Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy – whether he likes it or not.
Genre : Adventure/Action Country : USA
Cast :
Charlie Hunnam : Arthur
Jude Law : Vortigern
Astrid Bergès-Frisbey : The Mage
Director :
Guy Ritchie
My opinion
“How’d you get money from a Viking?
I feel a joke coming on here.”
Ever seen me excited before? Then you should have been there, when I was watching this movie. Perhaps because it’s a movie that’s being razed to the ground by the most appreciated film critics. How do they actually evaluate a movie? Do they use a minutely compiled questionnaire with a precise step-by-step plan to evaluate a movie? Armed with a decibel meter, lux meter and a comprehensive Wikipedia reference about the subject, so technical and substantive negligence can be spotted right away? I know, I know. Smart readers will of course immediately ask me the following obvious question: “Say wiseguy. What’s the base of your judgement of a movie?”. To be honest, I don’t know. Is it a gut feeling? Or temporary insanity? Believe me, I don’t know but read on and I’ll tell you everything you need to know.
It’s a pimped version of a medieval legend.
Lets start with the proclaimed criticisms which were excessively exaggerated in my opinion. Some claim that this was an outright disgrace to the great legend about King Arthur. At first I don’t think that was the intention of the creators. And by the way, had they done this (which means that all involved characters who played an important role in this legend, probably also would have gotten a spot in this movie) then other whiners would say this flick is just a copy of a previously made movie. In my opinion, if you want to experience a historically accurate story, follow evening lessons about medieval history. These are accurate enough. No, this was a pimped, modernist version of a medieval legend.
Beckham was in it. So what!
Next point that gets on my nerves is the whole fuss about Beckham. I’ve read that he got the part thanks to his friendship with one of the leading players, but that he’s better in juggling with a ball than in acting. Give me a break. That bloke was only a few minutes onscreen. A rather limited contribution to judge someone about his acting capabilities (Although I’m not waiting for a movie with Beckham playing an important part).
Ladies and gentlemen, the Guy Ritchie style ….
And finally, the style of this film by the hand of Guy Ritchie. Frankly, I had to get used to it myself. Strangely enough, I have never seen a movie directed by him before. But after seeing this movie, I plan to fill up this cultural gap because this tastes like more. In other words, you can call me a real Guy Ritchie fan from now on. That driven, flashy and hyperkinetic narrative style was quite confusing at first, but once I got in the flow of the movie, I began to appreciate that style. Not only is it a fascinating style, it also makes for subtle and raging scenes. Even conversations were filled with humor because of the style.
Action and magic.
“King Arthur: Legend of the Sword” is a mix of different types of movies. From “Lord of the rings” and “The Hobbit“, to “Fast & furious” or any other slick action movie, making it a medieval story with a modern jargon being used. The action filled scenes, especially those where Arthur suddenly holds Excalibur with both hands, are breathtaking. It looked like “The matrix” with a bunch of knights. And then there’s the magic. “TLOTR” was magical and full of fantasy. But also this movie contains a considerable amount of magical elements, even though the illustrious Merlin is just in it for a split second. The Darklands with its unworldly creatures. The Mage (Astrid Bergès-Frisbey) who, by means of telekinetic powers, can summon the animal kingdom to intervene and also has alchemical wisdom about herbs. The sea witches helping Vortigern (Jude “Gigolo Joe” Law) to gain power. Mordred, a sort of Lord Sauron, who attacks Camelot with an army of monstrous-looking elephants. And all this is shrouded in a fabulous and dark atmosphere.
Fascinating cast.
Even the cast was interesting enough. Charlie Hunnam played the role of Arthur with bravura. Not the Arthur we know from the legends, but a born fighter who grew up in a brothel and along with his companions Wet Stick (Kingsley Ben-Adir) and Back Lack (Neil Maskell) earns his money in a not so honest way. You can hardly call him a noble and righteous man. Frankly, I didn’t recognize Astrid Bergès-Frisbey immediately, even though she played a fascinating role in “I origins“. The acting wasn’t her main concern here but the mysterious nature of her character was, which she played in a convincing way. But also the less important secondary persons were of a valuable addition.
Don’t you get it yet? I really liked this one.
Well, apparently I’m swimming against the grain again with my opinion. To be honest, this was one of the most energetic and entertaining movies I’ve seen this year. “King Arthur: Legend of the Sword” is a hell of a rollercoaster raging over you like a bulldozer. For those who haven’t seen this modern King Arthur interpretation yet, just one advice : ignore the negativism about this movie, go see it and get overwhelmed by this movie.
I have said it once and I’ll say it again. Nothing could match the sheer brilliance of the 1939 Judy Garland-led film The Wizard of Oz, but there is another film that was flown under the radar that was forgotten by many Oz fans after its release. That film was Return to Oz.
The movie is the unofficial sequel to the 1939 classic film. It follows a young Dorothy Gale six months after she came back from the Land of Oz. She is sent a key by the scarecrow via a shooting star and gets back to the magical land of Oz using a raft on a floating river. She is accompanied by a talking chicken, a metalhead named Tik-Tok, a Gump and Jack Pumpkinhead.
The gang battles the evil Princess Mombi and her boss the Nome King. They must find the Scarecrow and unfreeze all of the inhabitants of the Emerald City.
The film bombed at the box-office and only received mixed reviews, but, over the years, it has gained popularity, thanks to the internet and other Oz fans.
As a child, I have always been fascinated with the idea of a person or a group of people traveling to a distant and fantastical land of wonder and amazement. That’s why I love movies like Alice In Wonderland, The Wizard of Oz and The Chronicles of Narnia but this Walter Murch film from 1985 seems to capture my attention whenever I’m on Disney+ trying to kill some time.
The story is so simple that it takes the journey of the hero and breathes new life into the marvelous land of Oz and the films that inspired it. It has a certain kinship to the nostalgic movies that I previously watched as a child in the 2000s.
Another reason that I love this film so much is because of the magnificent score by David Shire. His music is so beautifully crafted that it makes one weak in the knees and the heart. Each note is a transformative thrill into Murch’s vision of what L. Frank Baum’s Oz was. The film uses every single strand of filmmaking techniques that the 1939 film originally hosted.
Since its release, it has been acclaimed as a cult classic and its nostalgic charm is what makes it so likable and watchworthy.
Back in 2014, The Amazing Spider-Man 2 opened into theaters with a mixed reception from critics and audiences and has been deemed as the least desirable of the Spidey movies. In the film, Peter Parker (Andrew Garfield) must face off against another villain who has been given the name Electro. Moreover, our brave hero uncovers some bizarre mysteries surrounding his parents.
Many fans of the series view the film as an overcrowded mess, but I think it might be the most entertaining of all the Spidey films, until No Way Home arrived, and here are five reasons why that remains true.
Andrew Garfield
The Amazing Spider-Man 2 [Credit: Sony Pictures]
First and foremost, Garfield is always a delight to have in the Spidey outfit. His charisma and witty banter is almost what makes the film truly great. I have always said that he was the best Spider-Man and this movie proves it with his ability to elevate any scene from dull slog to a comedic venture.
Spidey, in this particular movie, embodies the hero in the original comics with his incessant need to make a fast-talking quip to one of his enemies. There is nothing better than a comic-book character sticking true to his essence and spirit of its source material.
Electro
The Amazing Spider-Man 2 [Credit: Sony Pictures]
Despite what many people say about the villains, Jamie Foxx as the supercharged baddie Electro proves to be a formidable opponent for the web-head, with his omnipotent powers and overly-powered nature. More than that, Max Dillon is depicted as a quiet, shy loner who is invisible to other people. He is essentially a nobody, until he falls into a vat of electrically-charged eels and becomes the sinister villain Electro.
To better understand a villain, you must understand their plight and Electro’s plight is that of a rags-to-riches success story and the visual effects are certainly something to marvel at.
Action Sequences
The Amazing Spider-Man 2 [Credit: Sony Pictures]
This article wouldn’t be complete if I decided not to talk about the exhilarating action that embodied the film. Whether we see Spidey chasing down a truck with Oscorp’s product or a massive fight inside a grid that seems like a colossal feat for any Marvel film, the film can take a lot of pride in its action sequences.
One can also never forget the massive and iconic battle sequence between Electro and Spidey in Time Square that seems impossible to be made.
Green Goblin
The Amazing Spider-Man 2 [Credit: Sony Pictures]
While he remains a secondary villain, Dane Dehaan’s Green Goblin is still noteworthy. Dehaan portrays Harry Osborne who is left with his dead father Norman’s life work and stumbles upon a Goblin serum that enhances his speed, strength, and intelligence.
His little spat with Spider-Man is certainly befitting for the dark, moody tone of the film and entertaining for plenty of comic fans with zippy action and certified intensity. In the end, he is also responsible for the death of Spidey’s girlfriend Gwen Stacy.
Gwen Stacy Death
The Amazing Spider-Man 2 [Credit: Sony Pictures]
Speaking of Gwen Stacy, this is the only Spidey film that features his love interest dying. As he battles the Green Goblin, Spidey attempts to hold on to Stacy, literally, by a thread in the clocktower. However, when the thread snaps, Spidey is able to snag her in mid-air but the whiplash of the fall snaps her neck, killing her.
What might be the saddest moment in any Spider-Man film, was brought to life in this extraordinary scene that silenced an entire generation of Spider-Man fans.
Dennis Quaid (Far from Heaven, The Day After Tomorrow) is the latest star to join the cast of Bass Reeves, a new drama series coming from Taylor Sheridan (Yellowstone, Tulsa King) and Paramount+, according to Deadline. Bass Reeves was announced as a spinoff to the Yellowstone prequel, 1883 back in May 2022 with David Oyelowo (Selma, A Wrinkle in Time) attached to star as the legendary lawman.
Bass Reeves will follow Oyelowo as someone who is known to many as “the greatest frontier hero” in American history in his own series on Paramount+. The streamer already houses so many Sheridan-fronted programs, most recently, Mayor of Kingstown starring Jeremy Renner returned for its second season while CIA drama, Lioness added to its cast with Nicole Kidman and Morgan Freeman. Some believe that Reeves served inspiration to “The Lone Ranger” having worked as a peace officer for Indian territory capturing over 3,000 criminals on that land. Quaid will play Sherrill Lynn, a Deputy U.S. Marshall within the show.
Quaid most recently voiced the character Jaeger Clade in Disney’s animated feature Strange World which is currently available to stream on Disney+. He’ll also star in Steven Soderbergh’s upcoming HBO Max series Full Circle alongside Zazie Beetz, Claire Danes and Emmy-winner Jharrel Jerome.