Director M. Night Shyamalan is fully aware that fans have been clamoring to witness the sequel to his 2000 film ‘Unbreakable,’ starring Bruce Willis and Samuel L. Jackson. The director recently released ‘Split’ in 2016 which was later revealed to be a sequel of sorts to his cult classic film. Shyamalan has now released plans to continue this story into a trilogy, brining everything full circle culminating to the anticipated 2019 film ‘Glass’ which will bring all the stars/characters of the previous films into one film and one universe. Shyamalan recent took to social media to give fans the surprise of a lifetime:
Universal Pictures will release #Glass on January 18, 2019 all over the world. How’s that for not keeping a secret!
Shyamalan has since taken to social media again, to give fans an update on the announced film being released by Universal:
Finished the 2nd draft of #Glass on Friday. Took 5 weeks. Started the 3rd pass today… gave myself a 3 week deadline for this pass.
— M. Night Shyamalan (@MNightShyamalan) May 28, 2017
M. Night Shyamalan went on further to provide a glimpse into the direction the film will take. Stating that he wants the story to be its own with its own purpose and not just be a final ‘Unbreakable’ film:
“All I can say is this: If Unbreakable was about a guy who is the only person who survives a train wreck, everyone dies and he doesn’t have a scratch on him. How is that possible? That’s a high concept, really cool story. And then this one is three girls get abducted by a person that has this disorder that he believes he’s many people, and all of the different personalities are saying there’s another personality coming to get them, it’s called The Beast. That in and of itself is a really cool thing. This third movie needs to have its own idea. The high concept of that final movie can’t be, ‘It’s the finalUnbreakable.’ There has to be something about that that makes it its own movie… That’s when I’ll be happiest, is when it’s its own movie. In a way it could be watched by itself.”
‘Glass’ hits theaters January 18, 2019
Starring: Bruce Willis, Samuel L. Jackson, James McAvoy, Anya Taylor-Joy
Brandon started Coastal House Media, formerly, BCactionMR.com in 2012, with the intent of publishing news he found exciting about upcoming and current events in the world of comic book, action and sci-fi movies. A year later, "BC" became a Verified Creator (Paid Writer) for Movie Pilot, a large fan site, dedicated to all things pop culture. [2013-2018] After Movie Pilot closed its doors, Brandon decided he wanted to give others the opportunity to continue writing and sharing their passion and excitement for entertainment news. We now have evolved into an ever-growing community of bloggers, writers and gamers who love to share our opinions with the world. We cover everything from pop culture, indie, horror, movies, gaming and streaming, to the most recent film trailers to hit the internet. Coastal House Media is dedicated to J.S.W. Thank you for planting the seed all those years ago. RIP Brother
Ever since Lionsgate greenlit this series in early 2017, fans of the franchise have been eagerly anticipating to see how the John Wick universe expands. 4 movies in, the John Wick franchise is widely known as one of the greatest action movie franchises of all time with our titular character (a.k.a Baba Yaga) becoming one of the most iconic and bad-ass figures ever in Hollywood. The Continental: From The World of John Wick is a prequel series that tells the story of Winston Scott and how he became the manager of New York’s The Continental branch.
The miniseries was developed by Greg Coolidge, Kirk Ward and Shawn Simmons. It is executive produced by Paul Wernick, Rhett Reese, Derek Kolstad, David Leitch and Chad Stahelski, the director of all four John Wick movies. It is structured as a 3-night event told through three 90-minute episodes. The series was originally supposed to air on Starz, but the network sold it to Peacock in 2022. After 6 years in development, it finally aired on Peacock this September.
A lot has been made of the subtitle of the project ever since it was announced. The fact that the makers needed to include it says a lot about the show. It almost felt like the prime marketing asset for it many times as the other promotional material didn’t necessarily create a lot of hype for the show. Albert Hughes directed the first and third episodes, while Charlotte Branstrom directed the second, and disappointingly both directors do not bring the same novelty or creative prowess that Chad Stahelski managed to bring in the John Wick movies.
The Continental [credit: Peacock]
The show also surprisingly lacks any real star power. This franchise is one of Lionsgate’s most prized assets, so you would imagine that they would make sure to get a big cast and crew for this prequel miniseries, but they didn’t. Colin Woodell as Winston Scott is the clear standout among the cast despite delivering only a decent performance, which says a lot about the acting standards in this 3-episode miniseries. Many have criticized the casting of Mel Gibson in the series, but I personally had no issue with his performance and he’s also the most recognizable member of the cast despite having no real audience pull anymore.
The writing doesn’t offer too much to ponder upon or any seriously shocking turns in the story as most of the focus is on making the product as epic, badass and action-packed as possible. Some of the characters had some interesting layers to them, especially Charon (Ayomide Adegun) and Lou (Jessica Allain). Lemmy (Adam Shapiro) provides some much-needed comic relief with his witty dialogues. The structuring of the story works really well as a 3-night event which sets the high stakes and sets a standard of intensity for the narrative.
The Continental [credit: Peacock]
But the thing that people were most looking forward to, was the action and how it fared against John Wick. Unfortunately, that department was inconsistent as well. Ben Robson’s fight sequence in the early part of the first episode was great and it makes you optimistic that the action would get better from here on, but it never does. Most of the action blocks here involve explosions and guns rather than the hand-to-hand combat John Wick franchise is known for. Some of the action was awesome and some of it sadly wasn’t.
The Continental: From the World of John Wick brings a lot of glamour as it tries to expand its world but fails to engage with its paper-thin plot. The characters are mostly dull with a formulaic villain and misses the presence of a magnetic protagonist like Wick. A prequel about Wick’s backstory would’ve been much more interesting than this inconsistent prequel event saved by its style and some great action. It has almost enough to be its own thing but doesn’t quite have enough to match its parent movies.
The Continental: From the World of John Wick premieres on Peacock in the US and Prime Video in the UK and Australia on 22 September, with new episodes weekly.