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5 Times Music Enhanced Our Emotions During an Epic Scene

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Friends, this is my 100th article for Moviepilot. For those of you reading that following me, thank you so much for continuing to follow. For those who are new, thank you for taking the time to read. Today I decided to write about one of my favorite things, movie music. In my opinion, movie music is what takes a C grade movie to a B grade movie; and obviously a B grade movie to an A movie. Let’s begin with one of my favorites and a more recent. one

1. Marvel’s The Avengers (2012)

Avengers Assemble
Avengers Assemble

You may or may not have forgotten how awesome this scene is. But that dramatic moment after the Hulk gives the Chitauri vessel a one hitter quitter and The Avengers’ theme music starts up as they pose together, which then, in my opinion, comes together as one of the greatest scenes in comic book movie history. Maybe even one of the best in any movie history.

Music by Alan Silvestri

2. Spider-Man (2002)

Spider-Man 2002
Spider-Man 2002

I know this movie seems old to a lot of my readers, but for me, it’s like it made its cinematic debut yesterday. This movie as a whole is one of the greatest comic book hero movies ever made. It was completely ahead of its time, and the ending theme is one of the greatest pre-credit scenes of all-time!

Music by Danny Elfman

3. Matrix Reloaded (2003)

Burly Brawl
Burly Brawl

I’m now going to taking it waaaay back my friends. If you were born under a bridge, grew up under one and now currently reside under one and somehow haven’t seen this scene from Matrix reloaded. You have fully and truly missed out on some of the beauty of life. This by far was a movie way ahead of its time. The Burly Brawl scene between Neo and Agent Smith’s was only made greater by its unbelievable soundtrack

Music by Juno Reactor vs Don Davis.

4. The Dark Knight (2008)

The Dark Knight
The Dark Knight

I don’t care who you are. We all know this is one of the best movies ever made. And of course the soundtrack was amazing. But this ending with Gary Oldman saying, “He’s a watchful protector, a dark knight!” was amazing with the Dark Knight soundtrack rolling in.

Music by  Hans Zimmer.

5. Star Wars Episode III (2005)

Rise Lord Vader
Rise Lord Vader

And of course, one of the most epic scenes of all time. “Rise Lord Vader” The music playing in the background makes for one of the greatest and most dramatic scenes in Star Wars franchise history. Thank you John Williams for never letting me, or anyone who loves Star Wars, down.

If you’ve read this far, please feel free to follow me friends. Thanks for reading!

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Brandon started Coastal House Media, formerly, BCactionMR.com in 2012, with the intent of publishing news he found exciting about upcoming and current events in the world of comic book, action and sci-fi movies. A year later, "BC" became a Verified Creator (Paid Writer) for Movie Pilot, a large fan site, dedicated to all things pop culture. [2013-2018] After Movie Pilot closed its doors, Brandon decided he wanted to give others the opportunity to continue writing and sharing their passion and excitement for entertainment news. We now have evolved into an ever-growing community of bloggers, writers and gamers who love to share our opinions with the world. We cover everything from pop culture, indie, horror, movies, gaming and streaming, to the most recent film trailers to hit the internet. Coastal House Media is dedicated to J.S.W. Thank you for planting the seed all those years ago. RIP Brother

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Marvel

ETERNALS

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IN THE BEGINNING… 

There were Celestials, extremely powerful ancient entities that possess vast matter and energy manipulation, they were present long before the dawn of creation. They’re also capable of building entire galaxies from scratch.

Arishem, the Prime Celestial created the Eternals to descend upon Earth and importantly protect humanity from the deviants. These 10 immortal individuals have been sent from their home planet of Olympia on their spaceship the Domo by their leader and throughout centuries continue to defend growing civilisations from the Deviants. However they are barred by Arishem from interfering with human wars and conflicts in order to allow humanity to evolve naturally. 

Thousands of years have passed and unfortunately an unexpected event forces the Eternals who have now been secretly living amongst us for a millennium, out of the shadows and reunite to fight mankind’s oldest enemies, the Deviants. 

Photograph: Marvel Studios

Marvel Studios’ “Eternals” welcomes an exciting new team of Super Heroes to the Marvel Cinematic Universe. The outstanding ensemble cast includes Richard Madden as the all-powerful Ikaris, Gemma Chan as humankind-loving Sersi, Kumail Nanjiani as cosmic-powered Kingo, Lauren Ridloff as the super-fast Makkari, Brian Tyree Henry as the intelligent inventor Phastos, Salma Hayek as the wise and spiritual leader Ajak, Lia McHugh as the eternally young, old-soul Sprite, Don Lee as the powerful Gilgamesh, Barry Keoghan as aloof loner Druig, and Angelina Jolie as the fierce warrior Thena. Kit Harington plays Dane Whitman.

Photograph: Marvel Studios

Chloe Zhao’s Eternals is truly the start of a new era for Marvel Studios. Its roots are immersed in science fiction that it also plays as a character study piece, focusing on the family dynamic, betrayal, and the fight for humanity. 

The Academy Award-winning director does a great job brining Zack Kirby’s creations to the big screen, she brings her signature flair and vision to the Eternals’ big screen debut, as the depth of the story is coupled with serene sunsets and sweeping landscapes. This is certainly a Marvel Cinematic Universe film that feels different from anything that has come before. The scale of the film is so immense as is the cinematography and score, as Ramin Djawadi crafted such powerful themes that remind me of gospel choirs. 

The film also has such a diverse cast full of impeccable performances, each actor truly inhabit their respective roles. some unfortunately have less screentime but they truly make an impact as vital members of this family. 

Most of the story centres around Gemma Chan’s character Sersi. She has the ability to manipulate non-sentient matter. Sersi also has a newfound love and respect for humanity. In present day, she works as a museum curator and dating human Dane Whitman played by Game of Thrones’ Kit Harington. Sersi also had a long romantic relationship with Ikaris played by Richard Madden.  

Richard Madden’s Ikaris is one of the most powerful Eternals, with the ability to fly and shoot beams of light from his eyes. his love for Sersi also takes precedent during the film as they’re on and off, as their complicated relationship stretches through centuries.

Unlike many of the Eternals who have stayed undercover through centuries, Kingo (Kumail Nanjiani ) has done the opposite, making a living as a Bollywood star and as an Eternal he has the power to to manipulate energy with his hands. However he must leave all the wealth and success behind to help his family repel the new Deviant threat. Kumail Nanjiani was a great comedic and definitely has an entertaining character. 

Sprite is the ambitious storyteller of the Eternals and she may look like a preteen, but in reality and like the other Eternals, she’s actually thousands of years old. Sprite has the ability to use the cosmic energy that powers the Eternals and is able to cast lifelike illusions. 

Phastos (Bryan Tyree Henry)  is the inventor of the group, he’s helped nudge humanity forward technologically whilst keeping his brilliance hidden. Phastos is also a technopath and is able to create any invention or weapon that is powered by cosmic energy, providing that he has access to the raw materials to disassemble and build. He also possesses a tremendous love for family. in recent years, he started a family with his Husband and son. It’s the first MCU movie to feature a LGBTQ hero and Eternals marks a new path forward for Marvel Studios, expanding the idea that anyone regardless of who they are can be a hero. 

Photograph: Marvel Studios

Makkari (Lauren Ridloff) is also the first deaf hero in the Marvel Cinematic Universe and a first time that a deaf actress is in a major role. This entry of Phase Four has diversity and fantastic representation. Makkari is the super fast member of the Eternals, she is the fastest woman in the universe as she uses her cosmic powered super-speed to scout planets for the Eternals. and as the only deaf Eternal the sonic boom that accompanies her speedy running doesn’t affect her. She’s also able to read at a superhuman rate. 

Another Eternal and one of my favourites from the film was Barry Keoghan’s Druig. He has the ability to control the minds of humans but has grown disgruntled with the way his fellow Eternals are interacting with mankind. Keoghan gives a magnificent performance, its aloof and powerful and it’s hard to determine if he’s a friend or foe. I also loved that he is pacifistic and is willing to go against orders to end all conflicts. His relationships with the other Eternals is also fascinating, he’s sarcastic to Kingo but very flirtatious toward Makkari. I really hope we get to see more of their relationship. 

Korean actor Don Lee plays Gilgamesh as extremely powerful and a strong warrior amongst the other Eternals. And though he is physically strong his greatest strength is his kindness. using cosmic energy Gilgamesh is capable of projecting a golden, energy-enhanced exoskeleton which shields his arms and fists, all this enhances his strength and durability during combat. He also has a deep connection with Angelina Jolie’s character Thena. 

Speaking of Thena, Jolie is absolutely no stranger to blockbuster movies and in Eternals she is another favourite of mine. Thena is the warrior of the Eternals she’s very stoic but also very calm and collected. she’s also fearless and relentless and relishes her skills in combat against the Deviants. With pure cosmic energy, she wields the power to manifest any handheld weapon she can imagine such as spears, swords, shields, knives, axes, and staffs. 

Photograph: Marvel Studios

And lastly is Ajak, the Eternals’ stoic and powerful leader. she is the mother figure of the group but also acts as the bridge between Eternals and the Celestials. She is wise and spiritual and with the help of cosmic energy she is able to heal humans and Eternals from injuries and illnesses. 

Photograph: Marvel Studios

Each Eternal have their own unique powers and they own personal drama within this complicated little family. 

Their costumes are also a visual treat, they have a sort of otherworldly effect with the unique materials used and the costume designers truly have elevated the elements of science fiction. heavily inspired by creator Jack kirby, they used lots of circles and bold shapes. Many of the characters costumes are inspired by the elements, nature, minerals and the cosmos to give the impression that they’re made with organic matter. 

Zhao takes her time by fleshing out these characters and elaborates the intimate relationships the group have throughout the centuries. It introduces these ten characters with tons of story and Zaho succeeds in making these immortal beings feel human. 

Overall Eternals is another great entry into the Marvel Cinematic Universe plus it manages to be its own entity in the MCU. It’s very mature and delivers an ambitious take on humanity. It’s very grounded in biblical themes and had great atmosphere. 

 

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Action

Infinite | A Michael Bay Imitation Film

Infinite Desperately Wants to Impress With its Style, But Has No Substance.

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Paramount wanted to get ahead in the streaming game with Paramount+ but made the novice mistake of selling most of their titles, due to the COVID-19 pandemic, to other streaming services such as Amazon Prime Video and Netflix instead of…I don’t know…growing their own. With barely any content left and keeping their big tentpole releases such as A Quiet Place: Part II and Top Gun: Maverick in cinemas, Paramount is finally saying “Ahhhhhh! I get it!” after every other major streaming service, especially Disney+ and HBO Max, used the pandemic as a pretext to grow their subscriber base. However, having sold most of its upcoming films to other streaming services, the studio only seems to have duds in the hopes of growing its subscriber base. Enter Antoine Fuqua’s latest film, Infinite, which strangely never feels like something the director of such visceral action pictures like Training Day, Bait, Tears of the Sun, Shooter, Brooklyn’s Finest, and The Equalizer, but Fuqua desperately wanting to emulate Michael Bay’s signature style.

There’s only one problem, however: even if you want to do Bayhem, and you intend to replicate it as accurately as you can, there’s a sole filmmaker that can do it right—and that’s Bay himself. But it doesn’t matter for Fuqua; he starts his overtly aestheticized action amazingly quickly, with an upbeat car chase staged to the rhythms of Campfire’s Legends Never Die, with Heinrich Treadway (Dylan O’Brien) being pursued by Bathurst (Rupert Friend), who looks for a thingamajig aptly named “The Egg” (because it’s shaped like an egg, of course!), which has the power of destroying…the entire world (how original!). Treadway dies without giving away The Egg’s location. Suddenly, a man named Evan McCauley (Mark Wahlberg) wakes up from his Treadway nightmare. We progressively learn that McCauley has schizophrenia who constantly remembers things from past lives he seemed to have never experienced before. He is what the “Believers” call “Infinites,” whose souls constantly get reincarnated inside a different body. He is quickly apprehended by Bathurst (now played by Chiwetel Ejiofor) after using a hand-crafted sword in a drug deal gone bad. His “life” changes drastically once Evan learns that he possesses Treadway’s soul and must reawaken his memory to quickly find The Egg before Bathurst does and destroys the entire world.

Infinite,' starring Mark Wahlberg & Chiwetel Ejiofor, debuts on Paramount+

Let’s be honest: movies that center on thingamajigs (or MacGuffins as academics would call them) are amazingly tiresome and can only go so far before it veers off in predictable territory. Thankfully, Fuqua’s emulation of Bayhem makes many of its central action setpieces move at a somewhat entertaining pace. The car chase at the beginning involving Dylan O’Brien’s Treadway is filled with Bay’s rapid editing and an over-reliance on a moving camera that always, and I mean, always acts like a paintbrush to produce a copious, almost gratuitous amount of flashy style. And by flashy style, I mean excessive use of slow-motion, flares, and explosions or low-angles during 1-on-1 fight sequences. The explosions in this film are particularly reminiscent of Bay’s pictures, though not as big in scale, but produce the same cathartic effect. One scene in which Evan and Nora (Sophie Cookson) try to run away from Bathurst’s robotic henchmen inside a buggy has a precise explosion that, in its staging of using slow-motion at a pinpoint moment, feels as if it’s been directed by Bay. I mean, heck, if the end credits said “Directed by Michael Bay” instead of Antoine Fuqua, I’d believe it.

INFINITE (2021) Movie Trailer: Mark Wahlberg's Past Lives are Unlocked by a  Secret Society in Antoine Fuqua's Scifi Film | FilmBook

By doing this, Fuqua prevents the film from being a total dud than it is, since the script is filled with so many ineptitudes on:

  1. The world of the Infinites. The difference between the “believers” and “nihilists” is barely explained in two throwaway lines that almost feel unimportant. I can only explain the nihilists, who want all life to cease existing so they can stop reincarnating themselves, which adds a weird ineptitude on:
  2. Bathurst’s motivations. He wants to stop reincarnating himself and has developed a bullet that prevents believers from doing so. Ok, so if you’ve developed a bullet that grants your sole motivation…why not shoot yourself with it instead of bringing the entire world down with you? I’m sorry, but we never know the why behind Bathurst’s plan to destroy the world, aside from the overly used “humans are stupid, so I guess I need to bring them down with me” line, after torturing Toby Jones’ character by shoving…*checks notes*…honey down his mouth…interesting.

These two main problems falter its extremely stylized action for a sci-fi picture that’s as smart as Mark Wahlberg’s previous tenure in that genre…with Michael Bay in Transformers: Age of Extinction and The Last Knight. Hell, here’s another thing: if you would’ve told me that this is set in the world of Transformers that Wahlberg reprised his role as Cade Yeager through a new alter-ego, who now has the memories of somebody else (through unbeknownst reasons), then guess what? I would’ve believed it too. Wahlberg’s performance is no different than his exploration of the Transformers universe: half-charm, half-cluelessness, which equates to accepting every preposterous explanation on “Infinites” as “fact” and tagging along with people he’s never seen before and pretend everything’ll be fine, even if he is now tasked to save the entire world, in the same sense he had to do it (twice!) with the Autobots.

Infinite review: Mark Wahlberg relives past action movies in this soulless  flick - CNET

His character progression starts by being the only character that asks questions to the Infinites, who will then explain the film’s facile and underdeveloped plot in hackneyed detail, until he becomes the hero we deserve, but didn’t know we needed, as he uses a sword à la Morpheus from The Matrix Reloaded to bring down an entire plane and fight with Bathurst in the air, without any parachute, in the craziest, most bewildering action scene I’ve seen that defies all sense of logic and paints their characters as God-like mythic figures since The Fast and the Furious franchise said “no more logic” when Dom Toretto destroyed a parking lot with his feet.

Speaking of Bathurst, Chiwetel Ejiofor, a usual powerhouse, is completely miscast here and delivers his worst performance to date with an indescribable accent that makes everything about his antagonistic presence feel terribly cartoonish and over-the-top. He’ll refine his antagonist chops, most likely in Doctor Strange in the Multiverse of Madness. I truly hope he’ll return to a more natural state of acting as he did as Mordo in Scott Derrickson’s 2016 film (or even when he compellingly portrayed Scar in the 2019 remake of The Lion King), instead of doing whatever the hell he’s doing here. I can barely explain, or comprehend, if you will, what Ejiofor even attempted to do in Infinite to render his antagonist menacing…but it clearly didn’t work and made every scene he’s in feel unintentionally hilarious. Look at the scene in which he tortures Toby Jones with honey and how he tries to make his awfully written lines serious and menacing and yet does the exact opposite. It’s quite a feat to see, but it needs to be forgotten sooner rather than later.

Infinite (2021) - IMDb

This is probably why Paramount dropped Infinite on a streaming service no one is subscribed to, so it can be easily forgotten and buried inside an ever-growing algorithm that “curates” films on content rather than quality. While Infinite contains a hefty number of fun action sequences that imitate Michael Bay’s unmatched style, it, unfortunately, does not overshadow its terribly facile and underdeveloped plot and caricatural lead performances from Mark Wahlberg and Chiwetel Ejiofor. If you’re a fan of Antoine Fuqua, you won’t watch this and go through his previous films instead, which would be for the better. Let’s hope his remake of The Guilty, set to release later this year on Netflix, will be better than Infinite (spoiler: it likely will).

Infinite is now available to stream on Paramount+.

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Adventure

Netflix | Stranger Things: Season 4 – Teases Eleven’s Back Story

The upcoming fourth season of the American science fiction horror television series Stranger Things, titled Stranger Things 4, was announced by Netflix in September 2019. The fourth season has continued to be produced by the show’s creators the Duffer Brothers, along with Shawn Levy, Dan Cohen, and Iain Paterson.

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The upcoming fourth season of the American science fiction horror television series Stranger Things, titled Stranger Things 4, was announced by Netflix in September 2019. The fourth season has continued to be produced by the show’s creators the Duffer Brothers, along with Shawn Levy, Dan Cohen, and Iain Paterson.

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