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LET THERE BE CARNAGE: CLETUS KASADY CONFIRMED FOR VENOM MOVIE

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The upcoming “Spidey-verse” as a whole is about to take a massive leap forward. In a recent interview, Sony exec Amy Pascal confirmed the expanded Spider-Man universe they are building could some day feature Tom Holland’s Spiderman.

“As for the expansion plans, Tom Hardy is starring in Venom, dated for Oct. 5, 2018, which will also feature the villain Carnage. A source says Holland is only contractually obligated to Spider-Man 2 and 3, but the intention is to bring him into the spinoffs and possibly other Marvel films (he is currently shooting Marvel’s Avengers: Infinity War).”

Though, this came as a surprise to head Marvel producer Kevin Feige, the words haven’t been disputed.

Fans of Spider-Man films have been clamoring for a refreshing adaptation of the Venom story, only to be hit with the ultimate news, Carnage being cast as the main antagonist of the film.

“Carnage was once a serial killer known as Cletus Kasady, and became Carnage after merging with the offspring of the alien symbiote called Venom during a prison breakout. The symbiote amplified his psychotic nature making him even less mentally stable than he had been previously, and therefore even more dangerous. An interesting note is that, unlike Venom, Carnage is a singular entity, referring to himself as “I” instead of “We.”

‘Venom’ hits theaters October 5, 2018

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Brandon started BCactionMR.com in 2012, with the intent of publishing news he found exciting about upcoming and current events in the world of comic book, action and sci-fi movies. A year later, "BC" became a Verified Creator (Paid Writer) for Movie Pilot, a large fan site, dedicated to all things pop culture. [2013-2018] After Movie Pilot closed its doors, Brandon decided he wanted to give others the opportunity to continue writing and sharing their passion and excitement for entertainment news. We now have evolved into an ever-growing community of bloggers, writers and gamers who love to share our opinions with the world. We cover everything from pop culture, indie, horror, television and the most recent trailers to hit the internet. BCactionMR.com is dedicated to J.S.W. Thank you for planting the seed all those years ago. RIP Brother

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[…] universe, that will feature many Spider-Man villains minus the wall crawler himself. Recently, Spider-Man super villain Carnage has been touted as the main villain for the upcoming ‘Venom’ […]

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Fast & Furious 9 Review | Completely Crazy in the Best Way Possible

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“If we obey the laws of physics, we’re gonna be fine”. Words you’d never imagine you’d hear one day being spoken in a Fast & Furious film. The franchise has seen cars jumping out a plane, cars driving a safe around the streets of Rio de Janeiro, cars jumping out of a skyscraper and into another. And then into another skyscraper. The laws of physics are long gone in this franchise but now we hear these ludicrous words spoken by Chris ‘Ludacris’ Bridges as he and Roman are in a Pontiac Fiero with a rocket strapped onto the top heading into outer space. Yes- they’re heading into space this time!

Fast & Furious 9 has somehow managed to get even more bonkers than the previous instalments and it’s completely crazy but in the best way possible. Vin Diesel’s Dom and his gang are back and they’re facing their toughest villain yet. This time it’s in the form of John Cena who plays Jakob, Dom’s younger brother. It is a bit strange that in a franchise that’s so big on ‘family’ we’ve never heard of Dom’s brother before but nonetheless he’s the big bad that this film needs.

Fast & Furious 9 is exactly the film fans of the franchise will want. If you loved all the previous instalments, then it’s definitely the film for you and you should see it on the biggest screen you can to really take in the wonderful action scenes in all their glory. If, however, you’ve seen the previous films and rolled your eyes at the absurdity and not liked it, I think it’s safe to say that this isn’t the film for you, and you should avoid it all costs.

The franchise has become much more self-aware, and whilst for Vin Diesel this is probably his Shakespeare, there’s a lot more fun and humour to be had in Fast 9 than in the previous instalments. I found myself constantly laughing just at the absurdity of the stunts that are going on. But in a good way. It was so outlandish and crazy, but I loved every second of it. Obviously, them going to space is the pinnacle of the franchise (although I’m sure Fast 10 will come up with something even more ridiculous) but the whole film is full of moments like these. Towards the start in one of the opening car chases we hear Dom asking “how fast?”. He’s asking how fast they need to be driving in order that they can drive over a land mine and be going fast enough that it can explode and not hurt them.

It really is so much fun seeing what crazy action set-piece they can come up with next and it’s an absolute joy to watch. It’s exactly the big budget popcorn film we need right now to return to the cinema with. Not everything makes sense and the laws of physics are so far out the window but seeing cars being thrown about the streets because of giant magnets is unlike anything we’ve ever seen before and it’s entertaining to watch. If you like ridiculous action scenes, then it’s impossible not to enjoy this film.

Fast & Furious 9 is the first time the franchise has taken a deeper look at Dom’s past with multiple flashback scenes to a younger Dom in an effort to really draw out much more emotion. And whilst the film doesn’t do a bad job of this and whilst Toretto’s backstory is relevant to this film’s plot, it’s not necessarily the audience’s number one priority for a Fast & Furious film which is why the film’s runtime is a hefty 2 hours and 25 minutes.

It is wonderful though seeing the Fast cast back again and seeing characters like Jordana Brewster’s Mia and Sung Kang’s Han return after a few films. Han somehow survived what we thought was his death back in Tokyo Drift (and then again in the Fast & Furious 6 credits scene) and it might not be the best explanation but it’s always a joy to see fan’s favourite Han back again. On top of the returning cast, John Cena is a welcome addition to the franchise and fits in so well that you almost wouldn’t notice that Dwayne Johnson wasn’t back this time around.

Fast & Furious 9 somehow doubles down on the ridiculousness of the previous films and is even crazier than ever but that just makes the film even more of a wild thrill-ride that’s so entertaining to watch.

★★★★☆

Fast and Furious 9 is released in UK cinemas on Thursday June 24th

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The Hitman’s Wife’s Bodyguard | Review

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The Hitman’s Wife’s Bodyguard is everything you’d want from a big summer blockbuster action-comedy. There’s plenty of gunfights and car chases and Samuel L. Jackson’s dropping f-bombs like there’s no tomorrow. Whilst the plot is a bit ridiculous, and it moves at such a fast pace that you’ve probably got whiplash by the end of it The Hitman’s Wife’s Bodyguard is a really entertaining and fun film. It’s the sort of thing you can watch and switch your brain off for a few hours and just enjoy.

When The Hitman’s Bodyguard was first released in 2017, I don’t think there was anyone desperately calling out saying they needed a sequel but in all honestly, the follow-up is better than the first film. Everything‘s bigger this time around- including the title which is now a real mouthful! The stakes have heightened, the action scenes are bigger, and the cast has increased too with Antonio Banderas and Morgan Freeman joining Salma Hayek, Samuel L. Jackson and Ryan Reynolds this time around.

Ryan Reynolds’ Michael Bryce has been stripped of his bodyguarding licence and has been roped into helping hitman Darius Kincaid (Sam Jackson) by his wife Sonia (Salma Hayek) and all of a sudden, they’re the only ones that can stop the whole of Europe from being destroyed. If you’re going to see this film, the chances are that you’re not going to see it for the plot and that’s completely understandable. Antonio Banderas plays a man called Aristotle Papadopoulos and if you can’t guess from the name alone, he’s the utterly ridiculous, over-the-top evil mastermind. But much like everything else in this film which is incredibly OTT, we don’t necessarily care much about his plan and the stakes don’t really feel very real, but it all still unfolds in a really entertaining way.

The film is quite generic, with Ryan Reynolds playing his usual wise-cracking self and Samuel L. Jackson probably swearing more times than there are minutes in the film but the reason why it all works and you can forgive its misgivings is because it’s funny and it’s entertaining. Granted there were no stand-out jokes or lines that will still have you laughing in the car on the way home, and overall the film is generic and somewhat forgettable, but being sat there in the cinema in the moment, you can’t help but have an absolute blast of a time.

The fim’s pretty relentless in its pacing as it picks you up right at the start and doesn’t let go until the very end. It moves so quickly from one action scene to another as we journey around Italy waiting to see in which city the next destructive shootout will take place in. It’s quite shocking that the film’s only 100 minutes long because by the end, it certainly feels like a lot more has happened because of how quickly the film moves.

The Hitman’s Wife’s Bodyguard won’t win any Oscars- unless they introduce a new one for most swearing- and it doesn’t break new ground for action comedies but it’s great fun. It’s full of laughs, swearing, explosions and just about everything you’d want from a summer blockbuster. It’s better than the first film and I really hope we see these characters again soon because it’s a really solid formular for a great time.

★★★★☆

The Hitman’s Wife’s Bodyguard is in cinemas now.

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Infinite | A Michael Bay Imitation Film

Infinite Desperately Wants to Impress With its Style, But Has No Substance.

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Paramount wanted to get ahead in the streaming game with Paramount+ but made the novice mistake of selling most of their titles, due to the COVID-19 pandemic, to other streaming services such as Amazon Prime Video and Netflix instead of…I don’t know…growing their own. With barely any content left and keeping their big tentpole releases such as A Quiet Place: Part II and Top Gun: Maverick in cinemas, Paramount is finally saying “Ahhhhhh! I get it!” after every other major streaming service, especially Disney+ and HBO Max, used the pandemic as a pretext to grow their subscriber base. However, having sold most of its upcoming films to other streaming services, the studio only seems to have duds in the hopes of growing its subscriber base. Enter Antoine Fuqua’s latest film, Infinite, which strangely never feels like something the director of such visceral action pictures like Training Day, Bait, Tears of the Sun, Shooter, Brooklyn’s Finest, and The Equalizer, but Fuqua desperately wanting to emulate Michael Bay’s signature style.

There’s only one problem, however: even if you want to do Bayhem, and you intend to replicate it as accurately as you can, there’s a sole filmmaker that can do it right—and that’s Bay himself. But it doesn’t matter for Fuqua; he starts his overtly aestheticized action amazingly quickly, with an upbeat car chase staged to the rhythms of Campfire’s Legends Never Die, with Heinrich Treadway (Dylan O’Brien) being pursued by Bathurst (Rupert Friend), who looks for a thingamajig aptly named “The Egg” (because it’s shaped like an egg, of course!), which has the power of destroying…the entire world (how original!). Treadway dies without giving away The Egg’s location. Suddenly, a man named Evan McCauley (Mark Wahlberg) wakes up from his Treadway nightmare. We progressively learn that McCauley has schizophrenia who constantly remembers things from past lives he seemed to have never experienced before. He is what the “Believers” call “Infinites,” whose souls constantly get reincarnated inside a different body. He is quickly apprehended by Bathurst (now played by Chiwetel Ejiofor) after using a hand-crafted sword in a drug deal gone bad. His “life” changes drastically once Evan learns that he possesses Treadway’s soul and must reawaken his memory to quickly find The Egg before Bathurst does and destroys the entire world.

Infinite,' starring Mark Wahlberg & Chiwetel Ejiofor, debuts on Paramount+

Let’s be honest: movies that center on thingamajigs (or MacGuffins as academics would call them) are amazingly tiresome and can only go so far before it veers off in predictable territory. Thankfully, Fuqua’s emulation of Bayhem makes many of its central action setpieces move at a somewhat entertaining pace. The car chase at the beginning involving Dylan O’Brien’s Treadway is filled with Bay’s rapid editing and an over-reliance on a moving camera that always, and I mean, always acts like a paintbrush to produce a copious, almost gratuitous amount of flashy style. And by flashy style, I mean excessive use of slow-motion, flares, and explosions or low-angles during 1-on-1 fight sequences. The explosions in this film are particularly reminiscent of Bay’s pictures, though not as big in scale, but produce the same cathartic effect. One scene in which Evan and Nora (Sophie Cookson) try to run away from Bathurst’s robotic henchmen inside a buggy has a precise explosion that, in its staging of using slow-motion at a pinpoint moment, feels as if it’s been directed by Bay. I mean, heck, if the end credits said “Directed by Michael Bay” instead of Antoine Fuqua, I’d believe it.

INFINITE (2021) Movie Trailer: Mark Wahlberg's Past Lives are Unlocked by a  Secret Society in Antoine Fuqua's Scifi Film | FilmBook

By doing this, Fuqua prevents the film from being a total dud than it is, since the script is filled with so many ineptitudes on:

  1. The world of the Infinites. The difference between the “believers” and “nihilists” is barely explained in two throwaway lines that almost feel unimportant. I can only explain the nihilists, who want all life to cease existing so they can stop reincarnating themselves, which adds a weird ineptitude on:
  2. Bathurst’s motivations. He wants to stop reincarnating himself and has developed a bullet that prevents believers from doing so. Ok, so if you’ve developed a bullet that grants your sole motivation…why not shoot yourself with it instead of bringing the entire world down with you? I’m sorry, but we never know the why behind Bathurst’s plan to destroy the world, aside from the overly used “humans are stupid, so I guess I need to bring them down with me” line, after torturing Toby Jones’ character by shoving…*checks notes*…honey down his mouth…interesting.

These two main problems falter its extremely stylized action for a sci-fi picture that’s as smart as Mark Wahlberg’s previous tenure in that genre…with Michael Bay in Transformers: Age of Extinction and The Last Knight. Hell, here’s another thing: if you would’ve told me that this is set in the world of Transformers that Wahlberg reprised his role as Cade Yeager through a new alter-ego, who now has the memories of somebody else (through unbeknownst reasons), then guess what? I would’ve believed it too. Wahlberg’s performance is no different than his exploration of the Transformers universe: half-charm, half-cluelessness, which equates to accepting every preposterous explanation on “Infinites” as “fact” and tagging along with people he’s never seen before and pretend everything’ll be fine, even if he is now tasked to save the entire world, in the same sense he had to do it (twice!) with the Autobots.

Infinite review: Mark Wahlberg relives past action movies in this soulless  flick - CNET

His character progression starts by being the only character that asks questions to the Infinites, who will then explain the film’s facile and underdeveloped plot in hackneyed detail, until he becomes the hero we deserve, but didn’t know we needed, as he uses a sword à la Morpheus from The Matrix Reloaded to bring down an entire plane and fight with Bathurst in the air, without any parachute, in the craziest, most bewildering action scene I’ve seen that defies all sense of logic and paints their characters as God-like mythic figures since The Fast and the Furious franchise said “no more logic” when Dom Toretto destroyed a parking lot with his feet.

Speaking of Bathurst, Chiwetel Ejiofor, a usual powerhouse, is completely miscast here and delivers his worst performance to date with an indescribable accent that makes everything about his antagonistic presence feel terribly cartoonish and over-the-top. He’ll refine his antagonist chops, most likely in Doctor Strange in the Multiverse of Madness. I truly hope he’ll return to a more natural state of acting as he did as Mordo in Scott Derrickson’s 2016 film (or even when he compellingly portrayed Scar in the 2019 remake of The Lion King), instead of doing whatever the hell he’s doing here. I can barely explain, or comprehend, if you will, what Ejiofor even attempted to do in Infinite to render his antagonist menacing…but it clearly didn’t work and made every scene he’s in feel unintentionally hilarious. Look at the scene in which he tortures Toby Jones with honey and how he tries to make his awfully written lines serious and menacing and yet does the exact opposite. It’s quite a feat to see, but it needs to be forgotten sooner rather than later.

Infinite (2021) - IMDb

This is probably why Paramount dropped Infinite on a streaming service no one is subscribed to, so it can be easily forgotten and buried inside an ever-growing algorithm that “curates” films on content rather than quality. While Infinite contains a hefty number of fun action sequences that imitate Michael Bay’s unmatched style, it, unfortunately, does not overshadow its terribly facile and underdeveloped plot and caricatural lead performances from Mark Wahlberg and Chiwetel Ejiofor. If you’re a fan of Antoine Fuqua, you won’t watch this and go through his previous films instead, which would be for the better. Let’s hope his remake of The Guilty, set to release later this year on Netflix, will be better than Infinite (spoiler: it likely will).

Infinite is now available to stream on Paramount+.

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