“ACADEMY AWARD WINNER, TOM WOODRUFF JR’S FIRST DIRECTORIAL DEBUT IS A DARK TWISTED FILM, THAT SOMEHOW BRINGS YOU LAUGHTER”
I have to first start of by saying, sometimes reviewing a film is difficult. It’s easy to look at someone’s hard work, then critique it from the safety of your own computer. Not taking into consideration what they may have had to go through to get their vision made. Studio cutbacks, poor acting, time conflicts etc. I’m sure even with the same budget, time constraints, actors/actresses, I wouldn’t be able to pull off something even close to this. But as they say in Hollywood, The show must go on!
Where do I begin with this film.. I initially was intrigued by the cover and the synopsis of this piece.
Set in a world where demons live among us, this exhilarating vitrine of effects and action sees a hard-boiled demon named Vine confronted with the ultimate choice between the salvation of his own kind and the life of an innocent human girl.
This film begins with sort of a “Shock and awe campaign” but immediately falls short and just comes across creepy. And not in the this is scary and could get good sort of way, more of a what the hell am I watching sort of way.
Fire City then goes quickly from a gory, rapey, demon movie, to a CSI of apartment dwelling demons. And yes you heard me correctly, a CSI of demons. Most of which come across on screen like super low budget Star Wars spin off.
The movie follows Vine, a demon who has found his place on Earth as the feeder of other demons in his apartment complex. The demons feed off of the misfortune and misery of the humans who live there. Suddenly Vine awakens to find that everyone has found happiness and peace. There mysteriously is no misery in the world around him. As the demons begin to starve, Vine realizes he must unravel the mystery of what is causing this to happen. Hence the CSI.
The movie takes some twist and turns, that only lead outside of this apartment building one time.
I was confused most of the film as to what was going on. The question you might be asking yourself is, “Why didn’t you just turn it off?” The answer is simple. I actually began to find it funny. I know Director Woodruff was not going for a comedy here. But if you actually look at it as such, it becomes a decent film. The ending of this film doesn’t do much to help you understand what you just witnessed. But It definitely stays true to itself. Being that its confusing, and kinda silly.
If you want a laugh, or are into this sort of thing, by all means check it out. But if you are like me and maybe just expect a little more out of an Indie film, please do not and I mean do not put yourself through it.
‘Wednesday’ Co-Stars Jenna Ortega and Percy Hynes White to Star in Romance Film ‘Winter Spring Summer or Fall’
Even the folks at Netflix couldn’t have thought that Wednesday would turn into the hit that it did. The Addams Family property is one that many in the cultural zeitgeist are aware of, however, many would be hard pressed to believe that the mythology within that franchise is as rich as Tim Burton has been able to make it with the series. One of the reasons for that is for Jenna Ortega who plays the titular Wednesday Addams, and she has lined up her next project.
According to an exclusive from Deadline, Ortega will re-team with Percy Hynes White, who plays Xavier Thorpe on Wednesday for the romantic drama, Winter Spring Summer or Fall. The film will be the directorial debut of Tiffany Paulsen with Ortega serving as an executive producer on the project. Winter Spring Summer or Fall is described as Before Sunrise meets The Perks of Being a Wallflower following two teens coming-of-age into adulthood who meet and fall in love over four days throughout the year in all four seasons, hence the title of the flick.
Ortega has been skyrocketing to stardom due to Wednesday but has had a massive year in film and television. The young Latina was recently nominated for a Golden Globe for her performance in the Netflix original but also starred in horror films Scream 5 and X in 2022. She’ll next be seen in Scream 6 which hits theaters in March 2023. The highly in-demand actress will also star in a crime thriller for Paramount titled Finest Kind alongside Ben Foster and Tommy Lee Jones as well as Miller’s Girl for Lionsgate where she’ll star with Martin Freeman. Ortega’s co-star Hynes White is best known for his lead role in Fox’s X-Men based series, The Gifted where he played Andy Strucker.
Paulsen is best known for writing the Netflix holiday rom com Holidate which starred Emma Roberts. Additionally, Paulsen also wrote About Fate which stars Roberts, Thomas Mann, Madelaine Petsch and Britt Robertson which is streaming currently on Amazon.
Daniel Craig Sets Follow-Up to ‘Knives Out’, Will Star in Luca Guadagnino’s ‘Queer’
Daniel Craig has been mostly known for his franchise fare in recent years. Whether that’s famously playing James Bond since 2006 or more recently, detective Benoit Blanc for Rian Johnson’s Knives Out films, the terrific actor brings gravitas to any role he inhabits. However, it seems Craig may be aiming for more awards garnering performances as of late.
According to Above the Line, it appears that Craig will star in Queer, a film based on the novel of the same name from distinguished author, William S. Burroughs. The story centers around a man named Lee in Mexico City who is dealing with his insecurities among other exiled college students and bar owners getting through on part-time jobs. Lee then pursues a young man named Allerton who is discharged from the Navy in Jacksonville before befriending Lee in Mexico. It appears there will be a romantic element to this with Craig’s character pursuing the young serviceman, who Sneider notes that a currently unknown star of Netflix hit series, Outer Banks is being eyed to play Allerton.
Queer will be directed by Luca Guadagnino (Call Me by Your Name, Suspiria) whose most recent film, Bones and All is in theaters currently. That film reunites Guadagnino with Timothee Chalamet who starred in Call Me by Your Name, earning his first Oscar nomination for his performance as Elio as a young gay man in 1980s Italy. Currently, Guadagnino is directing Chalamet’s Dune co-star Zendaya along with Josh O’Connor and Mike Faist in the film Challengers; a film about a love triangle set in the world of Tennis.
Craig will reprise his role as Benoit Blanc in the Knives Out sequel, Glass Onion: A Knives Out Mystery which will be the first of two sequels to stream exclusively on Netflix. Director Rian Johnson inked a deal with Netflix to develop two sequels for the streamer on a deal that was reportedly around $450 million, making it a major coup for the studio. Glass Onion had a limited release in theaters before being pulled ahead of its streaming debut on December 23rd.
Zola Review | An Imaginative, Darkly Comedic Adaptation
In October 2015, A’Ziah “Zola” King’s 148-part saga of a trip to Florida took Twitter by storm. The viral story was hilarious, suspenseful, and disturbing at times, all told through Zola’s compelling and singular voice. It brought about a new kind of storytelling via social media whose influence lives on in Twitter and newer platforms like Instagram and TikTok. Film is certainly not a new medium but Janicza Bravo’s feature based on the thread offers an experience so fresh and imaginative, it feels like a new form.
Zola (Taylour Paige) befriends Stefani (Riley Keough), a patron at the restaurant she works at. Despite Stefani’s unapologetic use of blaccent and over-the-top ratchedness, the two women (one black and one white) have an instant connection after bonding over stripping and frenemy activity on social media. When the two are together, their surroundings fade as they appear alone in a beautifully lit hall of mirrors. The chemistry between the characters during their first encounters is not unlike the meet-cutes of the rom-com genre. Mica Levi’s music box-like score, along with the film’s shiny visuals, convey a dreamy setting at the beginning that soon becomes a nightmare as the story unfolds.
Stefani invites Zola on a “hoe trip” to Florida, where their plan is to dance and make a ton of money. The women are accompanied by Stefani’s boyfriend Derrick and her shady “roommate” X, played by Nicholas Braun and Colman Domingo. Both characters are contrasting figures in Stefani’s life, with Derrick being hilariously weak while X is terrifyingly controlling. Domingo’s enigmatic performance and flip-flopping accents further prove that he is one of the best character actors working today.
As soon as the four arrive in Tampa, it is clear that this trip is not what Zola expected and we watch her navigate through a dangerous weekend that, as she says, is “full of suspense.” Bravo gives us a brightly colored palette and Twitter sound effects to capture the outrageousness of the twisty story. Still, it’s Paige’s performance that keeps the film grounded. Paige can adeptly deliver Zola’s sharp wit in Bravo and co-writer Jeremy O. Harris’ script but it’s her more silent moments that give the movie depth. Twitter gave us Zola’s funny take on a night gone wrong, but Paige and her expressive eyes show us her at her most vulnerable. Keough has the difficult task of portraying a woman that will make you laugh, cringe and even feel sorry for her despite all of her wrongdoings. It’s a bold performance (particularly when the movie changes its POV for a bit), but Keough is able to give the character balance and avoids becoming a full blown caricature.
Not only does Zola tell an entertaining and raucous story, it also exposes the facade of social media presence. Vibrant costumes, candy-colored visuals, and even a car ride turned mini music video all give the impression of a fun and sensory experience but under the surface is a dark story. People’s real lives are different from what they put on their social media accounts and Bravo uses contrasting elements to shed light on the duality of online and offline lives. Zola also breaks down another facade in the form of Zola and Stefani’s interracial friendship. Stefani immediately endears herself to Zola but eventually, her bad intentions come to light. Stefani’s blatant cultural appropriation is played for laughs in the beginning but her betrayal toward Zola is a reminder that in modern society, there are still strides to be made between white women and women of color. Just like Zola says, “the same bitch that wanna smile in your face be the same bitch that gonna come for you later.”
Zola is now playing in limited U.S. theaters and will be released in UK cinemas on August 6th.
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