s growth and maturity. Ncuti Gatwa shines as Eric, capturing both his strength and vulnerability as he navigates new relationships and personal challenges. Emma Mackey delivers a nuanced performance as Maeve, showcasing her character’s intelligence and emotional depth. Mimi Keene is stupendous as well and bring another layer to her character which was so nice to see. Meanwhile, Gillian Anderson does what she is best at: deliver another extraordinary performance.

Emma Mackey as Maeve in Sex Education Season 4. (Netflix)

On the other hand, Aimee Lou Wood continues to mesmerise us with her charm and simplicity. Directors should definitely look at her and give her a leading role soon because she deserves it. Another actor that is surely a star in the making is Anthony Lexa, who portrays Abbi in Season 4. Her performance adds an additional charm to the series and gives a hope to Trans actors that they can too achieve their dreams.

A still from ‘Sex Education’ Season 4 (Netflix)

The final edition tackles difficult topics with sensitivity and care, highlighting the importance of consent, communication, and understanding in relationships. The show’s ability to tackle these issues head-on without becoming preachy is a testament to its thoughtful storytelling.

While the final season of ‘Sex Education’ does have some pacing and narrative issues, the strength of the performances, the thoughtful exploration of important issues, and the show’s commitment to inclusivity make it a satisfying and engaging watch. It’s bittersweet to say goodbye to these beloved characters, but the legacy of Sex Education will undoubtedly leave a lasting impact on the television landscape.

Sex Education Season 4. (L to R) Mimi Keene as Ruby, Asa Butterfield as Otis in Sex Education Season 4 (Netflix)

In conclusion, ‘Sex Education’ Season 4 continues to deliver a standout and boundary-pushing narrative that explores sexuality, identity, and personal growth with humor and sensitivity. Despite some minor flaws, the show remains a shining example of inclusive storytelling and offers a heartfelt farewell to its beloved characters.

Some goodbyes are hard and this is certainly one of them.

FILM RATING

Reviews

Flora and Son is a Heartfelt Exploration of Family and Music

Published

3 days ago

September 19, 2023

Aayush Sharma

Eve Hewson and Oren Kinlan in a still from 'Flora and Son' (Apple TV+)

Flora and Son, directed by John Carney, tells the compelling story of Flora, a single mother struggling to navigate the challenges of parenthood and find her own identity. Starring Eve Hewson as Flora, the film dives into the complexities of motherhood, relationships, and the power of music in bringing people together. There have been a lot of musicals in recent times that take a very complex route in telling a story, but Flora and Son is a bit different than all of them. The story is really simple and that’s what makes the film such a treat to watch.

The movie opens with Flora enjoying a night out at a club in Dublin, only to end up in a disappointing hook-up. Flora’s life is far from perfect, as she grapples with her troubled teenage son Max (Orén Kinlan) and a less-than-supportive ex-husband, Ian (Jack Reynor). Flora’s interactions with Max are often tense, filled with sarcastic banter and strained attempts to connect with him. As a single mother, Flora faces numerous hardships and setbacks, leading her to doubt her own potential. Her attempts to do right by her son are often met with indifference or resistance. However, a pivotal moment occurs when Flora acquires a guitar for Max, unaware that it will have a profound impact on her own journey. Flora’s decision to learn to play the guitar leads her to Jeff (Joseph Gordon-Levitt), a songwriter and teacher based in California. Despite the distance between them, their connection is palpable, and through music, they bridge the gap. Jeff encourages Flora to embrace her creativity and express herself authentically, unlocking a passion she didn’t know she possessed.

Eve Hewson in a still from ‘Flora and Son’ (Apple TV+)

The performances in Flora and Son are exceptional, particularly Eve Hewson’s portrayal of Flora. She effortlessly portrays a range of emotions, from humor and charm to vulnerability and raw emotion. Hewson’s nuanced performance brings depth and authenticity to the character, making her relatable and captivating. It will be a travesty if she is not spotted by a big filmmaker and gives her a chance to lead another extraordinary movie. On the other hand, Joseph Gordon-Levitt is soulful and gives a performance that is really enchanting. The chemistry between Hewson and Gordon-Levitt, even through virtual interactions, adds an extra layer of depth to their characters’ connection.

Carney’s direction creates an intimate yet heartfelt atmosphere in the film. The use of music as a driving force in the narrative is a testament to Carney’s storytelling prowess, showcasing the transformative power of melodies and lyrics. One of the film’s strengths is its refusal to tie everything up neatly in a predictable manner. Instead, Flora and Son choose a more realistic approach, leaving some loose ends and logistics unresolved. This choice allows the characters to continue their journey of self-discovery, leaving viewers with a sense of hope and possibility.

Eve Hewson and Joseph Gordon-Levitt in a still from ‘Flora and Son’ (Apple TV+)

In conclusion, Flora and Son is a touching exploration of a single mother’s journey to find her voice, both as a musician and as a parent. With exceptional performances and a thoughtful narrative, the film resonates with authenticity and emotional depth. Carney’s direction and the film’s emphasis on the transformative power of music make Flora and Son a standout family drama. The simplicity and innocence is what makes it such a heart-warming watch. This film will make your heart sing.

FILM RATING